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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0A1B2 it is the complementary color #2F5E4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0A1B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D0A1B2: #D5A1AD, #E6B3C0, #F7C5D3, #FFD7E6 and #FFE9F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0A1B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D0A1B2: #D0A1B2, #BF8F9F, #AE7D8C, #9D6B79 and #8C5966

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

Complementary color

CMYK 50 / 0 / 18 / 63

HEX #2F5E4D

RGB 47 94 77

HSL 158.3, 0.33%, 0.28%

LAB 36.26, -20.65, 4.82

 

CMYK 0 / 24 / 19 / 16

HEX #D5A1AD

RGB 213 161 173

HSL 346.15, 0.38%, 0.73%

LAB 71.32, 21.05, 1.3

 

CMYK 0 / 22 / 17 / 10

HEX #E6B3C0

RGB 230 179 192

HSL 344.71, 0.5%, 0.8%

LAB 77.8, 20.45, 0.53

 

CMYK 0 / 20 / 15 / 3

HEX #F7C5D3

RGB 247 197 211

HSL 343.2, 0.76%, 0.87%

LAB 84.18, 19.9, -0.19

 

CMYK 0 / 16 / 10 / 0

HEX #FFD7E6

RGB 255 215 230

HSL 337.5, 1%, 0.92%

LAB 89.66, 16.3, -2.16

 

CMYK 0 / 9 / 2 / 0

HEX #FFE9F9

RGB 255 233 249

HSL 316.36, 1%, 0.96%

LAB 94.47, 10.18, -5.02

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 0 / 25 / 17 / 25

HEX #BF8F9F

RGB 191 143 159

HSL 340, 0.27%, 0.65%

LAB 64.34, 20.63, -1.34

 

CMYK 0 / 28 / 20 / 32

HEX #AE7D8C

RGB 174 125 140

HSL 341.63, 0.23%, 0.59%

LAB 57.62, 21.31, -0.54

 

CMYK 0 / 32 / 23 / 38

HEX #9D6B79

RGB 157 107 121

HSL 343.2, 0.2%, 0.52%

LAB 50.76, 22.06, 0.33

 

CMYK 0 / 36 / 27 / 45

HEX #8C5966

RGB 140 89 102

HSL 344.71, 0.22%, 0.45%

LAB 43.77, 22.9, 1.33

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 0 / 23 / 18 / 19

HEX #CFA0A9

RGB 207 160 169

HSL 348.51, 0.33%, 0.72%

LAB 70.37, 18.77, 2.05

 

CMYK 0 / 23 / 22 / 19

HEX #CFA0A1

RGB 207 160 161

HSL 358.72, 0.33%, 0.72%

LAB 70.16, 17.55, 6.19

 

CMYK 0 / 20 / 23 / 19

HEX #CFA6A0

RGB 207 166 160

HSL 7.66, 0.33%, 0.72%

LAB 71.61, 14.13, 8.81

 

CMYK 0 / 16 / 23 / 19

HEX #CFAEA0

RGB 207 174 160

HSL 17.87, 0.33%, 0.72%

LAB 73.59, 9.8, 11.64

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 0 / 25 / 25 / 98

HEX #040303

RGB 4 3 3

HSL 0, 0.14%, 0.01%

LAB 0.88, 0.26, 0.09

 

CMYK 0 / 22 / 15 / 78

HEX #372B2F

RGB 55 43 47

HSL 340, 0.12%, 0.19%

LAB 18.99, 6.34, -0.5

 

CMYK 0 / 23 / 14 / 58

HEX #6A525B

RGB 106 82 91

HSL 337.5, 0.13%, 0.37%

LAB 37.58, 11.6, -1.41

 

CMYK 0 / 22 / 15 / 38

HEX #9D7A86

RGB 157 122 134

HSL 339.43, 0.15%, 0.55%

LAB 54.87, 15.58, -1.29

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 0 / 4 / 23 / 19

HEX #CFC7A0

RGB 207 199 160

HSL 49.79, 0.33%, 0.72%

LAB 79.98, -3.47, 20.57

 

CMYK 23 / 5 / 0 / 19

HEX #A0C4CF

RGB 160 196 207

HSL 194.04, 0.33%, 0.72%

LAB 76.96, -9.54, -9.48

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 14 / 0 / 23 / 19

HEX #B1CFA0

RGB 177 207 160

HSL 98.3, 0.33%, 0.72%

LAB 79.9, -18.58, 20.11

 

CMYK 23 / 14 / 0 / 19

HEX #A0B1CF

RGB 160 177 207

HSL 218.3, 0.33%, 0.72%

LAB 71.84, 0.64, -17.15

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 0 / 4 / 23 / 19

HEX #CFC7A0

RGB 207 199 160

HSL 49.79, 0.33%, 0.72%

LAB 79.98, -3.47, 20.57

 

CMYK 23 / 0 / 9 / 19

HEX #A0CFBD

RGB 160 207 189

HSL 157.02, 0.33%, 0.72%

LAB 79.48, -19.02, 3.93

 

CMYK 23 / 19 / 0 / 19

HEX #A0A7CF

RGB 160 167 207

HSL 231.06, 0.33%, 0.72%

LAB 69.2, 6.15, -21.16

 

CMYK 0 / 23 / 14 / 18

HEX #D0A1B2

RGB 208 161 178

HSL 338.3, 0.33%, 0.72%

LAB 70.95, 20.02, -2.07

 

CMYK 3 / 0 / 23 / 19

HEX #C8CFA0

RGB 200 207 160

HSL 68.94, 0.33%, 0.72%

LAB 81.53, -10.22, 22.61

 

CMYK 23 / 0 / 9 / 19

HEX #A0CFBD

RGB 160 207 189

HSL 157.02, 0.33%, 0.72%

LAB 79.48, -19.02, 3.93

 

CMYK 20 / 23 / 0 / 19

HEX #A6A0CF

RGB 166 160 207

HSL 247.66, 0.33%, 0.72%

LAB 67.84, 11.94, -23.19

 

Description

Color code: HEX #D0A1B2 | qconv.com Color code: HEX #D0A1B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 161 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 161 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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