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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E954B7 it is the complementary color #16AB48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E954B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E954B7 shade: #EE54B2, #FF66C5, #FF78D8, #FF8AEB and #FF9CFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E954B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E954B7 shade: #E954B7, #D842A4, #C73091, #B61E7E and #A50C6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E954B7 shade: #E953B7, #E9538E, #E95366 and #E95353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E954B7 shade: #E953B7, #E953DF, #CA53E9, #A253E9 and #7A53E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E954B7 shade matches the following richer shades: #E953B7 and #F844BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E954B7 shade: #E953B7, #D963B1, #C973AC, #BA83A7 and #AA92A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E954B7 shade: #CB53E9, #E953DF, #E953B7, #E9538F and #E95367

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E954B7 shade: #CF1B92, #E42FA7, #E953B7, #ED78C6 and #F29DD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E954B7 shade: #E954B7, #E9A353 and #53E9DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E954B7 shade: #E954B7, #B7E953 and #53B7E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E954B7 shade: #E954B7, #E9A353, #53E985 and #5399E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E954B7 shade: #E954B7, #E9D053, #53E985 and #536CE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

Complementary color

CMYK 87 / 0 / 58 / 33

HEX #16AB48

RGB 22 171 72

HSL 140.13, 0.77%, 0.38%

LAB 61.45, -57.4, 40.3

 

CMYK 0 / 65 / 25 / 7

HEX #EE54B2

RGB 238 84 178

HSL 323.38, 0.82%, 0.63%

LAB 59.65, 67.82, -18.58

 

CMYK 0 / 60 / 23 / 0

HEX #FF66C5

RGB 255 102 197

HSL 322.75, 1%, 0.7%

LAB 65.59, 67.67, -20.13

 

CMYK 0 / 53 / 15 / 0

HEX #FF78D8

RGB 255 120 216

HSL 317.33, 1%, 0.74%

LAB 69.22, 62.43, -25.22

 

CMYK 0 / 46 / 8 / 0

HEX #FF8AEB

RGB 255 138 235

HSL 310.26, 1%, 0.77%

LAB 73.18, 56.86, -29.62

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFE

RGB 255 156 254

HSL 300.61, 1%, 0.81%

LAB 77.4, 51.14, -33.44

 

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

CMYK 0 / 69 / 24 / 15

HEX #D842A4

RGB 216 66 164

HSL 320.8, 0.66%, 0.55%

LAB 53.14, 66.95, -20.68

 

CMYK 0 / 76 / 27 / 22

HEX #C73091

RGB 199 48 145

HSL 321.46, 0.61%, 0.48%

LAB 47.37, 66.24, -18.49

 

CMYK 0 / 84 / 31 / 29

HEX #B61E7E

RGB 182 30 126

HSL 322.11, 0.72%, 0.42%

LAB 41.81, 64.72, -15.67

 

CMYK 0 / 93 / 35 / 35

HEX #A50C6B

RGB 165 12 107

HSL 322.75, 0.86%, 0.35%

LAB 36.6, 62, -12.01

 

CMYK 0 / 64 / 21 / 9

HEX #E953B7

RGB 233 83 183

HSL 320, 0.77%, 0.62%

LAB 58.91, 67.52, -22.65

 

CMYK 0 / 64 / 39 / 9

HEX #E9538E

RGB 233 83 142

HSL 336.4, 0.77%, 0.62%

LAB 57.52, 62.65, -0.89

 

CMYK 0 / 64 / 56 / 9

HEX #E95366

RGB 233 83 102

HSL 352.4, 0.77%, 0.62%

LAB 56.55, 59.11, 21.27

 

CMYK 0 / 64 / 64 / 9

HEX #E95353

RGB 233 83 83

HSL 0, 0.77%, 0.62%

LAB 56.22, 57.87, 31.87

 

CMYK 0 / 64 / 21 / 9

HEX #E953B7

RGB 233 83 183

HSL 320, 0.77%, 0.62%

LAB 58.91, 67.52, -22.65

 

CMYK 0 / 64 / 4 / 9

HEX #E953DF

RGB 233 83 223

HSL 304, 0.77%, 0.62%

LAB 60.64, 73.34, -42.7

 

CMYK 13 / 64 / 0 / 9

HEX #CA53E9

RGB 202 83 233

HSL 287.6, 0.77%, 0.62%

LAB 56.71, 67.91, -54.82

 

CMYK 30 / 64 / 0 / 9

HEX #A253E9

RGB 162 83 233

HSL 271.6, 0.77%, 0.62%

LAB 51.55, 59.18, -63.38

 

CMYK 48 / 64 / 0 / 9

HEX #7A53E9

RGB 122 83 233

HSL 255.6, 0.77%, 0.62%

LAB 47.25, 51.25, -70.56

 

CMYK 0 / 64 / 21 / 9

HEX #E953B7

RGB 233 83 183

HSL 320, 0.77%, 0.62%

LAB 58.91, 67.52, -22.65

 

CMYK 0 / 73 / 24 / 3

HEX #F844BC

RGB 248 68 188

HSL 320, 0.93%, 0.62%

LAB 59.64, 77.22, -24.2

 

CMYK 0 / 64 / 21 / 9

HEX #E953B7

RGB 233 83 183

HSL 320, 0.77%, 0.62%

LAB 58.91, 67.52, -22.65

 

CMYK 0 / 54 / 18 / 15

HEX #D963B1

RGB 217 99 177

HSL 320.34, 0.61%, 0.62%

LAB 58.83, 55.27, -19.52

 

CMYK 0 / 43 / 14 / 21

HEX #C973AC

RGB 201 115 172

HSL 320.23, 0.44%, 0.62%

LAB 59.58, 41.49, -15.72

 

CMYK 0 / 30 / 10 / 27

HEX #BA83A7

RGB 186 131 167

HSL 320.73, 0.28%, 0.62%

LAB 61.19, 26.84, -10.61

 

CMYK 0 / 14 / 5 / 33

HEX #AA92A2

RGB 170 146 162

HSL 320, 0.12%, 0.62%

LAB 63.1, 11.79, -5.09

 

CMYK 13 / 64 / 0 / 9

HEX #CB53E9

RGB 203 83 233

HSL 288, 0.77%, 0.62%

LAB 56.85, 68.14, -54.6

 

CMYK 0 / 64 / 4 / 9

HEX #E953DF

RGB 233 83 223

HSL 304, 0.77%, 0.62%

LAB 60.64, 73.34, -42.7

 

CMYK 0 / 64 / 21 / 9

HEX #E953B7

RGB 233 83 183

HSL 320, 0.77%, 0.62%

LAB 58.91, 67.52, -22.65

 

CMYK 0 / 64 / 39 / 9

HEX #E9538F

RGB 233 83 143

HSL 336, 0.77%, 0.62%

LAB 57.55, 62.76, -1.44

 

CMYK 0 / 64 / 56 / 9

HEX #E95367

RGB 233 83 103

HSL 352, 0.77%, 0.62%

LAB 56.57, 59.19, 20.71

 

CMYK 0 / 87 / 29 / 19

HEX #CF1B92

RGB 207 27 146

HSL 320.33, 0.77%, 0.46%

LAB 47.14, 73.18, -19.31

 

CMYK 0 / 79 / 27 / 11

HEX #E42FA7

RGB 228 47 167

HSL 320.22, 0.77%, 0.54%

LAB 53.29, 75.97, -22.03

 

CMYK 0 / 64 / 21 / 9

HEX #E953B7

RGB 233 83 183

HSL 320, 0.77%, 0.62%

LAB 58.91, 67.52, -22.65

 

CMYK 0 / 49 / 16 / 7

HEX #ED78C6

RGB 237 120 198

HSL 320, 0.76%, 0.7%

LAB 66.15, 54.42, -20.07

 

CMYK 0 / 35 / 12 / 5

HEX #F29DD5

RGB 242 157 213

HSL 320.47, 0.77%, 0.78%

LAB 74.7, 39.62, -15.4

 

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

CMYK 0 / 30 / 64 / 9

HEX #E9A353

RGB 233 163 83

HSL 32, 0.77%, 0.62%

LAB 72.32, 18.19, 50.95

 

CMYK 64 / 0 / 4 / 9

HEX #53E9DF

RGB 83 233 223

HSL 176, 0.77%, 0.62%

LAB 84.71, -41.47, -6.84

 

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

CMYK 21 / 0 / 64 / 9

HEX #B7E953

RGB 183 233 83

HSL 80, 0.77%, 0.62%

LAB 86.49, -37.52, 65.24

 

CMYK 64 / 21 / 0 / 9

HEX #53B7E9

RGB 83 183 233

HSL 200, 0.77%, 0.62%

LAB 70.59, -14.13, -33.6

 

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

CMYK 0 / 30 / 64 / 9

HEX #E9A353

RGB 233 163 83

HSL 32, 0.77%, 0.62%

LAB 72.32, 18.19, 50.95

 

CMYK 64 / 0 / 43 / 9

HEX #53E985

RGB 83 233 133

HSL 140, 0.77%, 0.62%

LAB 82.81, -61.03, 37.15

 

CMYK 64 / 34 / 0 / 9

HEX #5399E9

RGB 83 153 233

HSL 212, 0.77%, 0.62%

LAB 62.09, 2.58, -46.9

 

CMYK 0 / 64 / 21 / 9

HEX #E954B7

RGB 233 84 183

HSL 320.13, 0.77%, 0.62%

LAB 59.05, 67.13, -22.43

 

CMYK 0 / 11 / 64 / 9

HEX #E9D053

RGB 233 208 83

HSL 50, 0.77%, 0.62%

LAB 83.47, -5.35, 63.16

 

CMYK 64 / 0 / 43 / 9

HEX #53E985

RGB 83 233 133

HSL 140, 0.77%, 0.62%

LAB 82.81, -61.03, 37.15

 

CMYK 64 / 54 / 0 / 9

HEX #536CE9

RGB 83 108 233

HSL 230, 0.77%, 0.62%

LAB 50.03, 29.8, -66.17

 

Description

Color code: HEX #E954B7 | qconv.com Color code: HEX #E954B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 84 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 84 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 21 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 21% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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