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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D17EB6 it is the complementary color #2E8149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D17EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D17EB6 shade: #D67EB1, #E790C4, #F8A2D7, #FFB4EA and #FFC6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D17EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D17EB6 shade: #D17EB6, #C06CA3, #AF5A90, #9E487D and #8D366A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D17EB6 shade: #D180B7, #D180A1, #D1808B and #D18080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D17EB6 shade: #D180B7, #D180CD, #C080D1, #AA80D1 and #9480D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D17EB6 shade matches the following richer shades: #D180B7, #DF72BB, #ED63C0 and #FB55C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D17EB6 shade: #D180B7, #C38EB2, #B59CAD, #A7AAA8 and #99B8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D17EB6 shade: #BF80D1, #D180CD, #D180B7, #D180A2 and #D1808C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D17EB6 shade: #BB4394, #C661A5, #D180B7, #DC9EC8 and #E7BCD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D17EB6 shade: #D17EB6, #D1AA80 and #80D1CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D17EB6 shade: #D17EB6, #B7D180 and #80B7D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D17EB6 shade: #D17EB6, #D1AA80, #80D199 and #80A7D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D17EB6 shade: #D17EB6, #D1C280, #80D199 and #808ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 13 / 18

HEX #D17EB6

RGB 209 126 182

HSL 319.52, 0.47%, 0.66%

LAB 63.22, 39.96, -15.81

 

Complementary color

CMYK 64 / 0 / 43 / 49

HEX #2E8149

RGB 46 129 73

HSL 139.52, 0.47%, 0.34%

LAB 47.96, -38.24, 23.15

 

CMYK 0 / 41 / 17 / 16

HEX #D67EB1

RGB 214 126 177

HSL 325.23, 0.52%, 0.67%

LAB 63.67, 40.83, -12.25

 

CMYK 0 / 38 / 15 / 9

HEX #E790C4

RGB 231 144 196

HSL 324.14, 0.64%, 0.74%

LAB 70.12, 40.05, -13.02

 

CMYK 0 / 35 / 13 / 3

HEX #F8A2D7

RGB 248 162 215

HSL 323.02, 0.86%, 0.8%

LAB 76.5, 39.31, -13.71

 

CMYK 0 / 29 / 8 / 0

HEX #FFB4EA

RGB 255 180 234

HSL 316.8, 1%, 0.85%

LAB 81.75, 35.31, -16.03

 

CMYK 0 / 22 / 1 / 0

HEX #FFC6FD

RGB 255 198 253

HSL 302.11, 1%, 0.89%

LAB 86.38, 29.16, -19.2

 

CMYK 0 / 40 / 13 / 18

HEX #D17EB6

RGB 209 126 182

HSL 319.52, 0.47%, 0.66%

LAB 63.22, 39.96, -15.81

 

CMYK 0 / 44 / 15 / 25

HEX #C06CA3

RGB 192 108 163

HSL 320.71, 0.4%, 0.59%

LAB 56.66, 40.74, -15.06

 

CMYK 0 / 49 / 18 / 31

HEX #AF5A90

RGB 175 90 144

HSL 321.88, 0.35%, 0.52%

LAB 50.03, 41.51, -14.18

 

CMYK 0 / 54 / 21 / 38

HEX #9E487D

RGB 158 72 125

HSL 323.02, 0.37%, 0.45%

LAB 43.34, 42.22, -13.11

 

CMYK 0 / 62 / 25 / 45

HEX #8D366A

RGB 141 54 106

HSL 324.14, 0.45%, 0.38%

LAB 36.63, 42.76, -11.74

 

CMYK 0 / 39 / 12 / 18

HEX #D180B7

RGB 209 128 183

HSL 319.26, 0.47%, 0.66%

LAB 63.68, 39.07, -15.69

 

CMYK 0 / 39 / 23 / 18

HEX #D180A1

RGB 209 128 161

HSL 335.56, 0.47%, 0.66%

LAB 62.98, 35.64, -4.24

 

CMYK 0 / 39 / 33 / 18

HEX #D1808B

RGB 209 128 139

HSL 351.85, 0.47%, 0.66%

LAB 62.39, 32.63, 7.45

 

CMYK 0 / 39 / 39 / 18

HEX #D18080

RGB 209 128 128

HSL 0, 0.47%, 0.66%

LAB 62.13, 31.29, 13.35

 

CMYK 0 / 39 / 12 / 18

HEX #D180B7

RGB 209 128 183

HSL 319.26, 0.47%, 0.66%

LAB 63.68, 39.07, -15.69

 

CMYK 0 / 39 / 2 / 18

HEX #D180CD

RGB 209 128 205

HSL 302.96, 0.47%, 0.66%

LAB 64.48, 42.88, -26.85

 

CMYK 8 / 39 / 0 / 18

HEX #C080D1

RGB 192 128 209

HSL 287.41, 0.47%, 0.66%

LAB 62.72, 38.39, -31.98

 

CMYK 19 / 39 / 0 / 18

HEX #AA80D1

RGB 170 128 209

HSL 271.11, 0.47%, 0.66%

LAB 60.42, 31.73, -35.74

 

CMYK 29 / 39 / 0 / 18

HEX #9480D1

RGB 148 128 209

HSL 254.81, 0.47%, 0.66%

LAB 58.36, 25.3, -39.11

 

CMYK 0 / 39 / 12 / 18

HEX #D180B7

RGB 209 128 183

HSL 319.26, 0.47%, 0.66%

LAB 63.68, 39.07, -15.69

 

CMYK 0 / 49 / 16 / 13

HEX #DF72BB

RGB 223 114 187

HSL 319.82, 0.63%, 0.66%

LAB 62.77, 51.38, -19.17

 

CMYK 0 / 58 / 19 / 7

HEX #ED63C0

RGB 237 99 192

HSL 319.57, 0.79%, 0.66%

LAB 62.28, 63.22, -22.58

 

CMYK 0 / 66 / 22 / 2

HEX #FB55C5

RGB 251 85 197

HSL 319.52, 0.95%, 0.66%

LAB 62.54, 73.3, -24.84

 

CMYK 0 / 39 / 12 / 18

HEX #D180B7

RGB 209 128 183

HSL 319.26, 0.47%, 0.66%

LAB 63.68, 39.07, -15.69

 

CMYK 0 / 27 / 9 / 24

HEX #C38EB2

RGB 195 142 178

HSL 319.25, 0.31%, 0.66%

LAB 65.09, 25.83, -10.9

 

CMYK 0 / 14 / 4 / 29

HEX #B59CAD

RGB 181 156 173

HSL 319.2, 0.14%, 0.66%

LAB 66.99, 12.2, -5.42

 

CMYK 2 / 0 / 1 / 33

HEX #A7AAA8

RGB 167 170 168

HSL 140, 0.02%, 0.66%

LAB 69.32, -1.44, 0.65

 

CMYK 17 / 0 / 11 / 28

HEX #99B8A3

RGB 153 184 163

HSL 139.35, 0.18%, 0.66%

LAB 72.03, -14.71, 7.18

 

CMYK 9 / 39 / 0 / 18

HEX #BF80D1

RGB 191 128 209

HSL 286.67, 0.47%, 0.66%

LAB 62.61, 38.09, -32.16

 

CMYK 0 / 39 / 2 / 18

HEX #D180CD

RGB 209 128 205

HSL 302.96, 0.47%, 0.66%

LAB 64.48, 42.88, -26.85

 

CMYK 0 / 39 / 12 / 18

HEX #D180B7

RGB 209 128 183

HSL 319.26, 0.47%, 0.66%

LAB 63.68, 39.07, -15.69

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 39 / 33 / 18

HEX #D1808C

RGB 209 128 140

HSL 351.11, 0.47%, 0.66%

LAB 62.41, 32.76, 6.91

 

CMYK 0 / 64 / 21 / 27

HEX #BB4394

RGB 187 67 148

HSL 319.5, 0.47%, 0.5%

LAB 47.9, 56.64, -19.64

 

CMYK 0 / 51 / 17 / 22

HEX #C661A5

RGB 198 97 165

HSL 319.6, 0.47%, 0.58%

LAB 55.35, 48.62, -18.14

 

CMYK 0 / 39 / 12 / 18

HEX #D180B7

RGB 209 128 183

HSL 319.26, 0.47%, 0.66%

LAB 63.68, 39.07, -15.69

 

CMYK 0 / 28 / 9 / 14

HEX #DC9EC8

RGB 220 158 200

HSL 319.35, 0.47%, 0.74%

LAB 72.12, 29.54, -12.36

 

CMYK 0 / 19 / 6 / 9

HEX #E7BCD9

RGB 231 188 217

HSL 319.53, 0.47%, 0.82%

LAB 80.72, 20.12, -8.68

 

CMYK 0 / 40 / 13 / 18

HEX #D17EB6

RGB 209 126 182

HSL 319.52, 0.47%, 0.66%

LAB 63.22, 39.96, -15.81

 

CMYK 0 / 19 / 39 / 18

HEX #D1AA80

RGB 209 170 128

HSL 31.11, 0.47%, 0.66%

LAB 72.14, 8.54, 27.03

 

CMYK 39 / 0 / 3 / 18

HEX #80D1CA

RGB 128 209 202

HSL 174.81, 0.47%, 0.66%

LAB 78.73, -26.37, -4.35

 

CMYK 0 / 40 / 13 / 18

HEX #D17EB6

RGB 209 126 182

HSL 319.52, 0.47%, 0.66%

LAB 63.22, 39.96, -15.81

 

CMYK 12 / 0 / 39 / 18

HEX #B7D180

RGB 183 209 128

HSL 79.26, 0.47%, 0.66%

LAB 80.31, -21.91, 37.32

 

CMYK 39 / 12 / 0 / 18

HEX #80B7D1

RGB 128 183 209

HSL 199.26, 0.47%, 0.66%

LAB 71.6, -11.36, -18.8

 

CMYK 0 / 40 / 13 / 18

HEX #D17EB6

RGB 209 126 182

HSL 319.52, 0.47%, 0.66%

LAB 63.22, 39.96, -15.81

 

CMYK 0 / 19 / 39 / 18

HEX #D1AA80

RGB 209 170 128

HSL 31.11, 0.47%, 0.66%

LAB 72.14, 8.54, 27.03

 

CMYK 39 / 0 / 27 / 18

HEX #80D199

RGB 128 209 153

HSL 138.52, 0.47%, 0.66%

LAB 77.57, -36.77, 20.16

 

CMYK 39 / 20 / 0 / 18

HEX #80A7D1

RGB 128 167 209

HSL 211.11, 0.47%, 0.66%

LAB 67.15, -2.67, -25.58

 

CMYK 0 / 40 / 13 / 18

HEX #D17EB6

RGB 209 126 182

HSL 319.52, 0.47%, 0.66%

LAB 63.22, 39.96, -15.81

 

CMYK 0 / 7 / 39 / 18

HEX #D1C280

RGB 209 194 128

HSL 48.89, 0.47%, 0.66%

LAB 78.28, -4.17, 35.11

 

CMYK 39 / 0 / 27 / 18

HEX #80D199

RGB 128 209 153

HSL 138.52, 0.47%, 0.66%

LAB 77.57, -36.77, 20.16

 

CMYK 39 / 32 / 0 / 18

HEX #808ED1

RGB 128 142 209

HSL 229.63, 0.47%, 0.66%

LAB 60.37, 11.56, -36.07

 

Description

Color code: HEX #D17EB6 | qconv.com Color code: HEX #D17EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 126 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 126 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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