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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D11B94 it is the complementary color #2EE46B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D11B94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D11B94 shade: #D61B8F, #E72DA2, #F83FB5, #FF51C8 and #FF63DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D11B94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D11B94 shade: #D11B94, #C00981, #AF006E, #9E005B and #8D0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D11B94 shade: #D01B93, #D01B62, #D01B32 and #D01B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D11B94 shade: #D01B93, #D01BC4, #AB1BD0, #7A1BD0 and #491BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D11B94 shade matches the following richer shades: #D01B93 and #E30899

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D11B94 shade: #D01B93, #BD2E8D, #AA4187, #975480 and #84677A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D11B94 shade: #AB1BD0, #D01BC4, #D01B93, #D01B63 and #D01B33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D11B94 shade: #87115F, #AB1679, #D01B93, #E430A8 and #E954B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D11B94 shade: #D11B94, #D07B1B and #1BD0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D11B94 shade: #D11B94, #93D01B and #1B93D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D11B94 shade: #D11B94, #D07B1B, #1BD057 and #1B6FD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D11B94 shade: #D11B94, #D0B21B, #1BD057 and #1B39D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 29 / 18

HEX #D11B94

RGB 209 27 148

HSL 320.11, 0.77%, 0.46%

LAB 47.59, 73.84, -19.78

 

Complementary color

CMYK 80 / 0 / 53 / 11

HEX #2EE46B

RGB 46 228 107

HSL 140.11, 0.77%, 0.54%

LAB 80.25, -68.78, 46.37

 

CMYK 0 / 87 / 33 / 16

HEX #D61B8F

RGB 214 27 143

HSL 322.78, 0.78%, 0.47%

LAB 48.34, 74.38, -15.55

 

CMYK 0 / 81 / 30 / 9

HEX #E72DA2

RGB 231 45 162

HSL 322.26, 0.79%, 0.54%

LAB 53.46, 76.57, -18.78

 

CMYK 0 / 75 / 27 / 3

HEX #F83FB5

RGB 248 63 181

HSL 321.73, 0.93%, 0.61%

LAB 58.83, 77.9, -21.4

 

CMYK 0 / 68 / 22 / 0

HEX #FF51C8

RGB 255 81 200

HSL 318.97, 1%, 0.66%

LAB 62.77, 76.13, -26.13

 

CMYK 0 / 61 / 14 / 0

HEX #FF63DB

RGB 255 99 219

HSL 313.85, 1%, 0.69%

LAB 65.98, 71.92, -31.88

 

CMYK 0 / 87 / 29 / 18

HEX #D11B94

RGB 209 27 148

HSL 320.11, 0.77%, 0.46%

LAB 47.59, 73.84, -19.78

 

CMYK 0 / 95 / 33 / 25

HEX #C00981

RGB 192 9 129

HSL 320.66, 0.91%, 0.39%

LAB 42.74, 70.53, -15.93

 

CMYK 0 / 100 / 37 / 31

HEX #AF006E

RGB 175 0 110

HSL 322.29, 1%, 0.34%

LAB 38.27, 65.9, -11.19

 

CMYK 0 / 100 / 42 / 38

HEX #9E005B

RGB 158 0 91

HSL 325.44, 1%, 0.31%

LAB 34.03, 60.35, -5.75

 

CMYK 0 / 100 / 49 / 45

HEX #8D0048

RGB 141 0 72

HSL 329.36, 1%, 0.28%

LAB 29.74, 54.75, 0.01

 

CMYK 0 / 87 / 29 / 18

HEX #D01B93

RGB 208 27 147

HSL 320.22, 0.77%, 0.46%

LAB 47.37, 73.51, -19.55

 

CMYK 0 / 87 / 53 / 18

HEX #D01B62

RGB 208 27 98

HSL 336.46, 0.77%, 0.46%

LAB 45.74, 68.98, 8.07

 

CMYK 0 / 87 / 76 / 18

HEX #D01B32

RGB 208 27 50

HSL 352.38, 0.77%, 0.46%

LAB 44.84, 66.38, 36.36

 

CMYK 0 / 87 / 87 / 18

HEX #D01B1B

RGB 208 27 27

HSL 0, 0.77%, 0.46%

LAB 44.62, 65.76, 48.52

 

CMYK 0 / 87 / 29 / 18

HEX #D01B93

RGB 208 27 147

HSL 320.22, 0.77%, 0.46%

LAB 47.37, 73.51, -19.55

 

CMYK 0 / 87 / 6 / 18

HEX #D01BC4

RGB 208 27 196

HSL 303.98, 0.77%, 0.46%

LAB 49.71, 79.75, -44.83

 

CMYK 18 / 87 / 0 / 18

HEX #AB1BD0

RGB 171 27 208

HSL 287.73, 0.77%, 0.46%

LAB 44.23, 75.34, -60.92

 

CMYK 41 / 87 / 0 / 18

HEX #7A1BD0

RGB 122 27 208

HSL 271.49, 0.77%, 0.46%

LAB 36.88, 68.47, -73.21

 

CMYK 65 / 87 / 0 / 18

HEX #491BD0

RGB 73 27 208

HSL 255.25, 0.77%, 0.46%

LAB 31.24, 63.69, -82.71

 

CMYK 0 / 87 / 29 / 18

HEX #D01B93

RGB 208 27 147

HSL 320.22, 0.77%, 0.46%

LAB 47.37, 73.51, -19.55

 

CMYK 0 / 96 / 33 / 11

HEX #E30899

RGB 227 8 153

HSL 320.27, 0.93%, 0.46%

LAB 50.46, 80.31, -18.1

 

CMYK 0 / 87 / 29 / 18

HEX #D01B93

RGB 208 27 147

HSL 320.22, 0.77%, 0.46%

LAB 47.37, 73.51, -19.55

 

CMYK 0 / 76 / 25 / 26

HEX #BD2E8D

RGB 189 46 141

HSL 320.14, 0.61%, 0.46%

LAB 45.21, 63.89, -19.52

 

CMYK 0 / 62 / 21 / 33

HEX #AA4187

RGB 170 65 135

HSL 320, 0.45%, 0.46%

LAB 44.34, 50.77, -17.5

 

CMYK 0 / 44 / 15 / 41

HEX #975480

RGB 151 84 128

HSL 320.6, 0.29%, 0.46%

LAB 44.91, 34, -12.64

 

CMYK 0 / 22 / 8 / 48

HEX #84677A

RGB 132 103 122

HSL 320.69, 0.12%, 0.46%

LAB 46.99, 14.98, -6.14

 

CMYK 18 / 87 / 0 / 18

HEX #AB1BD0

RGB 171 27 208

HSL 287.73, 0.77%, 0.46%

LAB 44.23, 75.34, -60.92

 

CMYK 0 / 87 / 6 / 18

HEX #D01BC4

RGB 208 27 196

HSL 303.98, 0.77%, 0.46%

LAB 49.71, 79.75, -44.83

 

CMYK 0 / 87 / 29 / 18

HEX #D01B93

RGB 208 27 147

HSL 320.22, 0.77%, 0.46%

LAB 47.37, 73.51, -19.55

 

CMYK 0 / 87 / 52 / 18

HEX #D01B63

RGB 208 27 99

HSL 336.13, 0.77%, 0.46%

LAB 45.76, 69.05, 7.49

 

CMYK 0 / 87 / 75 / 18

HEX #D01B33

RGB 208 27 51

HSL 352.04, 0.77%, 0.46%

LAB 44.85, 66.42, 35.79

 

CMYK 0 / 87 / 30 / 47

HEX #87115F

RGB 135 17 95

HSL 320.34, 0.78%, 0.3%

LAB 30.35, 52.84, -14.39

 

CMYK 0 / 87 / 29 / 33

HEX #AB1679

RGB 171 22 121

HSL 320.13, 0.77%, 0.38%

LAB 38.92, 63.29, -17.18

 

CMYK 0 / 87 / 29 / 18

HEX #D01B93

RGB 208 27 147

HSL 320.22, 0.77%, 0.46%

LAB 47.37, 73.51, -19.55

 

CMYK 0 / 79 / 26 / 11

HEX #E430A8

RGB 228 48 168

HSL 320, 0.77%, 0.54%

LAB 53.42, 75.83, -22.43

 

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

CMYK 0 / 87 / 29 / 18

HEX #D11B94

RGB 209 27 148

HSL 320.11, 0.77%, 0.46%

LAB 47.59, 73.84, -19.78

 

CMYK 0 / 41 / 87 / 18

HEX #D07B1B

RGB 208 123 27

HSL 31.82, 0.77%, 0.46%

LAB 59.58, 26.7, 60.54

 

CMYK 87 / 0 / 6 / 18

HEX #1BD0C4

RGB 27 208 196

HSL 176.02, 0.77%, 0.46%

LAB 75.66, -43.75, -5.95

 

CMYK 0 / 87 / 29 / 18

HEX #D11B94

RGB 209 27 148

HSL 320.11, 0.77%, 0.46%

LAB 47.59, 73.84, -19.78

 

CMYK 29 / 0 / 87 / 18

HEX #93D01B

RGB 147 208 27

HSL 80.22, 0.77%, 0.46%

LAB 76.92, -42.85, 72.68

 

CMYK 87 / 29 / 0 / 18

HEX #1B93D0

RGB 27 147 208

HSL 200.22, 0.77%, 0.46%

LAB 57.71, -9.46, -39.97

 

CMYK 0 / 87 / 29 / 18

HEX #D11B94

RGB 209 27 148

HSL 320.11, 0.77%, 0.46%

LAB 47.59, 73.84, -19.78

 

CMYK 0 / 41 / 87 / 18

HEX #D07B1B

RGB 208 123 27

HSL 31.82, 0.77%, 0.46%

LAB 59.58, 26.7, 60.54

 

CMYK 87 / 0 / 58 / 18

HEX #1BD057

RGB 27 208 87

HSL 139.89, 0.77%, 0.46%

LAB 73.57, -66.87, 47.59

 

CMYK 87 / 47 / 0 / 18

HEX #1B6FD0

RGB 27 111 208

HSL 212.15, 0.77%, 0.46%

LAB 47.18, 12.24, -56.73

 

CMYK 0 / 87 / 29 / 18

HEX #D11B94

RGB 209 27 148

HSL 320.11, 0.77%, 0.46%

LAB 47.59, 73.84, -19.78

 

CMYK 0 / 14 / 87 / 18

HEX #D0B21B

RGB 208 178 27

HSL 50.06, 0.77%, 0.46%

LAB 73.11, -2.86, 71.41

 

CMYK 87 / 0 / 58 / 18

HEX #1BD057

RGB 27 208 87

HSL 139.89, 0.77%, 0.46%

LAB 73.57, -66.87, 47.59

 

CMYK 87 / 73 / 0 / 18

HEX #1B39D0

RGB 27 57 208

HSL 230.06, 0.77%, 0.46%

LAB 33.38, 46.75, -79.25

 

Description

Color code: HEX #D11B94 | qconv.com Color code: HEX #D11B94 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 27 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 27 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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