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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E279 it is the complementary color #2E1D86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E279. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D1E279: #D6E274, #E7F487, #F8FF9A, #FFFFAD and #FFFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E279. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D1E279: #D1E279, #C0D066, #AFBE53, #9EAC40 and #8D9A2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

Complementary color

CMYK 66 / 78 / 0 / 47

HEX #2E1D86

RGB 46 29 134

HSL 249.71, 0.64%, 0.32%

LAB 20.75, 39.21, -55.5

 

CMYK 5 / 0 / 49 / 11

HEX #D6E274

RGB 214 226 116

HSL 66.55, 0.65%, 0.67%

LAB 86.97, -19.55, 51.94

 

CMYK 5 / 0 / 45 / 4

HEX #E7F487

RGB 231 244 135

HSL 67.16, 0.83%, 0.74%

LAB 93.21, -19.88, 50.82

 

CMYK 3 / 0 / 40 / 0

HEX #F8FF9A

RGB 248 255 154

HSL 64.16, 1%, 0.8%

LAB 97.56, -16.78, 47.42

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 8 / 0 / 51 / 18

HEX #C0D066

RGB 192 208 102

HSL 69.06, 0.53%, 0.61%

LAB 80.34, -20.72, 50.24

 

CMYK 8 / 0 / 56 / 25

HEX #AFBE53

RGB 175 190 83

HSL 68.41, 0.45%, 0.54%

LAB 73.91, -20.33, 51.3

 

CMYK 8 / 0 / 63 / 33

HEX #9EAC40

RGB 158 172 64

HSL 67.78, 0.46%, 0.46%

LAB 67.39, -19.83, 52.2

 

CMYK 8 / 0 / 71 / 40

HEX #8D9A2D

RGB 141 154 45

HSL 67.16, 0.55%, 0.39%

LAB 60.75, -19.18, 52.74

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 15 / 0 / 46 / 12

HEX #C0E179

RGB 192 225 121

HSL 79.04, 0.63%, 0.68%

LAB 85.22, -27.05, 47.08

 

CMYK 22 / 0 / 46 / 12

HEX #AFE179

RGB 175 225 121

HSL 88.85, 0.63%, 0.68%

LAB 84.15, -33.33, 45.52

 

CMYK 30 / 0 / 46 / 12

HEX #9DE179

RGB 157 225 121

HSL 99.23, 0.63%, 0.68%

LAB 83.13, -39.65, 44.03

 

CMYK 38 / 0 / 46 / 12

HEX #8CE179

RGB 140 225 121

HSL 109.04, 0.63%, 0.68%

LAB 82.27, -45.22, 42.78

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 9 / 0 / 45 / 91

HEX #14160C

RGB 20 22 12

HSL 72, 0.29%, 0.07%

LAB 6.77, -2.88, 5.11

 

CMYK 7 / 0 / 47 / 71

HEX #444927

RGB 68 73 39

HSL 68.82, 0.3%, 0.22%

LAB 29.76, -8.27, 19.63

 

CMYK 7 / 0 / 47 / 51

HEX #737C42

RGB 115 124 66

HSL 69.31, 0.31%, 0.37%

LAB 50.04, -12.9, 30.41

 

CMYK 7 / 0 / 46 / 31

HEX #A2AF5E

RGB 162 175 94

HSL 69.63, 0.34%, 0.53%

LAB 68.86, -17.03, 39.8

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 46 / 0 / 30 / 12

HEX #79E19D

RGB 121 225 157

HSL 140.77, 0.63%, 0.68%

LAB 82.03, -45.06, 24.13

 

CMYK 12 / 46 / 0 / 12

HEX #C779E1

RGB 199 121 225

HSL 285, 0.63%, 0.68%

LAB 62.72, 47.42, -40.86

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 46 / 7 / 0 / 12

HEX #79D1E1

RGB 121 209 225

HSL 189.23, 0.63%, 0.68%

LAB 79.1, -22.32, -16.16

 

CMYK 0 / 46 / 7 / 12

HEX #E179D1

RGB 225 121 209

HSL 309.23, 0.63%, 0.68%

LAB 65.19, 52.05, -27.85

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 46 / 0 / 30 / 12

HEX #79E19D

RGB 121 225 157

HSL 140.77, 0.63%, 0.68%

LAB 82.03, -45.06, 24.13

 

CMYK 40 / 46 / 0 / 12

HEX #8879E1

RGB 136 121 225

HSL 248.65, 0.63%, 0.68%

LAB 56.43, 30.41, -51.21

 

CMYK 0 / 46 / 16 / 12

HEX #E179BD

RGB 225 121 189

HSL 320.77, 0.63%, 0.68%

LAB 64.45, 48.83, -17.73

 

CMYK 8 / 0 / 46 / 11

HEX #D1E279

RGB 209 226 121

HSL 69.71, 0.64%, 0.68%

LAB 86.67, -21.02, 49.12

 

CMYK 46 / 0 / 16 / 12

HEX #79E1BD

RGB 121 225 189

HSL 159.23, 0.63%, 0.68%

LAB 82.69, -38.63, 8.3

 

CMYK 40 / 46 / 0 / 12

HEX #8879E1

RGB 136 121 225

HSL 248.65, 0.63%, 0.68%

LAB 56.43, 30.41, -51.21

 

CMYK 0 / 46 / 30 / 12

HEX #E1799D

RGB 225 121 157

HSL 339.23, 0.63%, 0.68%

LAB 63.44, 44.3, -1.05

 

Description

Color code: HEX #D1E279 | qconv.com Color code: HEX #D1E279 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 226 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 226 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 46 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 46% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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