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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3A1D5 it is the complementary color #1C5E2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3A1D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3A1D5 shade: #E8A1D0, #F9B3E3, #FFC5F6, #FFD7FF and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3A1D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3A1D5 shade: #E3A1D5, #D28FC2, #C17DAF, #B06B9C and #9F5989

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3A1D5 shade: #E3A1D5, #E3A1C3, #E3A1B1 and #E3A1A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3A1D5 shade: #E3A1D5, #DFA1E3, #CDA1E3, #BBA1E3 and #AAA1E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3A1D5 shade matches the following richer shades: #E3A1D5, #ED97DB and #F78DE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3A1D5 shade: #E3A1D5, #D9ABCF, #CFB5C9, #C5BEC4 and #BBC8BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3A1D5 shade: #CDA1E3, #DEA1E3, #E3A1D6, #E3A1C4 and #E3A1B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3A1D5 shade: #D061B8, #D981C7, #E3A1D5, #ECC1E3 and #F6E0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3A1D5 shade: #E3A1D5, #E3BBA1 and #A1E3D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3A1D5 shade: #E3A1D5, #D6E3A1 and #A1D6E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3A1D5 shade: #E3A1D5, #E3BBA1, #A1E3AE and #A1C8E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3A1D5 shade: #E3A1D5, #E3CFA1, #A1E3AE and #A1B5E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

Complementary color

CMYK 70 / 0 / 55 / 63

HEX #1C5E2A

RGB 28 94 42

HSL 132.73, 0.54%, 0.24%

LAB 34.84, -33.06, 23.72

 

CMYK 0 / 31 / 10 / 9

HEX #E8A1D0

RGB 232 161 208

HSL 320.28, 0.61%, 0.77%

LAB 74.32, 33.35, -13.34

 

CMYK 0 / 28 / 9 / 2

HEX #F9B3E3

RGB 249 179 227

HSL 318.86, 0.85%, 0.84%

LAB 80.7, 32.69, -13.91

 

CMYK 0 / 23 / 4 / 0

HEX #FFC5F6

RGB 255 197 246

HSL 309.31, 1%, 0.89%

LAB 85.93, 28.45, -16.16

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 32 / 8 / 18

HEX #D28FC2

RGB 210 143 194

HSL 314.33, 0.43%, 0.69%

LAB 67.46, 33.22, -16.15

 

CMYK 0 / 35 / 9 / 24

HEX #C17DAF

RGB 193 125 175

HSL 315.88, 0.35%, 0.62%

LAB 60.87, 33.96, -15.58

 

CMYK 0 / 39 / 11 / 31

HEX #B06B9C

RGB 176 107 156

HSL 317.39, 0.3%, 0.55%

LAB 54.18, 34.73, -14.94

 

CMYK 0 / 44 / 14 / 38

HEX #9F5989

RGB 159 89 137

HSL 318.86, 0.28%, 0.49%

LAB 47.39, 35.53, -14.2

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 29 / 14 / 11

HEX #E3A1C3

RGB 227 161 195

HSL 329.09, 0.54%, 0.76%

LAB 73.39, 29.51, -7.63

 

CMYK 0 / 29 / 22 / 11

HEX #E3A1B1

RGB 227 161 177

HSL 345.45, 0.54%, 0.76%

LAB 72.89, 26.74, 1.55

 

CMYK 0 / 29 / 29 / 11

HEX #E3A1A1

RGB 227 161 161

HSL 0, 0.54%, 0.76%

LAB 72.49, 24.49, 9.8

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 2 / 29 / 0 / 11

HEX #DFA1E3

RGB 223 161 227

HSL 296.36, 0.54%, 0.76%

LAB 74.01, 33.76, -24.28

 

CMYK 10 / 29 / 0 / 11

HEX #CDA1E3

RGB 205 161 227

HSL 280, 0.54%, 0.76%

LAB 72.24, 28.04, -27.15

 

CMYK 18 / 29 / 0 / 11

HEX #BBA1E3

RGB 187 161 227

HSL 263.64, 0.54%, 0.76%

LAB 70.59, 22.42, -29.82

 

CMYK 25 / 29 / 0 / 11

HEX #AAA1E3

RGB 170 161 227

HSL 248.18, 0.54%, 0.76%

LAB 69.17, 17.28, -32.14

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 36 / 8 / 7

HEX #ED97DB

RGB 237 151 219

HSL 312.56, 0.7%, 0.76%

LAB 73.06, 42.12, -21.22

 

CMYK 0 / 43 / 9 / 3

HEX #F78DE0

RGB 247 141 224

HSL 313.02, 0.87%, 0.76%

LAB 72.37, 51.19, -24.92

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 21 / 5 / 15

HEX #D9ABCF

RGB 217 171 207

HSL 313.04, 0.38%, 0.76%

LAB 75.07, 22.72, -11.82

 

CMYK 0 / 13 / 3 / 19

HEX #CFB5C9

RGB 207 181 201

HSL 313.85, 0.21%, 0.76%

LAB 76.39, 12.77, -6.67

 

CMYK 0 / 4 / 1 / 23

HEX #C5BEC4

RGB 197 190 196

HSL 308.57, 0.06%, 0.76%

LAB 77.69, 3.54, -2.15

 

CMYK 7 / 0 / 5 / 22

HEX #BBC8BE

RGB 187 200 190

HSL 133.85, 0.11%, 0.76%

LAB 79.38, -6.31, 3.46

 

CMYK 10 / 29 / 0 / 11

HEX #CDA1E3

RGB 205 161 227

HSL 280, 0.54%, 0.76%

LAB 72.24, 28.04, -27.15

 

CMYK 2 / 29 / 0 / 11

HEX #DEA1E3

RGB 222 161 227

HSL 295.45, 0.54%, 0.76%

LAB 73.91, 33.44, -24.45

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D6

RGB 227 161 214

HSL 311.82, 0.54%, 0.76%

LAB 73.98, 32.71, -17.18

 

CMYK 0 / 29 / 14 / 11

HEX #E3A1C4

RGB 227 161 196

HSL 328.18, 0.54%, 0.76%

LAB 73.42, 29.67, -8.14

 

CMYK 0 / 29 / 22 / 11

HEX #E3A1B2

RGB 227 161 178

HSL 344.55, 0.54%, 0.76%

LAB 72.91, 26.89, 1.04

 

CMYK 0 / 53 / 12 / 18

HEX #D061B8

RGB 208 97 184

HSL 312.97, 0.54%, 0.6%

LAB 57.48, 54.62, -25.73

 

CMYK 0 / 41 / 8 / 15

HEX #D981C7

RGB 217 129 199

HSL 312.27, 0.54%, 0.68%

LAB 65.42, 43.82, -21.98

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 18 / 4 / 7

HEX #ECC1E3

RGB 236 193 227

HSL 312.56, 0.53%, 0.84%

LAB 82.66, 20.91, -11.11

 

CMYK 0 / 9 / 2 / 4

HEX #F6E0F1

RGB 246 224 241

HSL 313.64, 0.55%, 0.92%

LAB 91.35, 10.43, -5.54

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 18 / 29 / 11

HEX #E3BBA1

RGB 227 187 161

HSL 23.64, 0.54%, 0.76%

LAB 78.72, 10.59, 18.56

 

CMYK 29 / 0 / 6 / 11

HEX #A1E3D6

RGB 161 227 214

HSL 168.18, 0.54%, 0.76%

LAB 85.69, -23.43, -0.32

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 6 / 0 / 29 / 11

HEX #D6E3A1

RGB 214 227 161

HSL 71.82, 0.54%, 0.76%

LAB 87.88, -14.96, 30.86

 

CMYK 29 / 6 / 0 / 11

HEX #A1D6E3

RGB 161 214 227

HSL 191.82, 0.54%, 0.76%

LAB 82.49, -14.02, -11.93

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 18 / 29 / 11

HEX #E3BBA1

RGB 227 187 161

HSL 23.64, 0.54%, 0.76%

LAB 78.72, 10.59, 18.56

 

CMYK 29 / 0 / 23 / 11

HEX #A1E3AE

RGB 161 227 174

HSL 131.82, 0.54%, 0.76%

LAB 84.78, -31.28, 19.38

 

CMYK 29 / 12 / 0 / 11

HEX #A1C8E3

RGB 161 200 227

HSL 204.55, 0.54%, 0.76%

LAB 78.71, -6.73, -17.61

 

CMYK 0 / 29 / 6 / 11

HEX #E3A1D5

RGB 227 161 213

HSL 312.73, 0.54%, 0.76%

LAB 73.95, 32.53, -16.68

 

CMYK 0 / 9 / 29 / 11

HEX #E3CFA1

RGB 227 207 161

HSL 41.82, 0.54%, 0.76%

LAB 83.72, 0.1, 25.43

 

CMYK 29 / 0 / 23 / 11

HEX #A1E3AE

RGB 161 227 174

HSL 131.82, 0.54%, 0.76%

LAB 84.78, -31.28, 19.38

 

CMYK 29 / 20 / 0 / 11

HEX #A1B5E3

RGB 161 181 227

HSL 221.82, 0.54%, 0.76%

LAB 73.66, 3.5, -25.29

 

Description

Color code: HEX #E3A1D5 | qconv.com Color code: HEX #E3A1D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 161 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 161 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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