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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 47 / 53 / 25 it is the complementary color CMYK 61 / 7 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 47 / 53 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 47 / 53 / 25: CMYK 0 / 48 / 57 / 23, CMYK 0 / 44 / 51 / 16, CMYK 0 / 40 / 47 / 10, CMYK 0 / 37 / 43 / 3 and CMYK 0 / 32 / 37 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 47 / 53 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 47 / 53 / 25: CMYK 0 / 47 / 53 / 25, CMYK 0 / 52 / 59 / 32, CMYK 0 / 59 / 67 / 38, CMYK 0 / 66 / 76 / 45 and CMYK 0 / 76 / 89 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

Complementary color

CMYK 61 / 7 / 0 / 35

HEX #409AA5

RGB 64 154 165

HSL 186.53, 0.44%, 0.45%

LAB 58.9, -23.17, -13.76

 

CMYK 0 / 48 / 57 / 23

HEX #C46555

RGB 196 101 85

HSL 8.65, 0.48%, 0.55%

LAB 53.71, 36.37, 26.33

 

CMYK 0 / 44 / 51 / 16

HEX #D57768

RGB 213 119 104

HSL 8.26, 0.56%, 0.62%

LAB 60.19, 35.13, 24.44

 

CMYK 0 / 40 / 47 / 10

HEX #E6897B

RGB 230 137 123

HSL 7.85, 0.68%, 0.69%

LAB 66.63, 33.98, 22.78

 

CMYK 0 / 37 / 43 / 3

HEX #F79B8E

RGB 247 155 142

HSL 7.43, 0.87%, 0.76%

LAB 73, 32.92, 21.3

 

CMYK 0 / 32 / 37 / 0

HEX #FFADA1

RGB 255 173 161

HSL 7.66, 1%, 0.82%

LAB 78.3, 28.61, 18.41

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 0 / 52 / 59 / 32

HEX #AE5347

RGB 174 83 71

HSL 6.99, 0.42%, 0.48%

LAB 46.5, 36.14, 24.56

 

CMYK 0 / 59 / 67 / 38

HEX #9D4134

RGB 157 65 52

HSL 7.43, 0.5%, 0.41%

LAB 39.91, 37.45, 27.02

 

CMYK 0 / 66 / 76 / 45

HEX #8C2F21

RGB 140 47 33

HSL 7.85, 0.62%, 0.34%

LAB 33.39, 38.69, 29.94

 

CMYK 0 / 76 / 89 / 52

HEX #7B1D0E

RGB 123 29 14

HSL 8.26, 0.8%, 0.27%

LAB 27.08, 39.54, 33.15

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 0 / 39 / 53 / 25

HEX #BE7459

RGB 190 116 89

HSL 16.04, 0.44%, 0.55%

LAB 56.25, 26.29, 27.18

 

CMYK 0 / 30 / 53 / 25

HEX #BE8559

RGB 190 133 89

HSL 26.14, 0.44%, 0.55%

LAB 60.29, 16.92, 32.33

 

CMYK 0 / 21 / 53 / 25

HEX #BE9659

RGB 190 150 89

HSL 36.24, 0.44%, 0.55%

LAB 64.55, 7.55, 37.63

 

CMYK 0 / 12 / 53 / 25

HEX #BEA759

RGB 190 167 89

HSL 46.34, 0.44%, 0.55%

LAB 68.97, -1.65, 42.99

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 0 / 47 / 53 / 5

HEX #F28072

RGB 242 128 114

HSL 6.56, 0.83%, 0.7%

LAB 66.16, 42.3, 27.44

 

CMYK 0 / 47 / 53 / 85

HEX #261412

RGB 38 20 18

HSL 6, 0.36%, 0.11%

LAB 8.62, 8.95, 4.91

 

CMYK 0 / 47 / 53 / 65

HEX #592F2A

RGB 89 47 42

HSL 6.38, 0.36%, 0.26%

LAB 24.72, 18.53, 11.64

 

CMYK 0 / 47 / 53 / 45

HEX #8C4A42

RGB 140 74 66

HSL 6.49, 0.36%, 0.4%

LAB 39.35, 27.01, 17.27

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 16 / 0 / 53 / 25

HEX #A0BE59

RGB 160 190 89

HSL 77.82, 0.44%, 0.55%

LAB 72.91, -25.81, 47.07

 

CMYK 53 / 37 / 0 / 25

HEX #5978BE

RGB 89 120 190

HSL 221.58, 0.44%, 0.55%

LAB 51.01, 9.22, -40.17

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 53 / 0 / 48 / 25

HEX #59BE63

RGB 89 190 99

HSL 125.94, 0.44%, 0.55%

LAB 69.36, -48.51, 37.03

 

CMYK 48 / 53 / 0 / 25

HEX #6359BE

RGB 99 89 190

HSL 245.94, 0.44%, 0.55%

LAB 43.53, 30.6, -52.05

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 16 / 0 / 53 / 25

HEX #A0BE59

RGB 160 190 89

HSL 77.82, 0.44%, 0.55%

LAB 72.91, -25.81, 47.07

 

CMYK 53 / 5 / 0 / 25

HEX #59B4BE

RGB 89 180 190

HSL 185.94, 0.44%, 0.55%

LAB 68.38, -24.26, -13.4

 

CMYK 37 / 53 / 0 / 25

HEX #7859BE

RGB 120 89 190

HSL 258.42, 0.44%, 0.55%

LAB 45.44, 35.59, -48.89

 

CMYK 0 / 47 / 53 / 25

HEX #BF655A

RGB 191 101 90

HSL 6.53, 0.44%, 0.55%

LAB 53.08, 34.86, 22.49

 

CMYK 32 / 0 / 53 / 25

HEX #82BE59

RGB 130 190 89

HSL 95.64, 0.44%, 0.55%

LAB 71.07, -37.08, 44.45

 

CMYK 53 / 5 / 0 / 25

HEX #59B4BE

RGB 89 180 190

HSL 185.94, 0.44%, 0.55%

LAB 68.38, -24.26, -13.4

 

CMYK 21 / 53 / 0 / 25

HEX #9659BE

RGB 150 89 190

HSL 276.24, 0.44%, 0.55%

LAB 48.69, 43.39, -43.5

 

Description

Color code: CMYK 0 / 47 / 53 / 25 | qconv.com Color code: CMYK 0 / 47 / 53 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 101 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 101 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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