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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0F69D it is the complementary color #2F0962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0F69D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0F69D shade: #D5F698, #E6FFAB, #F7FFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0F69D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0F69D shade: #D0F69D, #BFE48A, #AED277, #9DC064 and #8CAE51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0F69D shade: #D0F69D, #E8F69D, #F6EC9D, #F6D49D and #F6BC9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0F69D shade: #D0F69D, #B8F69D, #A0F69D, #9DF6B2 and #9DF6CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0F69D shade matches the following richer shades: #D0F69D and #D1FF94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0F69D shade: #D0F69D, #CFEDA6, #CDE5AE, #CCDCB7 and #CBD3C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0F69D shade: #F6EC9D, #E9F69D, #D1F69D, #B9F69D and #A1F69D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0F69D shade: #ACEF51, #BEF277, #D0F69D, #E2F9C3 and #F4FDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0F69D shade: #D0F69D, #9DF6D4 and #F69DF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0F69D shade: #D0F69D, #9DD1F6 and #F69DD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0F69D shade: #D0F69D, #9DF6D4, #C29DF6 and #F69DBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0F69D shade: #D0F69D, #9DF6EE, #C29DF6 and #F69DA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

Complementary color

CMYK 52 / 91 / 0 / 62

HEX #2F0962

RGB 47 9 98

HSL 265.62, 0.83%, 0.21%

LAB 13.72, 37.85, -43.84

 

CMYK 13 / 0 / 38 / 4

HEX #D5F698

RGB 213 246 152

HSL 81.06, 0.84%, 0.78%

LAB 92.72, -25.71, 41.72

 

CMYK 10 / 0 / 33 / 0

HEX #E6FFAB

RGB 230 255 171

HSL 77.86, 1%, 0.84%

LAB 96.53, -21.47, 37.52

 

CMYK 3 / 0 / 25 / 0

HEX #F7FFBE

RGB 247 255 190

HSL 67.38, 1%, 0.87%

LAB 98.04, -12.84, 30.26

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 16 / 0 / 39 / 11

HEX #BFE48A

RGB 191 228 138

HSL 84.67, 0.63%, 0.72%

LAB 86.21, -26.89, 39.99

 

CMYK 17 / 0 / 43 / 18

HEX #AED277

RGB 174 210 119

HSL 83.74, 0.5%, 0.65%

LAB 79.85, -26.87, 41.13

 

CMYK 18 / 0 / 48 / 25

HEX #9DC064

RGB 157 192 100

HSL 82.83, 0.42%, 0.57%

LAB 73.41, -26.81, 42.3

 

CMYK 20 / 0 / 53 / 32

HEX #8CAE51

RGB 140 174 81

HSL 81.94, 0.36%, 0.5%

LAB 66.86, -26.69, 43.44

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 6 / 0 / 36 / 4

HEX #E8F69D

RGB 232 246 157

HSL 69.44, 0.83%, 0.79%

LAB 94.1, -18.1, 41.3

 

CMYK 0 / 4 / 36 / 4

HEX #F6EC9D

RGB 246 236 157

HSL 53.26, 0.83%, 0.79%

LAB 92.58, -7.87, 39.55

 

CMYK 0 / 14 / 36 / 4

HEX #F6D49D

RGB 246 212 157

HSL 37.08, 0.83%, 0.79%

LAB 86.56, 4.32, 31.62

 

CMYK 0 / 24 / 36 / 4

HEX #F6BC9D

RGB 246 188 157

HSL 20.9, 0.83%, 0.79%

LAB 80.74, 16.84, 23.76

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 25 / 0 / 36 / 4

HEX #B8F69D

RGB 184 246 157

HSL 101.8, 0.83%, 0.79%

LAB 91.02, -35.25, 36.71

 

CMYK 35 / 0 / 36 / 4

HEX #A0F69D

RGB 160 246 157

HSL 117.98, 0.83%, 0.79%

LAB 89.78, -43, 34.83

 

CMYK 36 / 0 / 28 / 4

HEX #9DF6B2

RGB 157 246 178

HSL 134.16, 0.83%, 0.79%

LAB 90, -40.48, 24.49

 

CMYK 36 / 0 / 18 / 4

HEX #9DF6CA

RGB 157 246 202

HSL 150.34, 0.83%, 0.79%

LAB 90.48, -36.04, 12.82

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 18 / 0 / 42 / 0

HEX #D1FF94

RGB 209 255 148

HSL 85.79, 1%, 0.79%

LAB 94.83, -31.84, 46.31

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 13 / 0 / 30 / 7

HEX #CFEDA6

RGB 207 237 166

HSL 85.35, 0.66%, 0.79%

LAB 90.13, -21.74, 31.25

 

CMYK 10 / 0 / 24 / 10

HEX #CDE5AE

RGB 205 229 174

HSL 86.18, 0.51%, 0.79%

LAB 88, -17.39, 24.25

 

CMYK 7 / 0 / 17 / 14

HEX #CCDCB7

RGB 204 220 183

HSL 85.95, 0.35%, 0.79%

LAB 85.73, -11.85, 16.39

 

CMYK 4 / 0 / 9 / 17

HEX #CBD3C0

RGB 203 211 192

HSL 85.26, 0.18%, 0.79%

LAB 83.49, -6.11, 8.46

 

CMYK 0 / 4 / 36 / 4

HEX #F6EC9D

RGB 246 236 157

HSL 53.26, 0.83%, 0.79%

LAB 92.58, -7.87, 39.55

 

CMYK 5 / 0 / 36 / 4

HEX #E9F69D

RGB 233 246 157

HSL 68.76, 0.83%, 0.79%

LAB 94.17, -17.72, 41.41

 

CMYK 15 / 0 / 36 / 4

HEX #D1F69D

RGB 209 246 157

HSL 84.94, 0.83%, 0.79%

LAB 92.53, -26.53, 38.97

 

CMYK 25 / 0 / 36 / 4

HEX #B9F69D

RGB 185 246 157

HSL 101.12, 0.83%, 0.79%

LAB 91.08, -34.91, 36.79

 

CMYK 35 / 0 / 36 / 4

HEX #A1F69D

RGB 161 246 157

HSL 117.3, 0.83%, 0.79%

LAB 89.82, -42.69, 34.9

 

CMYK 28 / 0 / 66 / 6

HEX #ACEF51

RGB 172 239 81

HSL 85.44, 0.83%, 0.63%

LAB 87.53, -44.35, 66.93

 

CMYK 21 / 0 / 51 / 5

HEX #BEF277

RGB 190 242 119

HSL 85.37, 0.83%, 0.71%

LAB 89.76, -35.9, 53.5

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 9 / 0 / 22 / 2

HEX #E2F9C3

RGB 226 249 195

HSL 85.56, 0.82%, 0.87%

LAB 95.1, -16.67, 23.47

 

CMYK 4 / 0 / 8 / 1

HEX #F4FDE9

RGB 244 253 233

HSL 87, 0.83%, 0.95%

LAB 98.18, -6.42, 8.54

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 36 / 0 / 14 / 4

HEX #9DF6D4

RGB 157 246 212

HSL 157.08, 0.83%, 0.79%

LAB 90.7, -34.03, 7.96

 

CMYK 0 / 36 / 1 / 4

HEX #F69DF4

RGB 246 157 244

HSL 301.35, 0.83%, 0.79%

LAB 76.22, 46.16, -29.94

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 36 / 15 / 0 / 4

HEX #9DD1F6

RGB 157 209 246

HSL 204.94, 0.83%, 0.79%

LAB 81.52, -7.94, -23.53

 

CMYK 0 / 36 / 15 / 4

HEX #F69DD1

RGB 246 157 209

HSL 324.94, 0.83%, 0.79%

LAB 75.02, 40.3, -12.67

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 36 / 0 / 14 / 4

HEX #9DF6D4

RGB 157 246 212

HSL 157.08, 0.83%, 0.79%

LAB 90.7, -34.03, 7.96

 

CMYK 21 / 36 / 0 / 4

HEX #C29DF6

RGB 194 157 246

HSL 264.94, 0.83%, 0.79%

LAB 71.03, 30.99, -39.47

 

CMYK 0 / 36 / 22 / 4

HEX #F69DBF

RGB 246 157 191

HSL 337.08, 0.83%, 0.79%

LAB 74.49, 37.61, -3.57

 

CMYK 15 / 0 / 36 / 4

HEX #D0F69D

RGB 208 246 157

HSL 85.62, 0.83%, 0.79%

LAB 92.47, -26.89, 38.87

 

CMYK 36 / 0 / 3 / 4

HEX #9DF6EE

RGB 157 246 238

HSL 174.61, 0.83%, 0.79%

LAB 91.35, -28.4, -4.61

 

CMYK 21 / 36 / 0 / 4

HEX #C29DF6

RGB 194 157 246

HSL 264.94, 0.83%, 0.79%

LAB 71.03, 30.99, -39.47

 

CMYK 0 / 36 / 33 / 4

HEX #F69DA4

RGB 246 157 164

HSL 355.28, 0.83%, 0.79%

LAB 73.8, 34.01, 10.3

 

Description

Color code: HEX #D0F69D | qconv.com Color code: HEX #D0F69D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 246 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 246 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 36 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 36% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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