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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83D747 it is the complementary color #7C28B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83D747. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83D747 shade: #88D742, #99E955, #AAFB68, #BBFF7B and #CCFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83D747. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83D747 shade: #83D747, #72C534, #61B321, #50A10E and #3F8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83D747 shade: #83D747, #AAD747, #D0D747, #D7B647 and #D78F47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83D747 shade: #83D747, #5CD747, #47D759, #47D77F and #47D7A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83D747 shade matches the following richer shades: #83D747, #80E935 and #7DFB23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83D747 shade: #83D747, #86C459, #89B26B, #8CA07D and #8F8E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83D747 shade: #CFD747, #A9D747, #83D747, #5DD747 and #47D758

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83D747 shade: #5BA725, #6DC82C, #83D747, #9ADE69 and #B0E58B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83D747 shade: #83D747, #47D7B7 and #D747BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83D747 shade: #83D747, #4783D7 and #D74783

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83D747 shade: #83D747, #47D7B7, #9B47D7 and #D74766

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83D747 shade: #83D747, #47CBD7, #9B47D7 and #D75347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

Complementary color

CMYK 33 / 78 / 0 / 28

HEX #7C28B8

RGB 124 40 184

HSL 275, 0.64%, 0.44%

LAB 36.49, 59.41, -59.8

 

CMYK 37 / 0 / 69 / 16

HEX #88D742

RGB 136 215 66

HSL 91.81, 0.65%, 0.55%

LAB 78.59, -47.87, 62.74

 

CMYK 34 / 0 / 64 / 9

HEX #99E955

RGB 153 233 85

HSL 92.43, 0.77%, 0.62%

LAB 84.85, -48.14, 62.18

 

CMYK 32 / 0 / 59 / 2

HEX #AAFB68

RGB 170 251 104

HSL 93.06, 0.95%, 0.7%

LAB 91.03, -48.3, 61.36

 

CMYK 27 / 0 / 52 / 0

HEX #BBFF7B

RGB 187 255 123

HSL 90.91, 1%, 0.74%

LAB 93.24, -42.35, 55.78

 

CMYK 20 / 0 / 44 / 0

HEX #CCFF8E

RGB 204 255 142

HSL 87.08, 1%, 0.78%

LAB 94.44, -34.31, 48.63

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 42 / 0 / 74 / 23

HEX #72C534

RGB 114 197 52

HSL 94.34, 0.58%, 0.49%

LAB 72.07, -48.79, 60.87

 

CMYK 46 / 0 / 82 / 30

HEX #61B321

RGB 97 179 33

HSL 93.7, 0.69%, 0.42%

LAB 65.66, -48.18, 60.49

 

CMYK 50 / 0 / 91 / 37

HEX #50A10E

RGB 80 161 14

HSL 93.06, 0.84%, 0.34%

LAB 59.18, -47.23, 58.87

 

CMYK 56 / 0 / 100 / 44

HEX #3F8F00

RGB 63 143 0

HSL 93.57, 1%, 0.28%

LAB 52.62, -45.84, 55.52

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 21 / 0 / 67 / 16

HEX #AAD747

RGB 170 215 71

HSL 78.75, 0.64%, 0.56%

LAB 80.52, -35.14, 63.43

 

CMYK 3 / 0 / 67 / 16

HEX #D0D747

RGB 208 215 71

HSL 62.92, 0.64%, 0.56%

LAB 83.16, -19.92, 66.97

 

CMYK 0 / 15 / 67 / 16

HEX #D7B647

RGB 215 182 71

HSL 46.25, 0.64%, 0.56%

LAB 75.05, -0.21, 58.81

 

CMYK 0 / 33 / 67 / 16

HEX #D78F47

RGB 215 143 71

HSL 30, 0.64%, 0.56%

LAB 65.39, 20.66, 48.4

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 57 / 0 / 67 / 16

HEX #5CD747

RGB 92 215 71

HSL 111.25, 0.64%, 0.56%

LAB 76.88, -60.47, 58.49

 

CMYK 67 / 0 / 59 / 16

HEX #47D759

RGB 71 215 89

HSL 127.5, 0.64%, 0.56%

LAB 76.47, -63.14, 50.25

 

CMYK 67 / 0 / 41 / 16

HEX #47D77F

RGB 71 215 127

HSL 143.33, 0.64%, 0.56%

LAB 76.96, -57.54, 32.51

 

CMYK 67 / 0 / 23 / 16

HEX #47D7A6

RGB 71 215 166

HSL 159.58, 0.64%, 0.56%

LAB 77.69, -49.68, 13.16

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 45 / 0 / 77 / 9

HEX #80E935

RGB 128 233 53

HSL 95, 0.8%, 0.56%

LAB 83.51, -58.37, 71.8

 

CMYK 50 / 0 / 86 / 2

HEX #7DFB23

RGB 125 251 35

HSL 95, 0.96%, 0.56%

LAB 88.67, -66.58, 80.76

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 32 / 0 / 55 / 23

HEX #86C459

RGB 134 196 89

HSL 94.77, 0.48%, 0.56%

LAB 73.07, -38.36, 46.86

 

CMYK 23 / 0 / 40 / 30

HEX #89B26B

RGB 137 178 107

HSL 94.65, 0.32%, 0.56%

LAB 68.18, -26.67, 31.9

 

CMYK 13 / 0 / 22 / 37

HEX #8CA07D

RGB 140 160 125

HSL 94.29, 0.16%, 0.56%

LAB 63.51, -13.66, 15.95

 

CMYK 1 / 1 / 0 / 44

HEX #8F8E90

RGB 143 142 144

HSL 270, 0.01%, 0.56%

LAB 59.16, 0.76, -0.94

 

CMYK 4 / 0 / 67 / 16

HEX #CFD747

RGB 207 215 71

HSL 63.33, 0.64%, 0.56%

LAB 83.08, -20.33, 66.87

 

CMYK 21 / 0 / 67 / 16

HEX #A9D747

RGB 169 215 71

HSL 79.17, 0.64%, 0.56%

LAB 80.45, -35.52, 63.34

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 57 / 0 / 67 / 16

HEX #5DD747

RGB 93 215 71

HSL 110.83, 0.64%, 0.56%

LAB 76.91, -60.23, 58.53

 

CMYK 67 / 0 / 59 / 16

HEX #47D758

RGB 71 215 88

HSL 127.08, 0.64%, 0.56%

LAB 76.46, -63.26, 50.69

 

CMYK 46 / 0 / 78 / 35

HEX #5BA725

RGB 91 167 37

HSL 95.08, 0.64%, 0.4%

LAB 61.65, -45.1, 55.45

 

CMYK 46 / 0 / 78 / 22

HEX #6DC82C

RGB 109 200 44

HSL 95, 0.64%, 0.48%

LAB 72.72, -52.06, 64.03

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 31 / 0 / 53 / 13

HEX #9ADE69

RGB 154 222 105

HSL 94.87, 0.64%, 0.64%

LAB 81.91, -41.2, 50.12

 

CMYK 23 / 0 / 39 / 10

HEX #B0E58B

RGB 176 229 139

HSL 95.33, 0.63%, 0.72%

LAB 85.57, -32.61, 38.49

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 67 / 0 / 15 / 16

HEX #47D7B7

RGB 71 215 183

HSL 166.67, 0.64%, 0.56%

LAB 78.09, -45.65, 4.66

 

CMYK 0 / 67 / 13 / 16

HEX #D747BC

RGB 215 71 188

HSL 311.25, 0.64%, 0.56%

LAB 54.64, 68.18, -32.36

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 67 / 39 / 0 / 16

HEX #4783D7

RGB 71 131 215

HSL 215, 0.64%, 0.56%

LAB 54.53, 7.48, -48.86

 

CMYK 0 / 67 / 39 / 16

HEX #D74783

RGB 215 71 131

HSL 335, 0.64%, 0.56%

LAB 52.5, 60.97, -2.09

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 67 / 0 / 15 / 16

HEX #47D7B7

RGB 71 215 183

HSL 166.67, 0.64%, 0.56%

LAB 78.09, -45.65, 4.66

 

CMYK 28 / 67 / 0 / 16

HEX #9B47D7

RGB 155 71 215

HSL 275, 0.64%, 0.56%

LAB 47.47, 59.26, -59.81

 

CMYK 0 / 67 / 53 / 16

HEX #D74766

RGB 215 71 102

HSL 347.08, 0.64%, 0.56%

LAB 51.74, 58.29, 14.21

 

CMYK 39 / 0 / 67 / 16

HEX #83D747

RGB 131 215 71

HSL 95, 0.64%, 0.56%

LAB 78.39, -49.17, 60.55

 

CMYK 67 / 6 / 0 / 16

HEX #47CBD7

RGB 71 203 215

HSL 185, 0.64%, 0.56%

LAB 75.43, -31.57, -16.48

 

CMYK 28 / 67 / 0 / 16

HEX #9B47D7

RGB 155 71 215

HSL 275, 0.64%, 0.56%

LAB 47.47, 59.26, -59.81

 

CMYK 0 / 61 / 67 / 16

HEX #D75347

RGB 215 83 71

HSL 5, 0.64%, 0.56%

LAB 53.05, 51.14, 34.14

 

Description

Color code: HEX #83D747 | qconv.com Color code: HEX #83D747 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 215 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 215 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 67 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 67% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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