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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0BFA1 it is the complementary color #2F405E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0BFA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D0BFA1: #D5BF9C, #E6D1AF, #F7E3C2, #FFF5D5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0BFA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D0BFA1: #D0BFA1, #BFAD8E, #AE9B7B, #9D8968 and #8C7755

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

Complementary color

CMYK 50 / 32 / 0 / 63

HEX #2F405E

RGB 47 64 94

HSL 218.3, 0.33%, 0.28%

LAB 26.96, 2.5, -19.93

 

CMYK 0 / 10 / 27 / 16

HEX #D5BF9C

RGB 213 191 156

HSL 36.84, 0.4%, 0.72%

LAB 78.35, 2.45, 20.52

 

CMYK 0 / 9 / 24 / 10

HEX #E6D1AF

RGB 230 209 175

HSL 37.09, 0.52%, 0.79%

LAB 84.75, 2.08, 19.54

 

CMYK 0 / 8 / 21 / 3

HEX #F7E3C2

RGB 247 227 194

HSL 37.36, 0.77%, 0.86%

LAB 91.06, 1.74, 18.61

 

CMYK 0 / 4 / 16 / 0

HEX #FFF5D5

RGB 255 245 213

HSL 45.71, 1%, 0.92%

LAB 96.56, -1.76, 16.61

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 0 / 9 / 26 / 25

HEX #BFAD8E

RGB 191 173 142

HSL 37.96, 0.28%, 0.65%

LAB 71.5, 1.6, 18.31

 

CMYK 0 / 11 / 29 / 32

HEX #AE9B7B

RGB 174 155 123

HSL 37.65, 0.24%, 0.58%

LAB 64.86, 2, 19.36

 

CMYK 0 / 13 / 34 / 38

HEX #9D8968

RGB 157 137 104

HSL 37.36, 0.21%, 0.51%

LAB 58.09, 2.48, 20.5

 

CMYK 0 / 15 / 39 / 45

HEX #8C7755

RGB 140 119 85

HSL 37.09, 0.24%, 0.44%

LAB 51.18, 3.05, 21.73

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 0 / 5 / 23 / 19

HEX #CFC5A0

RGB 207 197 160

HSL 47.23, 0.33%, 0.72%

LAB 79.46, -2.43, 19.85

 

CMYK 0 / 1 / 23 / 19

HEX #CFCDA0

RGB 207 205 160

HSL 57.45, 0.33%, 0.72%

LAB 81.55, -6.58, 22.72

 

CMYK 3 / 0 / 23 / 19

HEX #C8CFA0

RGB 200 207 160

HSL 68.94, 0.33%, 0.72%

LAB 81.53, -10.22, 22.61

 

CMYK 7 / 0 / 23 / 19

HEX #C1CFA0

RGB 193 207 160

HSL 77.87, 0.33%, 0.72%

LAB 81.02, -12.81, 21.82

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 0 / 0 / 25 / 98

HEX #040403

RGB 4 4 3

HSL 60, 0.14%, 0.01%

LAB 1.08, -0.14, 0.38

 

CMYK 0 / 7 / 22 / 78

HEX #37332B

RGB 55 51 43

HSL 40, 0.12%, 0.19%

LAB 21.41, 0.12, 5.72

 

CMYK 0 / 8 / 23 / 58

HEX #6A6152

RGB 106 97 82

HSL 37.5, 0.13%, 0.37%

LAB 41.57, 0.88, 9.86

 

CMYK 0 / 8 / 22 / 38

HEX #9D907A

RGB 157 144 122

HSL 37.71, 0.15%, 0.55%

LAB 60.36, 1.14, 13.45

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 19 / 0 / 23 / 19

HEX #A7CFA0

RGB 167 207 160

HSL 111.06, 0.33%, 0.72%

LAB 79.26, -22.08, 19.12

 

CMYK 17 / 23 / 0 / 19

HEX #ABA0CF

RGB 171 160 207

HSL 254.04, 0.33%, 0.72%

LAB 68.24, 13.52, -22.53

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 23 / 0 / 9 / 19

HEX #A0CFBD

RGB 160 207 189

HSL 157.02, 0.33%, 0.72%

LAB 79.48, -19.02, 3.93

 

CMYK 9 / 23 / 0 / 19

HEX #BDA0CF

RGB 189 160 207

HSL 277.02, 0.33%, 0.72%

LAB 69.8, 19.35, -20.02

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 19 / 0 / 23 / 19

HEX #A7CFA0

RGB 167 207 160

HSL 111.06, 0.33%, 0.72%

LAB 79.26, -22.08, 19.12

 

CMYK 23 / 14 / 0 / 19

HEX #A0B1CF

RGB 160 177 207

HSL 218.3, 0.33%, 0.72%

LAB 71.84, 0.64, -17.15

 

CMYK 4 / 23 / 0 / 19

HEX #C7A0CF

RGB 199 160 207

HSL 289.79, 0.33%, 0.72%

LAB 70.73, 22.65, -18.53

 

CMYK 0 / 8 / 23 / 18

HEX #D0BFA1

RGB 208 191 161

HSL 38.3, 0.33%, 0.72%

LAB 78.02, 1.25, 17.32

 

CMYK 23 / 0 / 20 / 19

HEX #A0CFA6

RGB 160 207 166

HSL 127.66, 0.33%, 0.72%

LAB 78.96, -23.41, 15.45

 

CMYK 23 / 14 / 0 / 19

HEX #A0B1CF

RGB 160 177 207

HSL 218.3, 0.33%, 0.72%

LAB 71.84, 0.64, -17.15

 

CMYK 0 / 23 / 3 / 19

HEX #CFA0C8

RGB 207 160 200

HSL 308.94, 0.33%, 0.72%

LAB 71.27, 24.02, -13.78

 

Description

Color code: HEX #D0BFA1 | qconv.com Color code: HEX #D0BFA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 191 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 191 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 23 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 23% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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