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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 43 / 16 / 9 it is the complementary color CMYK 81 / 0 / 51 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 43 / 16 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 43 / 16 / 9: CMYK 0 / 44 / 20 / 7, CMYK 0 / 41 / 18 / 0, CMYK 0 / 34 / 11 / 0, CMYK 0 / 27 / 3 / 0 and CMYK 0 / 20 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 43 / 16 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 43 / 16 / 9: CMYK 0 / 43 / 16 / 9, CMYK 0 / 47 / 18 / 16, CMYK 0 / 52 / 21 / 22, CMYK 0 / 57 / 24 / 29 and CMYK 0 / 63 / 27 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

Complementary color

CMYK 81 / 0 / 51 / 52

HEX #177B3C

RGB 23 123 60

HSL 142.2, 0.68%, 0.29%

LAB 45.18, -42.33, 26.64

 

CMYK 0 / 44 / 20 / 7

HEX #ED84BE

RGB 237 132 190

HSL 326.86, 0.74%, 0.72%

LAB 68.19, 47.3, -12.5

 

CMYK 0 / 41 / 18 / 0

HEX #FE96D1

RGB 254 150 209

HSL 325.96, 0.98%, 0.79%

LAB 74.5, 46.53, -13.36

 

CMYK 0 / 34 / 11 / 0

HEX #FFA8E4

RGB 255 168 228

HSL 318.62, 1%, 0.83%

LAB 78.96, 40.58, -16.99

 

CMYK 0 / 27 / 3 / 0

HEX #FFBAF7

RGB 255 186 247

HSL 306.96, 1%, 0.86%

LAB 83.49, 34.4, -20.37

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 0 / 47 / 18 / 16

HEX #D772B0

RGB 215 114 176

HSL 323.17, 0.56%, 0.65%

LAB 61.32, 47.19, -15.2

 

CMYK 0 / 52 / 21 / 22

HEX #C6609D

RGB 198 96 157

HSL 324.12, 0.47%, 0.58%

LAB 54.87, 47.91, -14.2

 

CMYK 0 / 57 / 24 / 29

HEX #B54E8A

RGB 181 78 138

HSL 325.05, 0.41%, 0.51%

LAB 48.4, 48.53, -12.99

 

CMYK 0 / 63 / 27 / 36

HEX #A43C77

RGB 164 60 119

HSL 325.96, 0.46%, 0.44%

LAB 41.93, 48.95, -11.46

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 0 / 44 / 23 / 9

HEX #E782B1

RGB 231 130 177

HSL 332.08, 0.68%, 0.71%

LAB 66.62, 44.46, -7.62

 

CMYK 0 / 44 / 31 / 9

HEX #E782A0

RGB 231 130 160

HSL 342.18, 0.68%, 0.71%

LAB 66.13, 42.17, 1.27

 

CMYK 0 / 44 / 38 / 9

HEX #E78290

RGB 231 130 144

HSL 351.68, 0.68%, 0.71%

LAB 65.72, 40.23, 9.74

 

CMYK 0 / 42 / 44 / 9

HEX #E78682

RGB 231 134 130

HSL 2.38, 0.68%, 0.71%

LAB 66.25, 36.63, 18.37

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 0 / 43 / 14 / 89

HEX #1C1018

RGB 28 16 24

HSL 320, 0.27%, 0.09%

LAB 6.17, 7.35, -2.98

 

CMYK 0 / 43 / 16 / 69

HEX #4F2D42

RGB 79 45 66

HSL 322.94, 0.27%, 0.24%

LAB 23.45, 19.13, -6.55

 

CMYK 0 / 43 / 16 / 49

HEX #824A6D

RGB 130 74 109

HSL 322.5, 0.27%, 0.4%

LAB 39.15, 28.92, -9.97

 

CMYK 0 / 43 / 16 / 29

HEX #B56798

RGB 181 103 152

HSL 322.31, 0.35%, 0.56%

LAB 53.8, 37.93, -13.11

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 0 / 19 / 44 / 9

HEX #E7BB82

RGB 231 187 130

HSL 33.86, 0.68%, 0.71%

LAB 78.54, 8.52, 34.8

 

CMYK 44 / 0 / 2 / 9

HEX #82E7E3

RGB 130 231 227

HSL 177.62, 0.68%, 0.71%

LAB 85.73, -30.47, -7.28

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 16 / 0 / 44 / 9

HEX #C2E782

RGB 194 231 130

HSL 81.98, 0.68%, 0.71%

LAB 87.11, -28.16, 45.1

 

CMYK 44 / 16 / 0 / 9

HEX #82C2E7

RGB 130 194 231

HSL 201.98, 0.68%, 0.71%

LAB 75.51, -10.85, -24.78

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 0 / 19 / 44 / 9

HEX #E7BB82

RGB 231 187 130

HSL 33.86, 0.68%, 0.71%

LAB 78.54, 8.52, 34.8

 

CMYK 44 / 0 / 28 / 9

HEX #82E7A7

RGB 130 231 167

HSL 141.98, 0.68%, 0.71%

LAB 84.32, -43.43, 22.16

 

CMYK 44 / 25 / 0 / 9

HEX #82AEE7

RGB 130 174 231

HSL 213.86, 0.68%, 0.71%

LAB 70.03, -0, -33.22

 

CMYK 0 / 43 / 16 / 9

HEX #E884C3

RGB 232 132 195

HSL 322.2, 0.68%, 0.71%

LAB 67.72, 46.43, -16.06

 

CMYK 0 / 6 / 44 / 9

HEX #E7D982

RGB 231 217 130

HSL 51.68, 0.68%, 0.71%

LAB 86.12, -7.01, 44.45

 

CMYK 44 / 0 / 28 / 9

HEX #82E7A7

RGB 130 231 167

HSL 141.98, 0.68%, 0.71%

LAB 84.32, -43.43, 22.16

 

CMYK 44 / 38 / 0 / 9

HEX #8290E7

RGB 130 144 231

HSL 231.68, 0.68%, 0.71%

LAB 62.05, 17.12, -45.68

 

Description

Color code: CMYK 0 / 43 / 16 / 9 | qconv.com Color code: CMYK 0 / 43 / 16 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 132 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 132 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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