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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFFB2B it is the complementary color #3004D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFFB2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CFFB2B: #D4FB26, #E5FF39, #F6FF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFFB2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CFFB2B: #CFFB2B, #BEE918, #ADD705, #9CC500 and #8BB300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

Complementary color

CMYK 77 / 98 / 0 / 17

HEX #3004D4

RGB 48 4 212

HSL 252.69, 0.96%, 0.42%

LAB 28.03, 68.79, -90.43

 

CMYK 16 / 0 / 85 / 2

HEX #D4FB26

RGB 212 251 38

HSL 70.99, 0.96%, 0.57%

LAB 93.07, -36.51, 85.66

 

CMYK 10 / 0 / 78 / 0

HEX #E5FF39

RGB 229 255 57

HSL 67.88, 1%, 0.61%

LAB 95.36, -31.04, 83.63

 

CMYK 4 / 0 / 70 / 0

HEX #F6FF4C

RGB 246 255 76

HSL 63.02, 1%, 0.65%

LAB 96.67, -23.47, 79.5

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 18 / 0 / 90 / 9

HEX #BEE918

RGB 190 233 24

HSL 72.34, 0.83%, 0.5%

LAB 86.65, -37.38, 82.24

 

CMYK 20 / 0 / 98 / 16

HEX #ADD705

RGB 173 215 5

HSL 72, 0.95%, 0.43%

LAB 80.46, -36.26, 79.02

 

CMYK 21 / 0 / 100 / 23

HEX #9CC500

RGB 156 197 0

HSL 72.49, 1%, 0.39%

LAB 74.19, -34.94, 74.26

 

CMYK 22 / 0 / 100 / 30

HEX #8BB300

RGB 139 179 0

HSL 73.41, 1%, 0.35%

LAB 67.82, -33.56, 68.96

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 30 / 0 / 82 / 2

HEX #AFFA2D

RGB 175 250 45

HSL 81.95, 0.95%, 0.58%

LAB 90.63, -49.79, 81.21

 

CMYK 44 / 0 / 82 / 2

HEX #8DFA2D

RGB 141 250 45

HSL 91.9, 0.95%, 0.58%

LAB 89.03, -61.16, 79.18

 

CMYK 58 / 0 / 82 / 2

HEX #6AFA2D

RGB 106 250 45

HSL 102.15, 0.95%, 0.58%

LAB 87.79, -70.79, 77.6

 

CMYK 71 / 0 / 82 / 2

HEX #48FA2D

RGB 72 250 45

HSL 112.1, 0.95%, 0.58%

LAB 86.97, -77.65, 76.55

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 17 / 0 / 83 / 82

HEX #272F08

RGB 39 47 8

HSL 72.31, 0.71%, 0.11%

LAB 17.84, -10.22, 22.04

 

CMYK 17 / 0 / 83 / 62

HEX #516211

RGB 81 98 17

HSL 72.59, 0.7%, 0.23%

LAB 38.77, -18.22, 40.39

 

CMYK 17 / 0 / 83 / 42

HEX #7B951A

RGB 123 149 26

HSL 72.68, 0.7%, 0.34%

LAB 57.83, -25.35, 55.93

 

CMYK 18 / 0 / 83 / 22

HEX #A5C822

RGB 165 200 34

HSL 72.65, 0.71%, 0.46%

LAB 75.71, -32.02, 70.58

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 82 / 0 / 49 / 2

HEX #2DFA7F

RGB 45 250 127

HSL 144, 0.95%, 0.58%

LAB 87.22, -73.07, 45.53

 

CMYK 16 / 82 / 0 / 2

HEX #D12DFA

RGB 209 45 250

HSL 288, 0.95%, 0.58%

LAB 54.38, 84.85, -68.01

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 82 / 16 / 0 / 2

HEX #2DD1FA

RGB 45 209 250

HSL 192, 0.95%, 0.58%

LAB 77.91, -26.57, -31.52

 

CMYK 0 / 82 / 16 / 2

HEX #FA2DD1

RGB 250 45 209

HSL 312, 0.95%, 0.58%

LAB 58.79, 86.22, -37.49

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 82 / 0 / 49 / 2

HEX #2DFA7F

RGB 45 250 127

HSL 144, 0.95%, 0.58%

LAB 87.22, -73.07, 45.53

 

CMYK 66 / 82 / 0 / 2

HEX #562DFA

RGB 86 45 250

HSL 252, 0.95%, 0.58%

LAB 39.17, 69.35, -93.52

 

CMYK 0 / 82 / 33 / 2

HEX #FA2DA8

RGB 250 45 168

HSL 324, 0.95%, 0.58%

LAB 57.1, 81.49, -16.45

 

CMYK 18 / 0 / 83 / 2

HEX #CFFB2B

RGB 207 251 43

HSL 72.69, 0.96%, 0.58%

LAB 92.77, -38.32, 84.24

 

CMYK 82 / 0 / 24 / 2

HEX #2DFABD

RGB 45 250 189

HSL 162.15, 0.95%, 0.58%

LAB 88.26, -61.28, 15.96

 

CMYK 66 / 82 / 0 / 2

HEX #562DFA

RGB 86 45 250

HSL 252, 0.95%, 0.58%

LAB 39.17, 69.35, -93.52

 

CMYK 0 / 82 / 58 / 2

HEX #FA2D6A

RGB 250 45 106

HSL 342.15, 0.95%, 0.58%

LAB 55.32, 76.32, 17.74

 

Description

Color code: HEX #CFFB2B | qconv.com Color code: HEX #CFFB2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 251 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 251 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 83 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 83% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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NCS® to HKS®

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