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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFCAF5CE it is the complementary color #30350ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFCAF5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFCAF5CE shade: #D4CAF0CE, #E5DCFFCE, #F6EEFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFCAF5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFCAF5CE shade: #CFCAF5CE, #BEB8E2CE, #ADA6CFCE, #9C94BCCE and #8B82A9CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFCAF5CE shade: #D0CCF5, #DCCCF5, #E7CCF5, #F2CCF5 and #F5CCED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFCAF5CE shade: #D0CCF5 and #CCCCF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFCAF5CE shade matches the following richer shades: #D0CCF5 and #CDC7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFCAF5CE shade: #D0CCF5, #D4D1F0, #D8D5EB, #DCDAE6 and #E0DFE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFCAF5CE shade: #CCDEF5, #CCD3F5, #D0CCF5, #DBCCF5 and #E6CCF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFCAF5CE shade: #9286E8, #B1A9EF, #D0CCF5, #F0EEFC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFCAF5CE shade: #CFCAF5, #F5CCE9 and #D8F5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFCAF5CE shade: #CFCAF5, #F5D0CC and #CCF5D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFCAF5CE shade: #CFCAF5, #F5CCE9, #F1F5CC and #CCF5D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFCAF5CE shade: #CFCAF5, #F5CCDC, #F1F5CC and #CCF5E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 14 / 0 / 3

HEX #CFCAF5CE

RGBA 207 202 245 0.81

HSLA 246.98, 0.68%, 0.88%, 0.81

LABA 82.97, 10.14, -20.5, 0.81

 

Complementary color

CMYK 8 / 0 / 66 / 64

HEX #30350ACE

RGBA 48 53 10 0.81

HSLA 66.98, 0.68%, 0.12%, 0.81

LABA 20.81, -9.06, 24.87, 0.81

 

CMYK 9 / 13 / 0 / 5

HEX #D4CAF0CE

RGBA 212 202 240 0.81

HSLA 255.79, 0.56%, 0.87%, 0.81

LABA 83.19, 10.68, -17.46, 0.81

 

CMYK 8 / 11 / 0 / 0

HEX #E5DCFFCE

RGBA 229 220 255 0.81

HSLA 255.43, 1%, 0.93%, 0.81

LABA 89.42, 9.58, -15.89, 0.81

 

CMYK 3 / 5 / 0 / 0

HEX #F6EEFFCE

RGBA 246 238 255 0.81

HSLA 268.24, 1%, 0.97%, 0.81

LABA 95.14, 5.71, -7.22, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 13 / 14 / 0 / 3

HEX #CFCAF5CE

RGBA 207 202 245 0.81

HSLA 246.98, 0.68%, 0.88%, 0.81

LABA 82.97, 10.14, -20.5, 0.81

 

CMYK 13 / 15 / 0 / 9

HEX #BEB8E2CE

RGBA 190 184 226 0.81

HSLA 248.57, 0.42%, 0.8%, 0.81

LABA 76.51, 10.47, -20.21, 0.81

 

CMYK 13 / 16 / 0 / 15

HEX #ADA6CFCE

RGBA 173 166 207 0.81

HSLA 250.24, 0.3%, 0.73%, 0.81

LABA 69.94, 10.81, -19.94, 0.81

 

CMYK 14 / 17 / 0 / 21

HEX #9C94BCCE

RGBA 156 148 188 0.81

HSLA 252, 0.23%, 0.66%, 0.81

LABA 63.24, 11.19, -19.68, 0.81

 

CMYK 14 / 19 / 0 / 27

HEX #8B82A9CE

RGBA 139 130 169 0.81

HSLA 253.85, 0.18%, 0.59%, 0.81

LABA 56.41, 11.61, -19.43, 0.81

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 10 / 17 / 0 / 4

HEX #DCCCF5

RGB 220 204 245

HSL 263.41, 0.67%, 0.88%

LAB 84.48, 13.18, -18.12

 

CMYK 6 / 17 / 0 / 4

HEX #E7CCF5

RGB 231 204 245

HSL 279.51, 0.67%, 0.88%

LAB 85.39, 16.73, -16.66

 

CMYK 1 / 17 / 0 / 4

HEX #F2CCF5

RGB 242 204 245

HSL 295.61, 0.67%, 0.88%

LAB 86.33, 20.31, -15.14

 

CMYK 0 / 17 / 3 / 4

HEX #F5CCED

RGB 245 204 237

HSL 311.71, 0.67%, 0.88%

LAB 86.36, 19.87, -10.83

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 17 / 17 / 0 / 4

HEX #CCCCF5

RGB 204 204 245

HSL 240, 0.67%, 0.88%

LAB 83.24, 8.14, -20.11

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 18 / 20 / 0 / 2

HEX #CDC7FA

RGB 205 199 250

HSL 247.06, 0.84%, 0.88%

LAB 82.23, 12.2, -24.29

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 12 / 13 / 0 / 6

HEX #D4D1F0

RGB 212 209 240

HSL 245.81, 0.51%, 0.88%

LAB 84.94, 6.96, -14.83

 

CMYK 8 / 9 / 0 / 8

HEX #D8D5EB

RGB 216 213 235

HSL 248.18, 0.35%, 0.88%

LAB 86.1, 5.15, -10.42

 

CMYK 4 / 5 / 0 / 10

HEX #DCDAE6

RGB 220 218 230

HSL 250, 0.19%, 0.88%

LAB 87.52, 2.88, -5.64

 

CMYK 0 / 1 / 0 / 12

HEX #E0DFE1

RGB 224 223 225

HSL 270, 0.03%, 0.88%

LAB 88.95, 0.7, -0.87

 

CMYK 17 / 9 / 0 / 4

HEX #CCDEF5

RGB 204 222 245

HSL 213.66, 0.67%, 0.88%

LAB 87.81, -1.36, -13.23

 

CMYK 17 / 14 / 0 / 4

HEX #CCD3F5

RGB 204 211 245

HSL 229.76, 0.67%, 0.88%

LAB 85.01, 4.42, -17.44

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 11 / 17 / 0 / 4

HEX #DBCCF5

RGB 219 204 245

HSL 261.95, 0.67%, 0.88%

LAB 84.4, 12.86, -18.24

 

CMYK 6 / 17 / 0 / 4

HEX #E6CCF5

RGB 230 204 245

HSL 278.05, 0.67%, 0.88%

LAB 85.3, 16.4, -16.8

 

CMYK 37 / 42 / 0 / 9

HEX #9286E8

RGB 146 134 232

HSL 247.35, 0.68%, 0.72%

LAB 60.77, 27.29, -48.18

 

CMYK 26 / 29 / 0 / 6

HEX #B1A9EF

RGB 177 169 239

HSL 246.86, 0.69%, 0.8%

LAB 72.2, 17.73, -33.96

 

CMYK 15 / 17 / 0 / 4

HEX #D0CCF5

RGB 208 204 245

HSL 245.85, 0.67%, 0.88%

LAB 83.54, 9.39, -19.62

 

CMYK 5 / 6 / 0 / 1

HEX #F0EEFC

RGB 240 238 252

HSL 248.57, 0.7%, 0.96%

LAB 94.61, 3.2, -6.51

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 18 / 0 / 4

HEX #CFCAF5

RGB 207 202 245

HSL 246.98, 0.68%, 0.88%

LAB 82.97, 10.14, -20.5

 

CMYK 0 / 17 / 5 / 4

HEX #F5CCE9

RGB 245 204 233

HSL 317.56, 0.67%, 0.88%

LAB 86.25, 19.17, -8.88

 

CMYK 12 / 0 / 17 / 4

HEX #D8F5CC

RGB 216 245 204

HSL 102.44, 0.67%, 0.88%

LAB 93.56, -16.74, 16.62

 

CMYK 16 / 18 / 0 / 4

HEX #CFCAF5

RGB 207 202 245

HSL 246.98, 0.68%, 0.88%

LAB 82.97, 10.14, -20.5

 

CMYK 0 / 15 / 17 / 4

HEX #F5D0CC

RGB 245 208 204

HSL 5.85, 0.67%, 0.88%

LAB 86.45, 12.33, 6.8

 

CMYK 17 / 0 / 15 / 4

HEX #CCF5D0

RGB 204 245 208

HSL 125.85, 0.67%, 0.88%

LAB 92.88, -20.07, 13.48

 

CMYK 16 / 18 / 0 / 4

HEX #CFCAF5

RGB 207 202 245

HSL 246.98, 0.68%, 0.88%

LAB 82.97, 10.14, -20.5

 

CMYK 0 / 17 / 5 / 4

HEX #F5CCE9

RGB 245 204 233

HSL 317.56, 0.67%, 0.88%

LAB 86.25, 19.17, -8.88

 

CMYK 2 / 0 / 17 / 4

HEX #F1F5CC

RGB 241 245 204

HSL 65.85, 0.67%, 0.88%

LAB 95.31, -8.06, 19.33

 

CMYK 17 / 0 / 12 / 4

HEX #CCF5D8

RGB 204 245 216

HSL 137.56, 0.67%, 0.88%

LAB 93.06, -18.66, 9.6

 

CMYK 16 / 18 / 0 / 4

HEX #CFCAF5

RGB 207 202 245

HSL 246.98, 0.68%, 0.88%

LAB 82.97, 10.14, -20.5

 

CMYK 0 / 17 / 10 / 4

HEX #F5CCDC

RGB 245 204 220

HSL 336.59, 0.67%, 0.88%

LAB 85.89, 16.97, -2.5

 

CMYK 2 / 0 / 17 / 4

HEX #F1F5CC

RGB 241 245 204

HSL 65.85, 0.67%, 0.88%

LAB 95.31, -8.06, 19.33

 

CMYK 17 / 0 / 7 / 4

HEX #CCF5E5

RGB 204 245 229

HSL 156.59, 0.67%, 0.88%

LAB 93.36, -16.24, 3.31

 

Description

Color code: HEX #CFCAF5CE | qconv.com Color code: HEX #CFCAF5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 202 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 202 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 14 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 14% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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