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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFBA5E it is the complementary color #3045A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFBA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFBA5E shade: #D4BA59, #E5CC6C, #F6DE7F, #FFF092 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFBA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFBA5E shade: #CFBA5E, #BEA84B, #AD9638, #9C8425 and #8B7212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFBA5E shade: #CEB95D, #CE9B5D, #CE7D5D, #CE5E5D and #CE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFBA5E shade: #CEB95D, #C5CE5D, #A6CE5D, #88CE5D and #6ACE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFBA5E shade matches the following richer shades: #CEB95D, #DFC44D and #F0CF3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFBA5E shade: #CEB95D, #BDAF6E, #ADA47F, #9C9A90 and #8B8FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFBA5E shade: #CE7C5D, #CE9A5D, #CEB85D, #C7CE5D and #A9CE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFBA5E shade: #A89232, #C5AC3E, #CEB95D, #D8C77D and #E1D59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFBA5E shade: #CFBA5E, #5DCE5D and #8B5DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFBA5E shade: #CFBA5E, #5DCEB8 and #B85DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFBA5E shade: #CFBA5E, #5DCE5D, #5D74CE and #CE5DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFBA5E shade: #CFBA5E, #5DCE7F, #5D74CE and #CE5DAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 55 / 19

HEX #CFBA5E

RGB 207 186 94

HSL 48.85, 0.54%, 0.59%

LAB 75.57, -4.1, 48.73

 

Complementary color

CMYK 70 / 57 / 0 / 37

HEX #3045A1

RGB 48 69 161

HSL 228.85, 0.54%, 0.41%

LAB 32.83, 23.84, -52.35

 

CMYK 0 / 12 / 58 / 17

HEX #D4BA59

RGB 212 186 89

HSL 47.32, 0.59%, 0.59%

LAB 75.97, -2.4, 51.68

 

CMYK 0 / 11 / 53 / 10

HEX #E5CC6C

RGB 229 204 108

HSL 47.6, 0.7%, 0.66%

LAB 82.34, -3.19, 50.5

 

CMYK 0 / 10 / 48 / 4

HEX #F6DE7F

RGB 246 222 127

HSL 47.9, 0.87%, 0.73%

LAB 88.62, -3.86, 49.3

 

CMYK 0 / 6 / 43 / 0

HEX #FFF092

RGB 255 240 146

HSL 51.74, 1%, 0.79%

LAB 94.16, -7.56, 47.13

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 10 / 55 / 19

HEX #CFBA5E

RGB 207 186 94

HSL 48.85, 0.54%, 0.59%

LAB 75.57, -4.1, 48.73

 

CMYK 0 / 12 / 61 / 25

HEX #BEA84B

RGB 190 168 75

HSL 48.52, 0.47%, 0.52%

LAB 69.08, -3.28, 49.89

 

CMYK 0 / 13 / 68 / 32

HEX #AD9638

RGB 173 150 56

HSL 48.21, 0.51%, 0.45%

LAB 62.49, -2.29, 50.87

 

CMYK 0 / 15 / 76 / 39

HEX #9C8425

RGB 156 132 37

HSL 47.9, 0.62%, 0.38%

LAB 55.79, -1.08, 51.44

 

CMYK 0 / 18 / 87 / 45

HEX #8B7212

RGB 139 114 18

HSL 47.6, 0.77%, 0.31%

LAB 48.97, 0.43, 51.08

 

CMYK 0 / 10 / 55 / 19

HEX #CEB95D

RGB 206 185 93

HSL 48.85, 0.54%, 0.59%

LAB 75.21, -4.08, 48.77

 

CMYK 0 / 25 / 55 / 19

HEX #CE9B5D

RGB 206 155 93

HSL 32.92, 0.54%, 0.59%

LAB 67.54, 11.93, 39.6

 

CMYK 0 / 39 / 55 / 19

HEX #CE7D5D

RGB 206 125 93

HSL 16.99, 0.54%, 0.59%

LAB 60.41, 28.22, 30.7

 

CMYK 0 / 54 / 55 / 19

HEX #CE5E5D

RGB 206 94 93

HSL 0.53, 0.54%, 0.59%

LAB 53.94, 44.3, 22.28

 

CMYK 0 / 55 / 55 / 19

HEX #CE5D5D

RGB 206 93 93

HSL 0, 0.54%, 0.59%

LAB 53.75, 44.79, 22.03

 

CMYK 0 / 10 / 55 / 19

HEX #CEB95D

RGB 206 185 93

HSL 48.85, 0.54%, 0.59%

LAB 75.21, -4.08, 48.77

 

CMYK 4 / 0 / 55 / 19

HEX #C5CE5D

RGB 197 206 93

HSL 64.78, 0.54%, 0.59%

LAB 80.07, -18.5, 54.19

 

CMYK 19 / 0 / 55 / 19

HEX #A6CE5D

RGB 166 206 93

HSL 81.24, 0.54%, 0.59%

LAB 77.9, -30.75, 51.13

 

CMYK 34 / 0 / 55 / 19

HEX #88CE5D

RGB 136 206 93

HSL 97.17, 0.54%, 0.59%

LAB 76.17, -41.66, 48.67

 

CMYK 49 / 0 / 55 / 19

HEX #6ACE5D

RGB 106 206 93

HSL 113.1, 0.54%, 0.59%

LAB 74.82, -51.08, 46.75

 

CMYK 0 / 10 / 55 / 19

HEX #CEB95D

RGB 206 185 93

HSL 48.85, 0.54%, 0.59%

LAB 75.21, -4.08, 48.77

 

CMYK 0 / 12 / 65 / 13

HEX #DFC44D

RGB 223 196 77

HSL 48.9, 0.7%, 0.59%

LAB 79.44, -3.75, 61.13

 

CMYK 0 / 14 / 75 / 6

HEX #F0CF3C

RGB 240 207 60

HSL 49, 0.86%, 0.59%

LAB 83.69, -3.04, 72.37

 

CMYK 0 / 10 / 55 / 19

HEX #CEB95D

RGB 206 185 93

HSL 48.85, 0.54%, 0.59%

LAB 75.21, -4.08, 48.77

 

CMYK 0 / 7 / 42 / 26

HEX #BDAF6E

RGB 189 175 110

HSL 49.37, 0.37%, 0.59%

LAB 71.29, -4.27, 35.1

 

CMYK 0 / 5 / 27 / 32

HEX #ADA47F

RGB 173 164 127

HSL 48.26, 0.22%, 0.59%

LAB 67.25, -2.73, 20.41

 

CMYK 0 / 1 / 8 / 39

HEX #9C9A90

RGB 156 154 144

HSL 50, 0.06%, 0.59%

LAB 63.5, -1.12, 5.5

 

CMYK 14 / 11 / 0 / 37

HEX #8B8FA1

RGB 139 143 161

HSL 229.09, 0.1%, 0.59%

LAB 59.62, 2.33, -9.99

 

CMYK 0 / 40 / 55 / 19

HEX #CE7C5D

RGB 206 124 93

HSL 16.46, 0.54%, 0.59%

LAB 60.18, 28.76, 30.41

 

CMYK 0 / 25 / 55 / 19

HEX #CE9A5D

RGB 206 154 93

HSL 32.39, 0.54%, 0.59%

LAB 67.29, 12.47, 39.3

 

CMYK 0 / 11 / 55 / 19

HEX #CEB85D

RGB 206 184 93

HSL 48.32, 0.54%, 0.59%

LAB 74.95, -3.56, 48.46

 

CMYK 3 / 0 / 55 / 19

HEX #C7CE5D

RGB 199 206 93

HSL 63.72, 0.54%, 0.59%

LAB 80.22, -17.69, 54.41

 

CMYK 18 / 0 / 55 / 19

HEX #A9CE5D

RGB 169 206 93

HSL 79.65, 0.54%, 0.59%

LAB 78.09, -29.6, 51.4

 

CMYK 0 / 13 / 70 / 34

HEX #A89232

RGB 168 146 50

HSL 48.81, 0.54%, 0.43%

LAB 60.88, -2.69, 51.63

 

CMYK 0 / 13 / 69 / 23

HEX #C5AC3E

RGB 197 172 62

HSL 48.89, 0.54%, 0.51%

LAB 70.68, -3.19, 57.52

 

CMYK 0 / 10 / 55 / 19

HEX #CEB95D

RGB 206 185 93

HSL 48.85, 0.54%, 0.59%

LAB 75.21, -4.08, 48.77

 

CMYK 0 / 8 / 42 / 15

HEX #D8C77D

RGB 216 199 125

HSL 48.79, 0.54%, 0.67%

LAB 80.14, -4.29, 39.14

 

CMYK 0 / 5 / 30 / 12

HEX #E1D59D

RGB 225 213 157

HSL 49.41, 0.53%, 0.75%

LAB 85.01, -4.27, 29.23

 

CMYK 0 / 10 / 55 / 19

HEX #CFBA5E

RGB 207 186 94

HSL 48.85, 0.54%, 0.59%

LAB 75.57, -4.1, 48.73

 

CMYK 55 / 0 / 55 / 19

HEX #5DCE5D

RGB 93 206 93

HSL 120, 0.54%, 0.59%

LAB 74.36, -54.56, 46.08

 

CMYK 33 / 55 / 0 / 19

HEX #8B5DCE

RGB 139 93 206

HSL 264.42, 0.54%, 0.59%

LAB 49.22, 42.21, -51.94

 

CMYK 0 / 10 / 55 / 19

HEX #CFBA5E

RGB 207 186 94

HSL 48.85, 0.54%, 0.59%

LAB 75.57, -4.1, 48.73

 

CMYK 55 / 0 / 11 / 19

HEX #5DCEB8

RGB 93 206 184

HSL 168.32, 0.54%, 0.59%

LAB 76.03, -37.48, 1.21

 

CMYK 11 / 55 / 0 / 19

HEX #B85DCE

RGB 184 93 206

HSL 288.32, 0.54%, 0.59%

LAB 54.53, 53.78, -43.18

 

CMYK 0 / 10 / 55 / 19

HEX #CFBA5E

RGB 207 186 94

HSL 48.85, 0.54%, 0.59%

LAB 75.57, -4.1, 48.73

 

CMYK 55 / 0 / 55 / 19

HEX #5DCE5D

RGB 93 206 93

HSL 120, 0.54%, 0.59%

LAB 74.36, -54.56, 46.08

 

CMYK 55 / 44 / 0 / 19

HEX #5D74CE

RGB 93 116 206

HSL 227.79, 0.54%, 0.59%

LAB 51.01, 17.71, -49.31

 

CMYK 0 / 55 / 0 / 19

HEX #CE5DCE

RGB 206 93 206

HSL 300, 0.54%, 0.59%

LAB 57.47, 59.6, -38.35

 

CMYK 0 / 10 / 55 / 19

HEX #CFBA5E

RGB 207 186 94

HSL 48.85, 0.54%, 0.59%

LAB 75.57, -4.1, 48.73

 

CMYK 55 / 0 / 38 / 19

HEX #5DCE7F

RGB 93 206 127

HSL 138.05, 0.54%, 0.59%

LAB 74.83, -49.49, 29.81

 

CMYK 55 / 44 / 0 / 19

HEX #5D74CE

RGB 93 116 206

HSL 227.79, 0.54%, 0.59%

LAB 51.01, 17.71, -49.31

 

CMYK 0 / 55 / 16 / 19

HEX #CE5DAD

RGB 206 93 173

HSL 317.52, 0.54%, 0.59%

LAB 56.06, 54.21, -21.6

 

Description

Color code: HEX #CFBA5E | qconv.com Color code: HEX #CFBA5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 186 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 186 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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