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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFD748 it is the complementary color #3028B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFD748. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFD748 shade: #D4D743, #E5E956, #F6FB69, #FFFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFD748. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFD748 shade: #CFD748, #BEC535, #ADB322, #9CA10F and #8B8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFD748 shade: #CFD747, #D7B847, #D79147, #D76A47 and #D74747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFD748 shade: #CFD747, #A8D747, #81D747, #5AD747 and #47D75A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFD748 shade matches the following richer shades: #CFD747, #DFE935 and #EFFB23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFD748 shade: #CFD747, #BEC459, #AEB26B, #9EA07D and #8E8E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFD748 shade: #D79147, #D7B747, #CFD747, #A9D747 and #83D747

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFD748 shade: #9FA725, #C0C82C, #CFD747, #D7DE69 and #E0E58B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFD748 shade: #CFD748, #47D76B and #A447D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFD748 shade: #CFD748, #47CFD7 and #D747CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFD748 shade: #CFD748, #47D76B, #4E47D7 and #D747B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFD748 shade: #CFD748, #47D796, #4E47D7 and #D74788

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 67 / 16

HEX #CFD748

RGB 207 215 72

HSL 63.36, 0.64%, 0.56%

LAB 83.09, -20.28, 66.5

 

Complementary color

CMYK 74 / 78 / 0 / 28

HEX #3028B7

RGB 48 40 183

HSL 243.36, 0.64%, 0.44%

LAB 28.29, 49.21, -72.97

 

CMYK 1 / 0 / 69 / 16

HEX #D4D743

RGB 212 215 67

HSL 61.22, 0.65%, 0.55%

LAB 83.44, -18.48, 68.84

 

CMYK 2 / 0 / 63 / 9

HEX #E5E956

RGB 229 233 86

HSL 61.63, 0.77%, 0.63%

LAB 89.68, -19.25, 68.38

 

CMYK 2 / 0 / 58 / 2

HEX #F6FB69

RGB 246 251 105

HSL 62.05, 0.95%, 0.7%

LAB 95.83, -19.89, 67.63

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 4 / 0 / 67 / 16

HEX #CFD748

RGB 207 215 72

HSL 63.36, 0.64%, 0.56%

LAB 83.09, -20.28, 66.5

 

CMYK 4 / 0 / 73 / 23

HEX #BEC535

RGB 190 197 53

HSL 62.92, 0.58%, 0.49%

LAB 76.76, -19.47, 66.69

 

CMYK 3 / 0 / 81 / 30

HEX #ADB322

RGB 173 179 34

HSL 62.48, 0.68%, 0.42%

LAB 70.34, -18.48, 66.16

 

CMYK 3 / 0 / 91 / 37

HEX #9CA10F

RGB 156 161 15

HSL 62.05, 0.83%, 0.35%

LAB 63.83, -17.28, 64.41

 

CMYK 3 / 0 / 100 / 44

HEX #8B8F00

RGB 139 143 0

HSL 61.68, 1%, 0.28%

LAB 57.21, -15.84, 61.02

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 0 / 14 / 67 / 16

HEX #D7B847

RGB 215 184 71

HSL 47.08, 0.64%, 0.56%

LAB 75.57, -1.26, 59.35

 

CMYK 0 / 33 / 67 / 16

HEX #D79147

RGB 215 145 71

HSL 30.83, 0.64%, 0.56%

LAB 65.87, 19.58, 48.93

 

CMYK 0 / 51 / 67 / 16

HEX #D76A47

RGB 215 106 71

HSL 14.58, 0.64%, 0.56%

LAB 57.28, 40.17, 39.16

 

CMYK 0 / 67 / 67 / 16

HEX #D74747

RGB 215 71 71

HSL 0, 0.64%, 0.56%

LAB 51.16, 56.21, 31.85

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 22 / 0 / 67 / 16

HEX #A8D747

RGB 168 215 71

HSL 79.58, 0.64%, 0.56%

LAB 80.39, -35.9, 63.26

 

CMYK 40 / 0 / 67 / 16

HEX #81D747

RGB 129 215 71

HSL 95.83, 0.64%, 0.56%

LAB 78.3, -49.83, 60.42

 

CMYK 58 / 0 / 67 / 16

HEX #5AD747

RGB 90 215 71

HSL 112.08, 0.64%, 0.56%

LAB 76.82, -60.96, 58.4

 

CMYK 67 / 0 / 58 / 16

HEX #47D75A

RGB 71 215 90

HSL 127.92, 0.64%, 0.56%

LAB 76.48, -63.02, 49.81

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 4 / 0 / 77 / 9

HEX #DFE935

RGB 223 233 53

HSL 63.33, 0.8%, 0.56%

LAB 89.03, -23.28, 78.9

 

CMYK 5 / 0 / 86 / 2

HEX #EFFB23

RGB 239 251 35

HSL 63.33, 0.96%, 0.56%

LAB 94.94, -25.79, 88.52

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 3 / 0 / 55 / 23

HEX #BEC459

RGB 190 196 89

HSL 63.36, 0.48%, 0.56%

LAB 76.77, -16.69, 52.11

 

CMYK 2 / 0 / 40 / 30

HEX #AEB26B

RGB 174 178 107

HSL 63.38, 0.32%, 0.56%

LAB 70.8, -12.29, 35.78

 

CMYK 1 / 0 / 22 / 37

HEX #9EA07D

RGB 158 160 125

HSL 63.43, 0.16%, 0.56%

LAB 64.88, -6.77, 18.06

 

CMYK 1 / 1 / 0 / 44

HEX #8E8E90

RGB 142 142 144

HSL 240, 0.01%, 0.56%

LAB 59.08, 0.4, -1.07

 

CMYK 0 / 33 / 67 / 16

HEX #D79147

RGB 215 145 71

HSL 30.83, 0.64%, 0.56%

LAB 65.87, 19.58, 48.93

 

CMYK 0 / 15 / 67 / 16

HEX #D7B747

RGB 215 183 71

HSL 46.67, 0.64%, 0.56%

LAB 75.31, -0.73, 59.08

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 21 / 0 / 67 / 16

HEX #A9D747

RGB 169 215 71

HSL 79.17, 0.64%, 0.56%

LAB 80.45, -35.52, 63.34

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 5 / 0 / 78 / 35

HEX #9FA725

RGB 159 167 37

HSL 63.69, 0.64%, 0.4%

LAB 65.86, -18.37, 60.89

 

CMYK 4 / 0 / 78 / 22

HEX #C0C82C

RGB 192 200 44

HSL 63.08, 0.64%, 0.48%

LAB 77.7, -20.48, 70.43

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 3 / 0 / 53 / 13

HEX #D7DE69

RGB 215 222 105

HSL 63.59, 0.64%, 0.64%

LAB 85.86, -18.16, 55.75

 

CMYK 2 / 0 / 39 / 10

HEX #E0E58B

RGB 224 229 139

HSL 63.33, 0.63%, 0.72%

LAB 88.8, -14.82, 43.28

 

CMYK 4 / 0 / 67 / 16

HEX #CFD748

RGB 207 215 72

HSL 63.36, 0.64%, 0.56%

LAB 83.09, -20.28, 66.5

 

CMYK 67 / 0 / 50 / 16

HEX #47D76B

RGB 71 215 107

HSL 135, 0.64%, 0.56%

LAB 76.68, -60.75, 42.09

 

CMYK 24 / 67 / 0 / 16

HEX #A447D7

RGB 164 71 215

HSL 278.75, 0.64%, 0.56%

LAB 48.64, 61.15, -57.86

 

CMYK 4 / 0 / 67 / 16

HEX #CFD748

RGB 207 215 72

HSL 63.36, 0.64%, 0.56%

LAB 83.09, -20.28, 66.5

 

CMYK 67 / 4 / 0 / 16

HEX #47CFD7

RGB 71 207 215

HSL 183.33, 0.64%, 0.56%

LAB 76.6, -33.48, -14.71

 

CMYK 0 / 67 / 4 / 16

HEX #D747CF

RGB 215 71 207

HSL 303.33, 0.64%, 0.56%

LAB 55.54, 71.07, -41.86

 

CMYK 4 / 0 / 67 / 16

HEX #CFD748

RGB 207 215 72

HSL 63.36, 0.64%, 0.56%

LAB 83.09, -20.28, 66.5

 

CMYK 67 / 0 / 50 / 16

HEX #47D76B

RGB 71 215 107

HSL 135, 0.64%, 0.56%

LAB 76.68, -60.75, 42.09

 

CMYK 64 / 67 / 0 / 16

HEX #4E47D7

RGB 78 71 215

HSL 242.92, 0.64%, 0.56%

LAB 39.64, 45.51, -72.9

 

CMYK 0 / 67 / 17 / 16

HEX #D747B3

RGB 215 71 179

HSL 315, 0.64%, 0.56%

LAB 54.25, 66.89, -27.76

 

CMYK 4 / 0 / 67 / 16

HEX #CFD748

RGB 207 215 72

HSL 63.36, 0.64%, 0.56%

LAB 83.09, -20.28, 66.5

 

CMYK 67 / 0 / 30 / 16

HEX #47D796

RGB 71 215 150

HSL 152.92, 0.64%, 0.56%

LAB 77.37, -53.15, 21.15

 

CMYK 64 / 67 / 0 / 16

HEX #4E47D7

RGB 78 71 215

HSL 242.92, 0.64%, 0.56%

LAB 39.64, 45.51, -72.9

 

CMYK 0 / 67 / 37 / 16

HEX #D74788

RGB 215 71 136

HSL 332.92, 0.64%, 0.56%

LAB 52.65, 61.51, -4.85

 

Description

Color code: HEX #CFD748 | qconv.com Color code: HEX #CFD748 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 215 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 215 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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