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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D172B5 it is the complementary color #2E8D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D172B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D172B5 shade: #D672B0, #E784C3, #F896D6, #FFA8E9 and #FFBAFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D172B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D172B5 shade: #D172B5, #C060A2, #AF4E8F, #9E3C7C and #8D2A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D172B5 shade: #D171B4, #D1719A, #D17181 and #D17171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D172B5 shade: #D171B4, #D171CE, #B971D1, #9F71D1 and #8571D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D172B5 shade matches the following richer shades: #D171B4, #E061BB, #EF52C1 and #FF43C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D172B5 shade: #D171B4, #C280AE, #B28FA8, #A39EA2 and #94AE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D172B5 shade: #B971D1, #D171CF, #D171B6, #D1719C and #D17182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D172B5 shade: #B43B90, #C751A4, #D171B4, #DB90C5 and #E5AFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D172B5 shade: #D172B5, #D19F71 and #71D1C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D172B5 shade: #D172B5, #B6D171 and #71B6D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D172B5 shade: #D172B5, #D19F71, #71D18C and #71A2D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D172B5 shade: #D172B5, #D1BC71, #71D18C and #7185D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 13 / 18

HEX #D172B5

RGB 209 114 181

HSL 317.68, 0.51%, 0.63%

LAB 60.72, 46.05, -19.05

 

Complementary color

CMYK 67 / 0 / 48 / 45

HEX #2E8D4A

RGB 46 141 74

HSL 137.68, 0.51%, 0.37%

LAB 51.98, -42.96, 27.77

 

CMYK 0 / 47 / 18 / 16

HEX #D672B0

RGB 214 114 176

HSL 322.8, 0.55%, 0.64%

LAB 61.19, 46.86, -15.41

 

CMYK 0 / 43 / 16 / 9

HEX #E784C3

RGB 231 132 195

HSL 321.82, 0.67%, 0.71%

LAB 67.6, 46.11, -16.26

 

CMYK 0 / 40 / 14 / 3

HEX #F896D6

RGB 248 150 214

HSL 320.82, 0.88%, 0.78%

LAB 73.95, 45.35, -17

 

CMYK 0 / 34 / 9 / 0

HEX #FFA8E9

RGB 255 168 233

HSL 315.17, 1%, 0.83%

LAB 79.13, 41.4, -19.45

 

CMYK 0 / 27 / 1 / 0

HEX #FFBAFC

RGB 255 186 252

HSL 302.61, 1%, 0.86%

LAB 83.66, 35.28, -22.79

 

CMYK 0 / 45 / 13 / 18

HEX #D172B5

RGB 209 114 181

HSL 317.68, 0.51%, 0.63%

LAB 60.72, 46.05, -19.05

 

CMYK 0 / 50 / 16 / 25

HEX #C060A2

RGB 192 96 162

HSL 318.75, 0.43%, 0.56%

LAB 54.22, 46.77, -18.19

 

CMYK 0 / 55 / 18 / 31

HEX #AF4E8F

RGB 175 78 143

HSL 319.79, 0.38%, 0.5%

LAB 47.68, 47.4, -17.15

 

CMYK 0 / 62 / 22 / 38

HEX #9E3C7C

RGB 158 60 124

HSL 320.82, 0.45%, 0.43%

LAB 41.15, 47.84, -15.83

 

CMYK 0 / 70 / 26 / 45

HEX #8D2A69

RGB 141 42 105

HSL 321.82, 0.54%, 0.36%

LAB 34.68, 47.88, -14.09

 

CMYK 0 / 46 / 14 / 18

HEX #D171B4

RGB 209 113 180

HSL 318.13, 0.51%, 0.63%

LAB 60.48, 46.4, -18.84

 

CMYK 0 / 46 / 26 / 18

HEX #D1719A

RGB 209 113 154

HSL 334.38, 0.51%, 0.63%

LAB 59.62, 42.52, -5.2

 

CMYK 0 / 46 / 38 / 18

HEX #D17181

RGB 209 113 129

HSL 350, 0.51%, 0.63%

LAB 58.93, 39.34, 8.27

 

CMYK 0 / 46 / 46 / 18

HEX #D17171

RGB 209 113 113

HSL 0, 0.51%, 0.63%

LAB 58.56, 37.61, 17

 

CMYK 0 / 46 / 14 / 18

HEX #D171B4

RGB 209 113 180

HSL 318.13, 0.51%, 0.63%

LAB 60.48, 46.4, -18.84

 

CMYK 0 / 46 / 1 / 18

HEX #D171CE

RGB 209 113 206

HSL 301.88, 0.51%, 0.63%

LAB 61.5, 50.79, -32.03

 

CMYK 11 / 46 / 0 / 18

HEX #B971D1

RGB 185 113 209

HSL 285, 0.51%, 0.63%

LAB 58.72, 44.39, -38.27

 

CMYK 24 / 46 / 0 / 18

HEX #9F71D1

RGB 159 113 209

HSL 268.75, 0.51%, 0.63%

LAB 55.87, 37, -42.95

 

CMYK 36 / 46 / 0 / 18

HEX #8571D1

RGB 133 113 209

HSL 252.5, 0.51%, 0.63%

LAB 53.38, 29.96, -47.05

 

CMYK 0 / 46 / 14 / 18

HEX #D171B4

RGB 209 113 180

HSL 318.13, 0.51%, 0.63%

LAB 60.48, 46.4, -18.84

 

CMYK 0 / 57 / 17 / 12

HEX #E061BB

RGB 224 97 187

HSL 317.48, 0.67%, 0.63%

LAB 59.87, 59.7, -23.58

 

CMYK 0 / 66 / 19 / 6

HEX #EF52C1

RGB 239 82 193

HSL 317.58, 0.83%, 0.63%

LAB 60.1, 70.81, -26.47

 

CMYK 0 / 74 / 22 / 0

HEX #FF43C7

RGB 255 67 199

HSL 317.87, 1%, 0.63%

LAB 61.13, 80.52, -28.1

 

CMYK 0 / 46 / 14 / 18

HEX #D171B4

RGB 209 113 180

HSL 318.13, 0.51%, 0.63%

LAB 60.48, 46.4, -18.84

 

CMYK 0 / 34 / 10 / 24

HEX #C280AE

RGB 194 128 174

HSL 318.18, 0.35%, 0.63%

LAB 61.62, 32.49, -13.86

 

CMYK 0 / 20 / 6 / 30

HEX #B28FA8

RGB 178 143 168

HSL 317.14, 0.19%, 0.63%

LAB 63.29, 17.46, -8.13

 

CMYK 0 / 3 / 1 / 36

HEX #A39EA2

RGB 163 158 162

HSL 312, 0.03%, 0.63%

LAB 65.63, 2.57, -1.44

 

CMYK 15 / 0 / 11 / 32

HEX #94AE9B

RGB 148 174 155

HSL 136.15, 0.14%, 0.63%

LAB 68.7, -12.74, 6.76

 

CMYK 11 / 46 / 0 / 18

HEX #B971D1

RGB 185 113 209

HSL 285, 0.51%, 0.63%

LAB 58.72, 44.39, -38.27

 

CMYK 0 / 46 / 1 / 18

HEX #D171CF

RGB 209 113 207

HSL 301.25, 0.51%, 0.63%

LAB 61.54, 50.97, -32.53

 

CMYK 0 / 46 / 13 / 18

HEX #D171B6

RGB 209 113 182

HSL 316.88, 0.51%, 0.63%

LAB 60.55, 46.72, -19.87

 

CMYK 0 / 46 / 25 / 18

HEX #D1719C

RGB 209 113 156

HSL 333.13, 0.51%, 0.63%

LAB 59.68, 42.8, -6.26

 

CMYK 0 / 46 / 38 / 18

HEX #D17182

RGB 209 113 130

HSL 349.38, 0.51%, 0.63%

LAB 58.95, 39.45, 7.72

 

CMYK 0 / 67 / 20 / 29

HEX #B43B90

RGB 180 59 144

HSL 317.85, 0.51%, 0.47%

LAB 45.42, 57.4, -21.15

 

CMYK 0 / 59 / 18 / 22

HEX #C751A4

RGB 199 81 164

HSL 317.8, 0.51%, 0.55%

LAB 52.63, 56.31, -21.7

 

CMYK 0 / 46 / 14 / 18

HEX #D171B4

RGB 209 113 180

HSL 318.13, 0.51%, 0.63%

LAB 60.48, 46.4, -18.84

 

CMYK 0 / 34 / 10 / 14

HEX #DB90C5

RGB 219 144 197

HSL 317.6, 0.51%, 0.71%

LAB 68.78, 36.21, -15.73

 

CMYK 0 / 24 / 7 / 10

HEX #E5AFD5

RGB 229 175 213

HSL 317.78, 0.51%, 0.79%

LAB 77.35, 25.7, -11.55

 

CMYK 0 / 45 / 13 / 18

HEX #D172B5

RGB 209 114 181

HSL 317.68, 0.51%, 0.63%

LAB 60.72, 46.05, -19.05

 

CMYK 0 / 24 / 46 / 18

HEX #D19F71

RGB 209 159 113

HSL 28.75, 0.51%, 0.63%

LAB 69.14, 12.85, 31.14

 

CMYK 46 / 0 / 5 / 18

HEX #71D1C6

RGB 113 209 198

HSL 173.13, 0.51%, 0.63%

LAB 77.99, -31.03, -3.36

 

CMYK 0 / 45 / 13 / 18

HEX #D172B5

RGB 209 114 181

HSL 317.68, 0.51%, 0.63%

LAB 60.72, 46.05, -19.05

 

CMYK 13 / 0 / 46 / 18

HEX #B6D171

RGB 182 209 113

HSL 76.88, 0.51%, 0.63%

LAB 80.03, -24.02, 44.43

 

CMYK 46 / 13 / 0 / 18

HEX #71B6D1

RGB 113 182 209

HSL 196.88, 0.51%, 0.63%

LAB 70.57, -14.62, -20.42

 

CMYK 0 / 45 / 13 / 18

HEX #D172B5

RGB 209 114 181

HSL 317.68, 0.51%, 0.63%

LAB 60.72, 46.05, -19.05

 

CMYK 0 / 24 / 46 / 18

HEX #D19F71

RGB 209 159 113

HSL 28.75, 0.51%, 0.63%

LAB 69.14, 12.85, 31.14

 

CMYK 46 / 0 / 33 / 18

HEX #71D18C

RGB 113 209 140

HSL 136.88, 0.51%, 0.63%

LAB 76.68, -43.36, 25.66

 

CMYK 46 / 22 / 0 / 18

HEX #71A2D1

RGB 113 162 209

HSL 209.38, 0.51%, 0.63%

LAB 64.93, -3.77, -29.07

 

CMYK 0 / 45 / 13 / 18

HEX #D172B5

RGB 209 114 181

HSL 317.68, 0.51%, 0.63%

LAB 60.72, 46.05, -19.05

 

CMYK 0 / 10 / 46 / 18

HEX #D1BC71

RGB 209 188 113

HSL 46.88, 0.51%, 0.63%

LAB 76.51, -2.62, 40.52

 

CMYK 46 / 0 / 33 / 18

HEX #71D18C

RGB 113 209 140

HSL 136.88, 0.51%, 0.63%

LAB 76.68, -43.36, 25.66

 

CMYK 46 / 36 / 0 / 18

HEX #7185D1

RGB 113 133 209

HSL 227.5, 0.51%, 0.63%

LAB 56.97, 12.97, -41.48

 

Description

Color code: HEX #D172B5 | qconv.com Color code: HEX #D172B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 114 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 114 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 13% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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