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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 128 162 it is the complementary color RGB 46 127 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 128 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209 128 162 shade: RGB 214 128 157, RGB 231 146 176, RGB 248 164 195, RGB 255 182 214 and RGB 255 200 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 128 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 192 110 143, RGB 175 92 124, RGB 158 74 105 and RGB 141 56 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 209 128 140 and RGB 209 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 209 128 184, RGB 209 128 206, RGB 190 128 209 and RGB 168 128 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209 128 162 shade matches the following richer shades: RGB 209 128 162, RGB 223 114 160, RGB 237 99 157 and RGB 251 85 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 195 142 164, RGB 181 156 166, RGB 167 170 169 and RGB 153 184 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209 128 162 shade: RGB 209 128 206, RGB 209 128 185, RGB 209 128 163, RGB 209 128 141 and RGB 209 136 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209 128 162 shade: RGB 187 67 117, RGB 198 97 140, RGB 209 128 162, RGB 220 158 184 and RGB 231 188 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 209 190 128 and RGB 128 195 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 163 209 128 and RGB 128 163 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 209 190 128, RGB 128 209 174 and RGB 128 147 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209 128 162 shade: RGB 209 128 162, RGB 204 209 128, RGB 128 209 174 and RGB 133 128 209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

Complementary color

CMYK 64 / 0 / 27 / 50

HEX #2E7F5D

RGB 46 127 93

HSL 154.81, 0.47%, 0.34%

LAB 47.69, -33.15, 11.36

 

CMYK 0 / 40 / 27 / 16

HEX #D6809D

RGB 214 128 157

HSL 339.77, 0.51%, 0.67%

LAB 63.48, 36.84, -1.15

 

CMYK 0 / 37 / 24 / 9

HEX #E792B0

RGB 231 146 176

HSL 338.82, 0.64%, 0.74%

LAB 69.95, 36, -2.13

 

CMYK 0 / 34 / 21 / 3

HEX #F8A4C3

RGB 248 164 195

HSL 337.86, 0.86%, 0.81%

LAB 76.34, 35.22, -3.01

 

CMYK 0 / 29 / 16 / 0

HEX #FFB6D6

RGB 255 182 214

HSL 333.7, 1%, 0.86%

LAB 81.6, 31.05, -5.49

 

CMYK 0 / 22 / 9 / 0

HEX #FFC8E9

RGB 255 200 233

HSL 324, 1%, 0.89%

LAB 86.23, 24.65, -8.8

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 43 / 26 / 25

HEX #C06E8F

RGB 192 110 143

HSL 335.85, 0.39%, 0.59%

LAB 56.43, 36.63, -3.78

 

CMYK 0 / 47 / 29 / 31

HEX #AF5C7C

RGB 175 92 124

HSL 336.87, 0.34%, 0.52%

LAB 49.77, 37.5, -2.64

 

CMYK 0 / 53 / 34 / 38

HEX #9E4A69

RGB 158 74 105

HSL 337.86, 0.36%, 0.45%

LAB 43.04, 38.37, -1.27

 

CMYK 0 / 60 / 39 / 45

HEX #8D3856

RGB 141 56 86

HSL 338.82, 0.43%, 0.39%

LAB 36.3, 39.14, 0.44

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 39 / 33 / 18

HEX #D1808C

RGB 209 128 140

HSL 351.11, 0.47%, 0.66%

LAB 62.41, 32.76, 6.91

 

CMYK 0 / 39 / 39 / 18

HEX #D18080

RGB 209 128 128

HSL 0, 0.47%, 0.66%

LAB 62.13, 31.29, 13.35

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 39 / 12 / 18

HEX #D180B8

RGB 209 128 184

HSL 318.52, 0.47%, 0.66%

LAB 63.72, 39.23, -16.2

 

CMYK 0 / 39 / 1 / 18

HEX #D180CE

RGB 209 128 206

HSL 302.22, 0.47%, 0.66%

LAB 64.52, 43.06, -27.35

 

CMYK 9 / 39 / 0 / 18

HEX #BE80D1

RGB 190 128 209

HSL 285.93, 0.47%, 0.66%

LAB 62.5, 37.78, -32.34

 

CMYK 20 / 39 / 0 / 18

HEX #A880D1

RGB 168 128 209

HSL 269.63, 0.47%, 0.66%

LAB 60.22, 31.13, -36.06

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 49 / 28 / 13

HEX #DF72A0

RGB 223 114 160

HSL 334.68, 0.63%, 0.66%

LAB 61.88, 47.54, -5.09

 

CMYK 0 / 58 / 34 / 7

HEX #ED639D

RGB 237 99 157

HSL 334.78, 0.79%, 0.66%

LAB 61.1, 58.73, -4.29

 

CMYK 0 / 66 / 38 / 2

HEX #FB559B

RGB 251 85 155

HSL 334.7, 0.95%, 0.66%

LAB 61.11, 68.41, -2.87

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 27 / 16 / 24

HEX #C38EA4

RGB 195 142 164

HSL 335.09, 0.31%, 0.66%

LAB 64.67, 23.46, -3.64

 

CMYK 0 / 14 / 8 / 29

HEX #B59CA6

RGB 181 156 166

HSL 336, 0.14%, 0.66%

LAB 66.79, 10.93, -1.8

 

CMYK 2 / 0 / 1 / 33

HEX #A7AAA9

RGB 167 170 169

HSL 160, 0.02%, 0.66%

LAB 69.35, -1.25, 0.13

 

CMYK 17 / 0 / 7 / 28

HEX #99B8AB

RGB 153 184 171

HSL 154.84, 0.18%, 0.66%

LAB 72.22, -13.14, 3.1

 

CMYK 0 / 39 / 1 / 18

HEX #D180CE

RGB 209 128 206

HSL 302.22, 0.47%, 0.66%

LAB 64.52, 43.06, -27.35

 

CMYK 0 / 39 / 11 / 18

HEX #D180B9

RGB 209 128 185

HSL 317.78, 0.47%, 0.66%

LAB 63.75, 39.4, -16.71

 

CMYK 0 / 39 / 22 / 18

HEX #D180A3

RGB 209 128 163

HSL 334.07, 0.47%, 0.66%

LAB 63.04, 35.93, -5.29

 

CMYK 0 / 39 / 33 / 18

HEX #D1808D

RGB 209 128 141

HSL 350.37, 0.47%, 0.66%

LAB 62.44, 32.89, 6.38

 

CMYK 0 / 35 / 39 / 18

HEX #D18880

RGB 209 136 128

HSL 5.93, 0.47%, 0.66%

LAB 63.94, 26.98, 15.87

 

CMYK 0 / 64 / 37 / 27

HEX #BB4375

RGB 187 67 117

HSL 335, 0.47%, 0.5%

LAB 46.79, 52.7, -2.58

 

CMYK 0 / 51 / 29 / 22

HEX #C6618C

RGB 198 97 140

HSL 334.46, 0.47%, 0.58%

LAB 54.5, 45.03, -4.78

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 28 / 16 / 14

HEX #DC9EB8

RGB 220 158 184

HSL 334.84, 0.47%, 0.74%

LAB 71.64, 26.91, -4.23

 

CMYK 0 / 19 / 11 / 9

HEX #E7BCCE

RGB 231 188 206

HSL 334.88, 0.47%, 0.82%

LAB 80.41, 18.25, -3.21

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 9 / 39 / 18

HEX #D1BE80

RGB 209 190 128

HSL 45.93, 0.47%, 0.66%

LAB 77.25, -2.08, 33.76

 

CMYK 39 / 7 / 0 / 18

HEX #80C3D1

RGB 128 195 209

HSL 190.37, 0.47%, 0.66%

LAB 74.97, -17.63, -13.72

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 22 / 0 / 39 / 18

HEX #A3D180

RGB 163 209 128

HSL 94.07, 0.47%, 0.66%

LAB 79.01, -29.29, 35.39

 

CMYK 39 / 22 / 0 / 18

HEX #80A3D1

RGB 128 163 209

HSL 214.07, 0.47%, 0.66%

LAB 66.05, -0.44, -27.27

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 0 / 9 / 39 / 18

HEX #D1BE80

RGB 209 190 128

HSL 45.93, 0.47%, 0.66%

LAB 77.25, -2.08, 33.76

 

CMYK 39 / 0 / 17 / 18

HEX #80D1AE

RGB 128 209 174

HSL 154.07, 0.47%, 0.66%

LAB 78.02, -32.63, 9.63

 

CMYK 39 / 30 / 0 / 18

HEX #8093D1

RGB 128 147 209

HSL 225.93, 0.47%, 0.66%

LAB 61.71, 8.66, -33.99

 

CMYK 0 / 39 / 22 / 18

HEX #D180A2

RGB 209 128 162

HSL 334.81, 0.47%, 0.66%

LAB 63.01, 35.79, -4.76

 

CMYK 2 / 0 / 39 / 18

HEX #CCD180

RGB 204 209 128

HSL 63.7, 0.47%, 0.66%

LAB 81.84, -13.83, 39.59

 

CMYK 39 / 0 / 17 / 18

HEX #80D1AE

RGB 128 209 174

HSL 154.07, 0.47%, 0.66%

LAB 78.02, -32.63, 9.63

 

CMYK 36 / 39 / 0 / 18

HEX #8580D1

RGB 133 128 209

HSL 243.7, 0.47%, 0.66%

LAB 57.1, 21.12, -41.17

 

Description

Color code: RGB 209 128 162 | qconv.com Color code: RGB 209 128 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 128 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 128 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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