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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0776D it is the complementary color #2F8892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0776D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0776D shade: #D57768, #E6897B, #F79B8E, #FFADA1 and #FFBFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0776D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0776D shade: #D0776D, #BF655A, #AE5347, #9D4134 and #8C2F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0776D shade: #D0776D and #D06D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0776D shade: #D0776D, #D0916D, #D0AC6D, #D0C76D and #BED06D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0776D shade matches the following richer shades: #D0776D, #DF6A5D, #EF5E4D and #FF513E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0776D shade: #D0776D, #C0837C, #B0908C, #A09C9C and #91A9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0776D shade: #D06D98, #D06D7D, #D0776D, #D0916D and #D0AB6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0776D shade: #B04539, #C55A4E, #D0776D, #DA948C and #E4B1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0776D shade: #D0776D, #B2D06D and #6D8AD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0776D shade: #D0776D, #6DD077 and #776DD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0776D shade: #D0776D, #B2D06D, #6DC6D0 and #8A6DD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0776D shade: #D0776D, #94D06D, #6DC6D0 and #A86DD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

Complementary color

CMYK 68 / 7 / 0 / 43

HEX #2F8892

RGB 47 136 146

HSL 186.06, 0.51%, 0.38%

LAB 52.16, -22.61, -13.07

 

CMYK 0 / 44 / 51 / 16

HEX #D57768

RGB 213 119 104

HSL 8.26, 0.56%, 0.62%

LAB 60.19, 35.13, 24.44

 

CMYK 0 / 40 / 47 / 10

HEX #E6897B

RGB 230 137 123

HSL 7.85, 0.68%, 0.69%

LAB 66.63, 33.98, 22.78

 

CMYK 0 / 37 / 43 / 3

HEX #F79B8E

RGB 247 155 142

HSL 7.43, 0.87%, 0.76%

LAB 73, 32.92, 21.3

 

CMYK 0 / 32 / 37 / 0

HEX #FFADA1

RGB 255 173 161

HSL 7.66, 1%, 0.82%

LAB 78.3, 28.61, 18.41

 

CMYK 0 / 25 / 29 / 0

HEX #FFBFB4

RGB 255 191 180

HSL 8.8, 1%, 0.85%

LAB 82.82, 21.5, 14.52

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 0 / 52 / 59 / 32

HEX #AE5347

RGB 174 83 71

HSL 6.99, 0.42%, 0.48%

LAB 46.5, 36.14, 24.56

 

CMYK 0 / 59 / 67 / 38

HEX #9D4134

RGB 157 65 52

HSL 7.43, 0.5%, 0.41%

LAB 39.91, 37.45, 27.02

 

CMYK 0 / 66 / 76 / 45

HEX #8C2F21

RGB 140 47 33

HSL 7.85, 0.62%, 0.34%

LAB 33.39, 38.69, 29.94

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 48 / 48 / 18

HEX #D06D6D

RGB 208 109 109

HSL 0, 0.51%, 0.62%

LAB 57.51, 38.91, 17.85

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 30 / 48 / 18

HEX #D0916D

RGB 208 145 109

HSL 21.82, 0.51%, 0.62%

LAB 65.57, 19.65, 28.62

 

CMYK 0 / 17 / 48 / 18

HEX #D0AC6D

RGB 208 172 109

HSL 38.18, 0.51%, 0.62%

LAB 72.24, 5.04, 37.19

 

CMYK 0 / 4 / 48 / 18

HEX #D0C76D

RGB 208 199 109

HSL 54.55, 0.51%, 0.62%

LAB 79.25, -9.1, 45.87

 

CMYK 9 / 0 / 48 / 18

HEX #BED06D

RGB 190 208 109

HSL 70.91, 0.51%, 0.62%

LAB 80.27, -20.84, 46.79

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 52 / 58 / 13

HEX #DF6A5D

RGB 223 106 93

HSL 6, 0.67%, 0.62%

LAB 58.78, 44.61, 29.08

 

CMYK 0 / 61 / 68 / 6

HEX #EF5E4D

RGB 239 94 77

HSL 6.3, 0.84%, 0.62%

LAB 58.87, 54.87, 38.7

 

CMYK 0 / 68 / 76 / 0

HEX #FF513E

RGB 255 81 62

HSL 5.91, 1%, 0.62%

LAB 59.43, 64.73, 48.1

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 32 / 35 / 25

HEX #C0837C

RGB 192 131 124

HSL 6.18, 0.35%, 0.62%

LAB 60.69, 22.61, 13.32

 

CMYK 0 / 18 / 20 / 31

HEX #B0908C

RGB 176 144 140

HSL 6.67, 0.19%, 0.62%

LAB 62.57, 11.39, 6.65

 

CMYK 0 / 2 / 2 / 37

HEX #A09C9C

RGB 160 156 156

HSL 0, 0.02%, 0.62%

LAB 64.68, 1.45, 0.51

 

CMYK 15 / 1 / 0 / 33

HEX #91A9AB

RGB 145 169 171

HSL 184.62, 0.13%, 0.62%

LAB 67.53, -7.85, -3.83

 

CMYK 0 / 48 / 27 / 18

HEX #D06D98

RGB 208 109 152

HSL 333.94, 0.51%, 0.62%

LAB 58.62, 43.95, -5.54

 

CMYK 0 / 48 / 40 / 18

HEX #D06D7D

RGB 208 109 125

HSL 350.3, 0.51%, 0.62%

LAB 57.87, 40.59, 9.07

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 30 / 48 / 18

HEX #D0916D

RGB 208 145 109

HSL 21.82, 0.51%, 0.62%

LAB 65.57, 19.65, 28.62

 

CMYK 0 / 18 / 48 / 18

HEX #D0AB6D

RGB 208 171 109

HSL 37.58, 0.51%, 0.62%

LAB 71.99, 5.58, 36.87

 

CMYK 0 / 61 / 68 / 31

HEX #B04539

RGB 176 69 57

HSL 6.05, 0.51%, 0.46%

LAB 43.92, 42.9, 29.66

 

CMYK 0 / 54 / 60 / 23

HEX #C55A4E

RGB 197 90 78

HSL 6.05, 0.51%, 0.54%

LAB 51.53, 41.83, 27.61

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 0 / 32 / 36 / 15

HEX #DA948C

RGB 218 148 140

HSL 6.15, 0.51%, 0.7%

LAB 68, 25.39, 14.97

 

CMYK 0 / 22 / 25 / 11

HEX #E4B1AB

RGB 228 177 171

HSL 6.32, 0.51%, 0.78%

LAB 76.61, 17.67, 10.2

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 14 / 0 / 48 / 18

HEX #B2D06D

RGB 178 208 109

HSL 78.18, 0.51%, 0.62%

LAB 79.43, -25.51, 45.58

 

CMYK 48 / 34 / 0 / 18

HEX #6D8AD0

RGB 109 138 208

HSL 222.42, 0.51%, 0.62%

LAB 58.02, 8.74, -39.28

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 48 / 0 / 43 / 18

HEX #6DD077

RGB 109 208 119

HSL 126.06, 0.51%, 0.62%

LAB 75.88, -47.51, 35.38

 

CMYK 43 / 48 / 0 / 18

HEX #776DD0

RGB 119 109 208

HSL 246.06, 0.51%, 0.62%

LAB 51.17, 28.53, -50.08

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 14 / 0 / 48 / 18

HEX #B2D06D

RGB 178 208 109

HSL 78.18, 0.51%, 0.62%

LAB 79.43, -25.51, 45.58

 

CMYK 48 / 5 / 0 / 18

HEX #6DC6D0

RGB 109 198 208

HSL 186.06, 0.51%, 0.62%

LAB 74.95, -24.04, -13.29

 

CMYK 34 / 48 / 0 / 18

HEX #8A6DD0

RGB 138 109 208

HSL 257.58, 0.51%, 0.62%

LAB 52.83, 33.34, -47.33

 

CMYK 0 / 43 / 48 / 18

HEX #D0776D

RGB 208 119 109

HSL 6.06, 0.51%, 0.62%

LAB 59.62, 33.67, 20.72

 

CMYK 29 / 0 / 48 / 18

HEX #94D06D

RGB 148 208 109

HSL 96.36, 0.51%, 0.62%

LAB 77.59, -36.57, 42.89

 

CMYK 48 / 5 / 0 / 18

HEX #6DC6D0

RGB 109 198 208

HSL 186.06, 0.51%, 0.62%

LAB 74.95, -24.04, -13.29

 

CMYK 19 / 48 / 0 / 18

HEX #A86DD0

RGB 168 109 208

HSL 275.76, 0.51%, 0.62%

LAB 55.9, 41.5, -42.27

 

Description

Color code: HEX #D0776D | qconv.com Color code: HEX #D0776D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 119 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 119 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 48 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 48% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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