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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D063B9 it is the complementary color #2F9C46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D063B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D063B9 shade: #D563B4, #E675C7, #F787DA, #FF99ED and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D063B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D063B9 shade: #D063B9, #BF51A6, #AE3F93, #9D2D80 and #8C1B6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D063B9 shade: #D062B9, #D0629B, #D0627D and #D06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D063B9 shade: #D062B9, #CA62D0, #AC62D0, #8E62D0 and #7062D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D063B9 shade matches the following richer shades: #D062B9, #E151C2 and #F141CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D063B9 shade: #D062B9, #C072AF, #AF83A6, #9F939C and #8EA493

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D063B9 shade: #AB62D0, #C962D0, #D062BA, #D0629D and #D0627F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D063B9 shade: #AC3393, #C742AB, #D062B9, #DA82C7 and #E3A1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D063B9 shade: #D063B9, #D08E62 and #62D0BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D063B9 shade: #D063B9, #BAD062 and #62BAD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D063B9 shade: #D063B9, #D08E62, #62D078 and #62A4D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D063B9 shade: #D063B9, #D0AF62, #62D078 and #6283D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 11 / 18

HEX #D063B9

RGB 208 99 185

HSL 312.66, 0.54%, 0.6%

LAB 57.88, 53.82, -25.69

 

Complementary color

CMYK 70 / 0 / 55 / 39

HEX #2F9C46

RGB 47 156 70

HSL 132.66, 0.54%, 0.4%

LAB 56.9, -49.14, 35.95

 

CMYK 0 / 54 / 15 / 16

HEX #D563B4

RGB 213 99 180

HSL 317.37, 0.58%, 0.61%

LAB 58.38, 54.52, -21.99

 

CMYK 0 / 49 / 13 / 10

HEX #E675C7

RGB 230 117 199

HSL 316.46, 0.69%, 0.68%

LAB 64.7, 53.9, -22.93

 

CMYK 0 / 45 / 12 / 3

HEX #F787DA

RGB 247 135 218

HSL 315.54, 0.88%, 0.75%

LAB 70.98, 53.22, -23.72

 

CMYK 0 / 40 / 7 / 0

HEX #FF99ED

RGB 255 153 237

HSL 310.59, 1%, 0.8%

LAB 76.17, 49.75, -26.13

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 52 / 11 / 18

HEX #D063B9

RGB 208 99 185

HSL 312.66, 0.54%, 0.6%

LAB 57.88, 53.82, -25.69

 

CMYK 0 / 58 / 13 / 25

HEX #BF51A6

RGB 191 81 166

HSL 313.64, 0.46%, 0.53%

LAB 51.51, 54.32, -24.7

 

CMYK 0 / 64 / 16 / 32

HEX #AE3F93

RGB 174 63 147

HSL 314.59, 0.47%, 0.46%

LAB 45.17, 54.56, -23.43

 

CMYK 0 / 71 / 18 / 38

HEX #9D2D80

RGB 157 45 128

HSL 315.54, 0.55%, 0.4%

LAB 38.9, 54.35, -21.77

 

CMYK 0 / 81 / 22 / 45

HEX #8C1B6D

RGB 140 27 109

HSL 316.46, 0.68%, 0.33%

LAB 32.84, 53.34, -19.48

 

CMYK 0 / 53 / 11 / 18

HEX #D062B9

RGB 208 98 185

HSL 312.55, 0.54%, 0.6%

LAB 57.7, 54.3, -25.97

 

CMYK 0 / 53 / 25 / 18

HEX #D0629B

RGB 208 98 155

HSL 328.91, 0.54%, 0.6%

LAB 56.6, 49.84, -10.29

 

CMYK 0 / 53 / 40 / 18

HEX #D0627D

RGB 208 98 125

HSL 345.27, 0.54%, 0.6%

LAB 55.71, 46.12, 5.99

 

CMYK 0 / 53 / 53 / 18

HEX #D06262

RGB 208 98 98

HSL 0, 0.54%, 0.6%

LAB 55.1, 43.47, 20.97

 

CMYK 0 / 53 / 11 / 18

HEX #D062B9

RGB 208 98 185

HSL 312.55, 0.54%, 0.6%

LAB 57.7, 54.3, -25.97

 

CMYK 3 / 53 / 0 / 18

HEX #CA62D0

RGB 202 98 208

HSL 296.73, 0.54%, 0.6%

LAB 57.89, 56.54, -38.86

 

CMYK 17 / 53 / 0 / 18

HEX #AC62D0

RGB 172 98 208

HSL 280.36, 0.54%, 0.6%

LAB 54.09, 48.47, -45.11

 

CMYK 32 / 53 / 0 / 18

HEX #8E62D0

RGB 142 98 208

HSL 264, 0.54%, 0.6%

LAB 50.73, 40.66, -50.65

 

CMYK 46 / 53 / 0 / 18

HEX #7062D0

RGB 112 98 208

HSL 247.64, 0.54%, 0.6%

LAB 47.92, 33.47, -55.31

 

CMYK 0 / 53 / 11 / 18

HEX #D062B9

RGB 208 98 185

HSL 312.55, 0.54%, 0.6%

LAB 57.7, 54.3, -25.97

 

CMYK 0 / 64 / 14 / 12

HEX #E151C2

RGB 225 81 194

HSL 312.92, 0.71%, 0.6%

LAB 57.83, 67.75, -30.73

 

CMYK 0 / 73 / 15 / 5

HEX #F141CC

RGB 241 65 204

HSL 312.61, 0.86%, 0.6%

LAB 58.83, 78.57, -34.7

 

CMYK 0 / 53 / 11 / 18

HEX #D062B9

RGB 208 98 185

HSL 312.55, 0.54%, 0.6%

LAB 57.7, 54.3, -25.97

 

CMYK 0 / 41 / 9 / 25

HEX #C072AF

RGB 192 114 175

HSL 313.08, 0.38%, 0.6%

LAB 58.35, 39.56, -19.41

 

CMYK 0 / 25 / 5 / 31

HEX #AF83A6

RGB 175 131 166

HSL 312.27, 0.22%, 0.6%

LAB 59.98, 22.78, -11.98

 

CMYK 0 / 8 / 2 / 38

HEX #9F939C

RGB 159 147 156

HSL 315, 0.06%, 0.6%

LAB 62.2, 6.11, -3.14

 

CMYK 13 / 0 / 10 / 36

HEX #8EA493

RGB 142 164 147

HSL 133.64, 0.11%, 0.6%

LAB 65.29, -11.08, 6.24

 

CMYK 18 / 53 / 0 / 18

HEX #AB62D0

RGB 171 98 208

HSL 279.82, 0.54%, 0.6%

LAB 53.97, 48.21, -45.3

 

CMYK 3 / 53 / 0 / 18

HEX #C962D0

RGB 201 98 208

HSL 296.18, 0.54%, 0.6%

LAB 57.76, 56.27, -39.08

 

CMYK 0 / 53 / 11 / 18

HEX #D062BA

RGB 208 98 186

HSL 312, 0.54%, 0.6%

LAB 57.74, 54.46, -26.48

 

CMYK 0 / 53 / 25 / 18

HEX #D0629D

RGB 208 98 157

HSL 327.82, 0.54%, 0.6%

LAB 56.66, 50.11, -11.36

 

CMYK 0 / 53 / 39 / 18

HEX #D0627F

RGB 208 98 127

HSL 344.18, 0.54%, 0.6%

LAB 55.76, 46.34, 4.89

 

CMYK 0 / 70 / 15 / 33

HEX #AC3393

RGB 172 51 147

HSL 312.4, 0.54%, 0.44%

LAB 43.13, 58.79, -26.62

 

CMYK 0 / 67 / 14 / 22

HEX #C742AB

RGB 199 66 171

HSL 312.63, 0.54%, 0.52%

LAB 50.66, 63.56, -28.85

 

CMYK 0 / 53 / 11 / 18

HEX #D062B9

RGB 208 98 185

HSL 312.55, 0.54%, 0.6%

LAB 57.7, 54.3, -25.97

 

CMYK 0 / 40 / 9 / 15

HEX #DA82C7

RGB 218 130 199

HSL 312.95, 0.54%, 0.68%

LAB 65.74, 43.62, -21.47

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 52 / 11 / 18

HEX #D063B9

RGB 208 99 185

HSL 312.66, 0.54%, 0.6%

LAB 57.88, 53.82, -25.69

 

CMYK 0 / 32 / 53 / 18

HEX #D08E62

RGB 208 142 98

HSL 24, 0.54%, 0.6%

LAB 64.67, 20.25, 33.44

 

CMYK 53 / 0 / 11 / 18

HEX #62D0BA

RGB 98 208 186

HSL 168, 0.54%, 0.6%

LAB 76.83, -36.86, 1.33

 

CMYK 0 / 52 / 11 / 18

HEX #D063B9

RGB 208 99 185

HSL 312.66, 0.54%, 0.6%

LAB 57.88, 53.82, -25.69

 

CMYK 11 / 0 / 53 / 18

HEX #BAD062

RGB 186 208 98

HSL 72, 0.54%, 0.6%

LAB 79.86, -23.46, 51.44

 

CMYK 53 / 11 / 0 / 18

HEX #62BAD0

RGB 98 186 208

HSL 192, 0.54%, 0.6%

LAB 71.06, -20.37, -19.2

 

CMYK 0 / 52 / 11 / 18

HEX #D063B9

RGB 208 99 185

HSL 312.66, 0.54%, 0.6%

LAB 57.88, 53.82, -25.69

 

CMYK 0 / 32 / 53 / 18

HEX #D08E62

RGB 208 142 98

HSL 24, 0.54%, 0.6%

LAB 64.67, 20.25, 33.44

 

CMYK 53 / 0 / 42 / 18

HEX #62D078

RGB 98 208 120

HSL 132, 0.54%, 0.6%

LAB 75.49, -50.25, 34.29

 

CMYK 53 / 21 / 0 / 18

HEX #62A4D0

RGB 98 164 208

HSL 204, 0.54%, 0.6%

LAB 64.73, -8.67, -28.89

 

CMYK 0 / 52 / 11 / 18

HEX #D063B9

RGB 208 99 185

HSL 312.66, 0.54%, 0.6%

LAB 57.88, 53.82, -25.69

 

CMYK 0 / 16 / 53 / 18

HEX #D0AF62

RGB 208 175 98

HSL 42, 0.54%, 0.6%

LAB 72.86, 2.44, 43.57

 

CMYK 53 / 0 / 42 / 18

HEX #62D078

RGB 98 208 120

HSL 132, 0.54%, 0.6%

LAB 75.49, -50.25, 34.29

 

CMYK 53 / 37 / 0 / 18

HEX #6283D0

RGB 98 131 208

HSL 222, 0.54%, 0.6%

LAB 55.47, 10.34, -43.35

 

Description

Color code: HEX #D063B9 | qconv.com Color code: HEX #D063B9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 99 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 99 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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