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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0424C it is the complementary color #2FBDB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0424C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0424C shade: #D54247, #E6545A, #F7666D, #FF7880 and #FF8A93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0424C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0424C shade: #D0424C, #BF3039, #AE1E26, #9D0C13 and #8C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0424C shade: #D0434D and #D04343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0424C shade: #D0434D, #D04373, #D04399, #D043BF and #BB43D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0424C shade matches the following richer shades: #D0434D, #E3303D and #F61D2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0424C shade: #D0434D, #BD565E, #AA696E, #977C7E and #848F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0424C shade: #D0439A, #D04375, #D0434F, #D05D43 and #D08343

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0424C shade: #9A272F, #BB2F39, #D0434D, #D8646D and #E1858C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0424C shade: #D0424C, #C0D043 and #4387D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0424C shade: #D0424C, #4FD043 and #434FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0424C shade: #D0424C, #C0D043, #43D0C4 and #5443D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0424C shade: #D0424C, #95D043, #43D0C4 and #7E43D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 63 / 18

HEX #D0424C

RGB 208 66 76

HSL 355.77, 0.6%, 0.54%

LAB 49.29, 56.22, 26.3

 

Complementary color

CMYK 75 / 0 / 5 / 26

HEX #2FBDB3

RGB 47 189 179

HSL 175.77, 0.6%, 0.46%

LAB 69.65, -38.46, -5.56

 

CMYK 0 / 69 / 67 / 16

HEX #D54247

RGB 213 66 71

HSL 357.96, 0.64%, 0.55%

LAB 50.09, 57.52, 30.46

 

CMYK 0 / 63 / 61 / 10

HEX #E6545A

RGB 230 84 90

HSL 357.53, 0.74%, 0.62%

LAB 55.99, 56.91, 27.43

 

CMYK 0 / 59 / 56 / 3

HEX #F7666D

RGB 247 102 109

HSL 357.1, 0.9%, 0.68%

LAB 61.98, 56.06, 24.86

 

CMYK 0 / 53 / 50 / 0

HEX #FF7880

RGB 255 120 128

HSL 356.44, 1%, 0.74%

LAB 66.71, 52.04, 20.65

 

CMYK 0 / 46 / 42 / 0

HEX #FF8A93

RGB 255 138 147

HSL 355.38, 1%, 0.77%

LAB 70.56, 45.07, 15.31

 

CMYK 0 / 68 / 63 / 18

HEX #D0424C

RGB 208 66 76

HSL 355.77, 0.6%, 0.54%

LAB 49.29, 56.22, 26.3

 

CMYK 0 / 75 / 70 / 25

HEX #BF3039

RGB 191 48 57

HSL 356.22, 0.6%, 0.47%

LAB 43.49, 56.44, 29.78

 

CMYK 0 / 83 / 78 / 32

HEX #AE1E26

RGB 174 30 38

HSL 356.67, 0.71%, 0.4%

LAB 37.96, 55.96, 33.91

 

CMYK 0 / 92 / 88 / 38

HEX #9D0C13

RGB 157 12 19

HSL 357.1, 0.86%, 0.33%

LAB 32.87, 54.37, 38.39

 

CMYK 0 / 100 / 100 / 45

HEX #8C0000

RGB 140 0 0

HSL 0, 1%, 0.27%

LAB 28.32, 51.28, 41.58

 

CMYK 0 / 68 / 63 / 18

HEX #D0434D

RGB 208 67 77

HSL 355.74, 0.6%, 0.54%

LAB 49.45, 55.89, 25.91

 

CMYK 0 / 68 / 68 / 18

HEX #D04343

RGB 208 67 67

HSL 0, 0.6%, 0.54%

LAB 49.29, 55.32, 31.61

 

CMYK 0 / 68 / 63 / 18

HEX #D0434D

RGB 208 67 77

HSL 355.74, 0.6%, 0.54%

LAB 49.45, 55.89, 25.91

 

CMYK 0 / 68 / 45 / 18

HEX #D04373

RGB 208 67 115

HSL 339.57, 0.6%, 0.54%

LAB 50.29, 58.87, 4.16

 

CMYK 0 / 68 / 26 / 18

HEX #D04399

RGB 208 67 153

HSL 323.4, 0.6%, 0.54%

LAB 51.52, 63.08, -16.78

 

CMYK 0 / 68 / 8 / 18

HEX #D043BF

RGB 208 67 191

HSL 307.23, 0.6%, 0.54%

LAB 53.15, 68.4, -36.51

 

CMYK 10 / 68 / 0 / 18

HEX #BB43D0

RGB 187 67 208

HSL 291.06, 0.6%, 0.54%

LAB 50.84, 66.42, -50.15

 

CMYK 0 / 68 / 63 / 18

HEX #D0434D

RGB 208 67 77

HSL 355.74, 0.6%, 0.54%

LAB 49.45, 55.89, 25.91

 

CMYK 0 / 79 / 73 / 11

HEX #E3303D

RGB 227 48 61

HSL 355.64, 0.76%, 0.54%

LAB 50.43, 67.12, 37.3

 

CMYK 0 / 88 / 82 / 4

HEX #F61D2D

RGB 246 29 45

HSL 355.58, 0.92%, 0.54%

LAB 52.58, 75.7, 49.5

 

CMYK 0 / 68 / 63 / 18

HEX #D0434D

RGB 208 67 77

HSL 355.74, 0.6%, 0.54%

LAB 49.45, 55.89, 25.91

 

CMYK 0 / 54 / 50 / 26

HEX #BD565E

RGB 189 86 94

HSL 355.34, 0.44%, 0.54%

LAB 49.84, 42.18, 15.72

 

CMYK 0 / 38 / 35 / 33

HEX #AA696E

RGB 170 105 110

HSL 355.38, 0.28%, 0.54%

LAB 51.58, 26.66, 8.24

 

CMYK 0 / 18 / 17 / 41

HEX #977C7E

RGB 151 124 126

HSL 355.56, 0.11%, 0.54%

LAB 54.55, 10.75, 2.83

 

CMYK 8 / 0 / 1 / 44

HEX #848F8E

RGB 132 143 142

HSL 174.55, 0.05%, 0.54%

LAB 58.51, -4.18, -0.84

 

CMYK 0 / 68 / 26 / 18

HEX #D0439A

RGB 208 67 154

HSL 322.98, 0.6%, 0.54%

LAB 51.56, 63.21, -17.31

 

CMYK 0 / 68 / 44 / 18

HEX #D04375

RGB 208 67 117

HSL 338.72, 0.6%, 0.54%

LAB 50.34, 59.06, 3.03

 

CMYK 0 / 68 / 62 / 18

HEX #D0434F

RGB 208 67 79

HSL 354.89, 0.6%, 0.54%

LAB 49.48, 56.01, 24.76

 

CMYK 0 / 55 / 68 / 18

HEX #D05D43

RGB 208 93 67

HSL 11.06, 0.6%, 0.54%

LAB 53.65, 43.75, 36.82

 

CMYK 0 / 37 / 68 / 18

HEX #D08343

RGB 208 131 67

HSL 27.23, 0.6%, 0.54%

LAB 61.7, 23.97, 46.01

 

CMYK 0 / 75 / 69 / 40

HEX #9A272F

RGB 154 39 47

HSL 355.83, 0.6%, 0.38%

LAB 35.06, 47.5, 24.03

 

CMYK 0 / 75 / 70 / 27

HEX #BB2F39

RGB 187 47 57

HSL 355.71, 0.6%, 0.46%

LAB 42.6, 55.55, 28.54

 

CMYK 0 / 68 / 63 / 18

HEX #D0434D

RGB 208 67 77

HSL 355.74, 0.6%, 0.54%

LAB 49.45, 55.89, 25.91

 

CMYK 0 / 54 / 50 / 15

HEX #D8646D

RGB 216 100 109

HSL 355.34, 0.6%, 0.62%

LAB 56.9, 46.33, 17.19

 

CMYK 0 / 41 / 38 / 12

HEX #E1858C

RGB 225 133 140

HSL 355.43, 0.61%, 0.7%

LAB 65.5, 36.02, 11.57

 

CMYK 0 / 68 / 63 / 18

HEX #D0424C

RGB 208 66 76

HSL 355.77, 0.6%, 0.54%

LAB 49.29, 56.22, 26.3

 

CMYK 8 / 0 / 68 / 18

HEX #C0D043

RGB 192 208 67

HSL 66.81, 0.6%, 0.54%

LAB 80.02, -23.31, 64.92

 

CMYK 68 / 35 / 0 / 18

HEX #4387D0

RGB 67 135 208

HSL 211.06, 0.6%, 0.54%

LAB 55.15, 2, -43.94

 

CMYK 0 / 68 / 63 / 18

HEX #D0424C

RGB 208 66 76

HSL 355.77, 0.6%, 0.54%

LAB 49.29, 56.22, 26.3

 

CMYK 62 / 0 / 68 / 18

HEX #4FD043

RGB 79 208 67

HSL 114.89, 0.6%, 0.54%

LAB 74.3, -61.4, 57.2

 

CMYK 68 / 62 / 0 / 18

HEX #434FD0

RGB 67 79 208

HSL 234.89, 0.6%, 0.54%

LAB 40.15, 36.89, -68.07

 

CMYK 0 / 68 / 63 / 18

HEX #D0424C

RGB 208 66 76

HSL 355.77, 0.6%, 0.54%

LAB 49.29, 56.22, 26.3

 

CMYK 8 / 0 / 68 / 18

HEX #C0D043

RGB 192 208 67

HSL 66.81, 0.6%, 0.54%

LAB 80.02, -23.31, 64.92

 

CMYK 68 / 0 / 6 / 18

HEX #43D0C4

RGB 67 208 196

HSL 174.89, 0.6%, 0.54%

LAB 76.25, -39.8, -5.01

 

CMYK 60 / 68 / 0 / 18

HEX #5443D0

RGB 84 67 208

HSL 247.23, 0.6%, 0.54%

LAB 38.64, 46.45, -70.47

 

CMYK 0 / 68 / 63 / 18

HEX #D0424C

RGB 208 66 76

HSL 355.77, 0.6%, 0.54%

LAB 49.29, 56.22, 26.3

 

CMYK 28 / 0 / 68 / 18

HEX #95D043

RGB 149 208 67

HSL 85.11, 0.6%, 0.54%

LAB 77.22, -40.19, 61.17

 

CMYK 68 / 0 / 6 / 18

HEX #43D0C4

RGB 67 208 196

HSL 174.89, 0.6%, 0.54%

LAB 76.25, -39.8, -5.01

 

CMYK 39 / 68 / 0 / 18

HEX #7E43D0

RGB 126 67 208

HSL 265.11, 0.6%, 0.54%

LAB 42.77, 53.66, -63.57

 

Description

Color code: HEX #D0424C | qconv.com Color code: HEX #D0424C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 66 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 66 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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