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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0B8E4 it is the complementary color #2F471B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0B8E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D0B8E4: #D5B8DF, #E6CAF2, #F7DCFF, #FFEEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0B8E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D0B8E4: #D0B8E4, #BFA6D1, #AE94BE, #9D82AB and #8C7098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

Complementary color

CMYK 34 / 0 / 62 / 72

HEX #2F471B

RGB 47 71 27

HSL 92.73, 0.45%, 0.19%

LAB 27.27, -18.23, 23.21

 

CMYK 4 / 17 / 0 / 13

HEX #D5B8DF

RGB 213 184 223

HSL 284.62, 0.38%, 0.8%

LAB 78.32, 17.31, -15.67

 

CMYK 5 / 17 / 0 / 5

HEX #E6CAF2

RGB 230 202 242

HSL 282, 0.61%, 0.87%

LAB 84.73, 16.89, -16.07

 

CMYK 3 / 14 / 0 / 0

HEX #F7DCFF

RGB 247 220 255

HSL 286.29, 1%, 0.93%

LAB 90.86, 15.38, -13.58

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 9 / 21 / 0 / 18

HEX #BFA6D1

RGB 191 166 209

HSL 274.88, 0.32%, 0.74%

LAB 71.52, 17.1, -18.49

 

CMYK 8 / 22 / 0 / 25

HEX #AE94BE

RGB 174 148 190

HSL 277.14, 0.24%, 0.66%

LAB 64.88, 17.58, -18.16

 

CMYK 8 / 24 / 0 / 33

HEX #9D82AB

RGB 157 130 171

HSL 279.51, 0.2%, 0.59%

LAB 58.11, 18.1, -17.84

 

CMYK 8 / 26 / 0 / 40

HEX #8C7098

RGB 140 112 152

HSL 282, 0.16%, 0.52%

LAB 51.19, 18.68, -17.52

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 6 / 19 / 0 / 11

HEX #D7B8E4

RGB 215 184 228

HSL 282.27, 0.45%, 0.81%

LAB 78.65, 18.94, -17.85

 

CMYK 3 / 19 / 0 / 11

HEX #DEB8E4

RGB 222 184 228

HSL 291.82, 0.45%, 0.81%

LAB 79.28, 21.24, -16.85

 

CMYK 0 / 19 / 1 / 11

HEX #E4B8E2

RGB 228 184 226

HSL 302.73, 0.45%, 0.81%

LAB 79.76, 22.85, -14.98

 

CMYK 0 / 19 / 4 / 11

HEX #E4B8DB

RGB 228 184 219

HSL 312.27, 0.45%, 0.81%

LAB 79.55, 21.59, -11.53

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 8 / 21 / 0 / 91

HEX #161318

RGB 22 19 24

HSL 276, 0.12%, 0.08%

LAB 6.34, 2.5, -2.81

 

CMYK 9 / 19 / 0 / 71

HEX #443D4B

RGB 68 61 75

HSL 270, 0.1%, 0.27%

LAB 26.95, 6.18, -7.41

 

CMYK 9 / 19 / 0 / 51

HEX #73667E

RGB 115 102 126

HSL 272.5, 0.11%, 0.45%

LAB 45.16, 10.08, -11.46

 

CMYK 9 / 19 / 0 / 31

HEX #A18FB1

RGB 161 143 177

HSL 271.76, 0.18%, 0.63%

LAB 61.99, 13.3, -15.33

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 0 / 19 / 14 / 11

HEX #E4B8C4

RGB 228 184 196

HSL 343.64, 0.45%, 0.81%

LAB 78.9, 17.7, -0.05

 

CMYK 19 / 0 / 17 / 11

HEX #B8E4BE

RGB 184 228 190

HSL 128.18, 0.45%, 0.81%

LAB 86.7, -21.5, 13.91

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 0 / 9 / 19 / 11

HEX #E4D0B8

RGB 228 208 184

HSL 32.73, 0.45%, 0.81%

LAB 84.52, 3.15, 14.44

 

CMYK 19 / 0 / 9 / 11

HEX #B8E4D0

RGB 184 228 208

HSL 152.73, 0.45%, 0.81%

LAB 87.11, -18.17, 5.06

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 0 / 19 / 14 / 11

HEX #E4B8C4

RGB 228 184 196

HSL 343.64, 0.45%, 0.81%

LAB 78.9, 17.7, -0.05

 

CMYK 10 / 0 / 19 / 11

HEX #CDE4B8

RGB 205 228 184

HSL 91.36, 0.45%, 0.81%

LAB 87.93, -15.36, 18.97

 

CMYK 19 / 0 / 5 / 11

HEX #B8E4D8

RGB 184 228 216

HSL 163.64, 0.45%, 0.81%

LAB 87.31, -16.6, 1.14

 

CMYK 9 / 19 / 0 / 11

HEX #D0B8E4

RGB 208 184 228

HSL 272.73, 0.45%, 0.81%

LAB 78.05, 16.66, -18.82

 

CMYK 0 / 18 / 19 / 11

HEX #E4BAB8

RGB 228 186 184

HSL 2.73, 0.45%, 0.81%

LAB 79.08, 14.76, 6.7

 

CMYK 10 / 0 / 19 / 11

HEX #CDE4B8

RGB 205 228 184

HSL 91.36, 0.45%, 0.81%

LAB 87.93, -15.36, 18.97

 

CMYK 19 / 1 / 0 / 11

HEX #B8E2E4

RGB 184 226 228

HSL 182.73, 0.45%, 0.81%

LAB 87.09, -13.13, -5.5

 

Description

Color code: HEX #D0B8E4 | qconv.com Color code: HEX #D0B8E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 184 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 184 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 19 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 19% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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