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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18838 it is the complementary color #2E77C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18838 shade: #D68833, #E79A46, #F8AC59, #FFBE6C and #FFD07F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18838 shade: #D18838, #C07625, #AF6412, #9E5200 and #8D4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18838 shade: #D08839, #D05F39 and #D03939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18838 shade: #D08839, #D0B139, #C7D039, #9ED039 and #75D039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18838 shade matches the following richer shades: #D08839, #E48925 and #F88A11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18838 shade: #D08839, #BD874D, #A98660, #958574 and #818488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18838 shade: #D0393B, #D05F39, #D08739, #D0B039 and #C9D039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18838 shade: #945E23, #B5732B, #D08839, #D89C5A and #E0B07C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18838 shade: #D18838, #64D039 and #4A39D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18838 shade: #D18838, #39D087 and #8739D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18838 shade: #D18838, #64D039, #3982D0 and #A539D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18838 shade: #D18838, #39D03B, #3982D0 and #D039CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 73 / 18

HEX #D18838

RGB 209 136 56

HSL 31.37, 0.62%, 0.52%

LAB 62.88, 21.11, 52.51

 

Complementary color

CMYK 77 / 40 / 0 / 22

HEX #2E77C7

RGB 46 119 199

HSL 211.37, 0.62%, 0.48%

LAB 49.37, 5.53, -48.04

 

CMYK 0 / 36 / 76 / 16

HEX #D68833

RGB 214 136 51

HSL 31.29, 0.67%, 0.52%

LAB 63.46, 23.01, 55.46

 

CMYK 0 / 33 / 70 / 9

HEX #E79A46

RGB 231 154 70

HSL 31.3, 0.77%, 0.59%

LAB 69.85, 21.41, 54.27

 

CMYK 0 / 31 / 64 / 3

HEX #F8AC59

RGB 248 172 89

HSL 31.32, 0.92%, 0.66%

LAB 76.18, 20, 52.9

 

CMYK 0 / 25 / 58 / 0

HEX #FFBE6C

RGB 255 190 108

HSL 33.47, 1%, 0.71%

LAB 81.38, 14.71, 49.98

 

CMYK 0 / 18 / 50 / 0

HEX #FFD07F

RGB 255 208 127

HSL 37.97, 1%, 0.75%

LAB 85.96, 6.9, 46.2

 

CMYK 0 / 35 / 73 / 18

HEX #D18838

RGB 209 136 56

HSL 31.37, 0.62%, 0.52%

LAB 62.88, 21.11, 52.51

 

CMYK 0 / 39 / 81 / 25

HEX #C07625

RGB 192 118 37

HSL 31.35, 0.68%, 0.45%

LAB 56.38, 22.86, 53.49

 

CMYK 0 / 43 / 90 / 31

HEX #AF6412

RGB 175 100 18

HSL 31.34, 0.81%, 0.38%

LAB 49.82, 24.87, 53.62

 

CMYK 0 / 48 / 100 / 38

HEX #9E5200

RGB 158 82 0

HSL 31.14, 1%, 0.31%

LAB 43.22, 27.12, 52.45

 

CMYK 0 / 55 / 100 / 45

HEX #8D4000

RGB 141 64 0

HSL 27.23, 1%, 0.28%

LAB 36.61, 29.63, 47.15

 

CMYK 0 / 35 / 73 / 18

HEX #D08839

RGB 208 136 57

HSL 31.39, 0.62%, 0.52%

LAB 62.77, 20.73, 51.9

 

CMYK 0 / 54 / 73 / 18

HEX #D05F39

RGB 208 95 57

HSL 15.1, 0.62%, 0.52%

LAB 53.91, 42.26, 42.49

 

CMYK 0 / 73 / 73 / 18

HEX #D03939

RGB 208 57 57

HSL 0, 0.62%, 0.52%

LAB 47.79, 58.57, 35.64

 

CMYK 0 / 35 / 73 / 18

HEX #D08839

RGB 208 136 57

HSL 31.39, 0.62%, 0.52%

LAB 62.77, 20.73, 51.9

 

CMYK 0 / 15 / 73 / 18

HEX #D0B139

RGB 208 177 57

HSL 47.68, 0.62%, 0.52%

LAB 72.99, -1.32, 62.16

 

CMYK 4 / 0 / 73 / 18

HEX #C7D039

RGB 199 208 57

HSL 63.58, 0.62%, 0.52%

LAB 80.49, -20.93, 69.13

 

CMYK 24 / 0 / 73 / 18

HEX #9ED039

RGB 158 208 57

HSL 79.87, 0.62%, 0.52%

LAB 77.68, -37.43, 65.45

 

CMYK 44 / 0 / 73 / 18

HEX #75D039

RGB 117 208 57

HSL 96.16, 0.62%, 0.52%

LAB 75.57, -51.89, 62.66

 

CMYK 0 / 35 / 73 / 18

HEX #D08839

RGB 208 136 57

HSL 31.39, 0.62%, 0.52%

LAB 62.77, 20.73, 51.9

 

CMYK 0 / 40 / 84 / 11

HEX #E48925

RGB 228 137 37

HSL 31.41, 0.78%, 0.52%

LAB 65.37, 27.89, 63.2

 

CMYK 0 / 44 / 93 / 3

HEX #F88A11

RGB 248 138 17

HSL 31.43, 0.94%, 0.52%

LAB 68.15, 35.19, 71.72

 

CMYK 0 / 35 / 73 / 18

HEX #D08839

RGB 208 136 57

HSL 31.39, 0.62%, 0.52%

LAB 62.77, 20.73, 51.9

 

CMYK 0 / 29 / 59 / 26

HEX #BD874D

RGB 189 135 77

HSL 31.07, 0.46%, 0.52%

LAB 60.5, 14.39, 38.96

 

CMYK 0 / 21 / 43 / 34

HEX #A98660

RGB 169 134 96

HSL 31.23, 0.3%, 0.52%

LAB 58.35, 8.21, 25.53

 

CMYK 0 / 11 / 22 / 42

HEX #958574

RGB 149 133 116

HSL 30.91, 0.13%, 0.52%

LAB 56.51, 3.19, 11.38

 

CMYK 5 / 3 / 0 / 47

HEX #818488

RGB 129 132 136

HSL 214.29, 0.03%, 0.52%

LAB 55.02, -0.29, -2.54

 

CMYK 0 / 73 / 72 / 18

HEX #D0393B

RGB 208 57 59

HSL 359.21, 0.62%, 0.52%

LAB 47.82, 58.66, 34.51

 

CMYK 0 / 54 / 73 / 18

HEX #D05F39

RGB 208 95 57

HSL 15.1, 0.62%, 0.52%

LAB 53.91, 42.26, 42.49

 

CMYK 0 / 35 / 73 / 18

HEX #D08739

RGB 208 135 57

HSL 30.99, 0.62%, 0.52%

LAB 62.54, 21.28, 51.66

 

CMYK 0 / 15 / 73 / 18

HEX #D0B039

RGB 208 176 57

HSL 47.28, 0.62%, 0.52%

LAB 72.73, -0.79, 61.91

 

CMYK 3 / 0 / 73 / 18

HEX #C9D039

RGB 201 208 57

HSL 62.78, 0.62%, 0.52%

LAB 80.64, -20.1, 69.33

 

CMYK 0 / 36 / 76 / 42

HEX #945E23

RGB 148 94 35

HSL 31.33, 0.62%, 0.36%

LAB 44.83, 16.82, 41.27

 

CMYK 0 / 36 / 76 / 29

HEX #B5732B

RGB 181 115 43

HSL 31.3, 0.62%, 0.44%

LAB 54.3, 19.97, 48.5

 

CMYK 0 / 35 / 73 / 18

HEX #D08839

RGB 208 136 57

HSL 31.39, 0.62%, 0.52%

LAB 62.77, 20.73, 51.9

 

CMYK 0 / 28 / 58 / 15

HEX #D89C5A

RGB 216 156 90

HSL 31.43, 0.62%, 0.6%

LAB 68.83, 15.33, 42.96

 

CMYK 0 / 21 / 45 / 12

HEX #E0B07C

RGB 224 176 124

HSL 31.2, 0.62%, 0.68%

LAB 75.05, 10.92, 33.26

 

CMYK 0 / 35 / 73 / 18

HEX #D18838

RGB 209 136 56

HSL 31.37, 0.62%, 0.52%

LAB 62.88, 21.11, 52.51

 

CMYK 52 / 0 / 73 / 18

HEX #64D039

RGB 100 208 57

HSL 102.91, 0.62%, 0.52%

LAB 74.9, -56.95, 61.76

 

CMYK 64 / 73 / 0 / 18

HEX #4A39D0

RGB 74 57 208

HSL 246.75, 0.62%, 0.52%

LAB 35.86, 50.64, -75.07

 

CMYK 0 / 35 / 73 / 18

HEX #D18838

RGB 209 136 56

HSL 31.37, 0.62%, 0.52%

LAB 62.88, 21.11, 52.51

 

CMYK 73 / 0 / 35 / 18

HEX #39D087

RGB 57 208 135

HSL 150.99, 0.62%, 0.52%

LAB 74.65, -55.64, 25.26

 

CMYK 35 / 73 / 0 / 18

HEX #8739D0

RGB 135 57 208

HSL 270.99, 0.62%, 0.52%

LAB 42.2, 59.98, -64.44

 

CMYK 0 / 35 / 73 / 18

HEX #D18838

RGB 209 136 56

HSL 31.37, 0.62%, 0.52%

LAB 62.88, 21.11, 52.51

 

CMYK 52 / 0 / 73 / 18

HEX #64D039

RGB 100 208 57

HSL 102.91, 0.62%, 0.52%

LAB 74.9, -56.95, 61.76

 

CMYK 73 / 38 / 0 / 18

HEX #3982D0

RGB 57 130 208

HSL 210.99, 0.62%, 0.52%

LAB 53.37, 3.51, -46.78

 

CMYK 21 / 73 / 0 / 18

HEX #A539D0

RGB 165 57 208

HSL 282.91, 0.62%, 0.52%

LAB 46.28, 65.67, -57.64

 

CMYK 0 / 35 / 73 / 18

HEX #D18838

RGB 209 136 56

HSL 31.37, 0.62%, 0.52%

LAB 62.88, 21.11, 52.51

 

CMYK 73 / 0 / 72 / 18

HEX #39D03B

RGB 57 208 59

HSL 120.79, 0.62%, 0.52%

LAB 73.74, -66.3, 59.49

 

CMYK 73 / 38 / 0 / 18

HEX #3982D0

RGB 57 130 208

HSL 210.99, 0.62%, 0.52%

LAB 53.37, 3.51, -46.78

 

CMYK 0 / 73 / 1 / 18

HEX #D039CE

RGB 208 57 206

HSL 300.79, 0.62%, 0.52%

LAB 52.72, 74.11, -45.82

 

Description

Color code: HEX #D18838 | qconv.com Color code: HEX #D18838 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 136 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 136 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 73 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 73% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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