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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15797 it is the complementary color #2EA868. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15797. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D15797: #D65792, #E769A5, #F87BB8, #FF8DCB and #FF9FDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15797. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D15797: #D15797, #C04584, #AF3371, #9E215E and #8D0F4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

Complementary color

CMYK 73 / 0 / 38 / 34

HEX #2EA868

RGB 46 168 104

HSL 148.52, 0.57%, 0.42%

LAB 61.29, -48.03, 23.75

 

CMYK 0 / 59 / 32 / 16

HEX #D65792

RGB 214 87 146

HSL 332.13, 0.61%, 0.59%

LAB 55.27, 55.68, -6.92

 

CMYK 0 / 55 / 29 / 9

HEX #E769A5

RGB 231 105 165

HSL 331.43, 0.72%, 0.66%

LAB 61.49, 55.11, -8.42

 

CMYK 0 / 50 / 26 / 3

HEX #F87BB8

RGB 248 123 184

HSL 330.72, 0.9%, 0.73%

LAB 67.71, 54.42, -9.69

 

CMYK 0 / 45 / 20 / 0

HEX #FF8DCB

RGB 255 141 203

HSL 327.37, 1%, 0.78%

LAB 72.64, 50.49, -12.82

 

CMYK 0 / 38 / 13 / 0

HEX #FF9FDE

RGB 255 159 222

HSL 320.63, 1%, 0.81%

LAB 76.88, 44.26, -16.88

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 64 / 31 / 25

HEX #C04584

RGB 192 69 132

HSL 329.27, 0.49%, 0.51%

LAB 48.42, 55.14, -9.17

 

CMYK 0 / 71 / 35 / 31

HEX #AF3371

RGB 175 51 113

HSL 330, 0.55%, 0.44%

LAB 42.27, 55.11, -7.06

 

CMYK 0 / 79 / 41 / 38

HEX #9E215E

RGB 158 33 94

HSL 330.72, 0.65%, 0.37%

LAB 36.3, 54.42, -4.31

 

CMYK 0 / 89 / 47 / 45

HEX #8D0F4B

RGB 141 15 75

HSL 331.43, 0.81%, 0.31%

LAB 30.67, 52.6, -0.63

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 59 / 37 / 18

HEX #D05683

RGB 208 86 131

HSL 337.87, 0.56%, 0.58%

LAB 53.71, 52.48, -0.45

 

CMYK 0 / 59 / 47 / 18

HEX #D0566F

RGB 208 86 111

HSL 347.7, 0.56%, 0.58%

LAB 53.18, 50.39, 10.67

 

CMYK 0 / 59 / 57 / 18

HEX #D0565A

RGB 208 86 90

HSL 358.03, 0.56%, 0.58%

LAB 52.73, 48.59, 22.5

 

CMYK 0 / 50 / 59 / 18

HEX #D06756

RGB 208 103 86

HSL 8.36, 0.56%, 0.58%

LAB 55.87, 40.01, 28.88

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 60 / 20 / 98

HEX #050204

RGB 5 2 4

HSL 320, 0.43%, 0.01%

LAB 0.76, 1.06, -0.48

 

CMYK 0 / 59 / 29 / 78

HEX #381728

RGB 56 23 40

HSL 329.09, 0.42%, 0.15%

LAB 13.27, 18.88, -3.97

 

CMYK 0 / 58 / 28 / 58

HEX #6B2D4D

RGB 107 45 77

HSL 329.03, 0.41%, 0.3%

LAB 28.22, 31.61, -6.29

 

CMYK 0 / 58 / 28 / 38

HEX #9E4272

RGB 158 66 114

HSL 328.7, 0.41%, 0.44%

LAB 41.81, 43.59, -8.65

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 19 / 59 / 18

HEX #D0A856

RGB 208 168 86

HSL 40.33, 0.56%, 0.58%

LAB 70.93, 5.21, 47.21

 

CMYK 59 / 4 / 0 / 18

HEX #56C8D0

RGB 86 200 208

HSL 183.93, 0.56%, 0.58%

LAB 74.72, -29.7, -13.71

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 27 / 0 / 59 / 18

HEX #97D056

RGB 151 208 86

HSL 88.03, 0.56%, 0.58%

LAB 77.5, -37.93, 53.59

 

CMYK 59 / 27 / 0 / 18

HEX #5697D0

RGB 86 151 208

HSL 208.03, 0.56%, 0.58%

LAB 60.49, -3.9, -35.51

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 19 / 59 / 18

HEX #D0A856

RGB 208 168 86

HSL 40.33, 0.56%, 0.58%

LAB 70.93, 5.21, 47.21

 

CMYK 59 / 0 / 31 / 18

HEX #56D08F

RGB 86 208 143

HSL 148.03, 0.56%, 0.58%

LAB 75.5, -48.91, 22.33

 

CMYK 59 / 39 / 0 / 18

HEX #567FD0

RGB 86 127 208

HSL 219.84, 0.56%, 0.58%

LAB 53.72, 10.21, -46.15

 

CMYK 0 / 58 / 28 / 18

HEX #D15797

RGB 209 87 151

HSL 328.52, 0.57%, 0.58%

LAB 54.66, 54.78, -10.83

 

CMYK 0 / 2 / 59 / 18

HEX #D0CC56

RGB 208 204 86

HSL 58.03, 0.56%, 0.58%

LAB 80.33, -13.52, 57.84

 

CMYK 59 / 0 / 31 / 18

HEX #56D08F

RGB 86 208 143

HSL 148.03, 0.56%, 0.58%

LAB 75.5, -48.91, 22.33

 

CMYK 59 / 57 / 0 / 18

HEX #565AD0

RGB 86 90 208

HSL 238.03, 0.56%, 0.58%

LAB 44.01, 33.07, -61.73

 

Description

Color code: HEX #D15797 | qconv.com Color code: HEX #D15797 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 87 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 87 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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