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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E75CF it is the complementary color #A18A30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E75CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E75CF shade: #6375CA, #7487DD, #8599F0, #96ABFF and #A7BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E75CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E75CF shade: #5E75CF, #4D63BC, #3C51A9, #2B3F96 and #1A2D83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E75CF shade: #5E75CF, #655ECF, #845ECF, #A25ECF and #C15ECF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E75CF shade: #5E75CF and #5E5ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E75CF shade matches the following richer shades: #5E75CF, #4D6BE0 and #3C61F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E75CF shade: #5E75CF, #6F7FBE, #8089AD, #91939C and #A29D8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E75CF shade: #5EB3CF, #5E95CF, #5E76CF, #645ECF and #825ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E75CF shade: #324AA8, #3E5AC5, #5E75CF, #7E90D8 and #9EABE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E75CF shade: #5E75CF, #CD5ECF and #A4CF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E75CF shade: #5E75CF, #CF5E76 and #76CF5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E75CF shade: #5E75CF, #CD5ECF, #CFB65E and #60CF5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E75CF shade: #5E75CF, #CF5EAF, #CFB65E and #5ECF7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

Complementary color

CMYK 0 / 14 / 70 / 37

HEX #A18A30

RGB 161 138 48

HSL 47.79, 0.54%, 0.41%

LAB 58.01, -1.56, 49.32

 

CMYK 51 / 42 / 0 / 21

HEX #6375CA

RGB 99 117 202

HSL 229.51, 0.49%, 0.59%

LAB 51.43, 17.14, -46.34

 

CMYK 48 / 39 / 0 / 13

HEX #7487DD

RGB 116 135 221

HSL 229.14, 0.61%, 0.66%

LAB 58.28, 16.1, -46.13

 

CMYK 45 / 36 / 0 / 6

HEX #8599F0

RGB 133 153 240

HSL 228.79, 0.78%, 0.73%

LAB 65.01, 15.22, -45.97

 

CMYK 41 / 33 / 0 / 0

HEX #96ABFF

RGB 150 171 255

HSL 228, 1%, 0.79%

LAB 71.44, 13.35, -43.97

 

CMYK 35 / 26 / 0 / 0

HEX #A7BDFF

RGB 167 189 255

HSL 225, 1%, 0.83%

LAB 77.18, 7.78, -34.95

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 59 / 47 / 0 / 26

HEX #4D63BC

RGB 77 99 188

HSL 228.11, 0.45%, 0.52%

LAB 44.42, 19.04, -49.54

 

CMYK 64 / 52 / 0 / 34

HEX #3C51A9

RGB 60 81 169

HSL 228.44, 0.48%, 0.45%

LAB 37.32, 20.79, -49.84

 

CMYK 71 / 58 / 0 / 41

HEX #2B3F96

RGB 43 63 150

HSL 228.79, 0.55%, 0.38%

LAB 30.09, 23, -50.14

 

CMYK 80 / 66 / 0 / 49

HEX #1A2D83

RGB 26 45 131

HSL 229.14, 0.67%, 0.31%

LAB 22.78, 25.8, -50.34

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 51 / 55 / 0 / 19

HEX #655ECF

RGB 101 94 207

HSL 243.72, 0.54%, 0.59%

LAB 46.01, 33.2, -57.86

 

CMYK 36 / 55 / 0 / 19

HEX #845ECF

RGB 132 94 207

HSL 260.18, 0.54%, 0.59%

LAB 48.78, 40.2, -53.26

 

CMYK 22 / 55 / 0 / 19

HEX #A25ECF

RGB 162 94 207

HSL 276.11, 0.54%, 0.59%

LAB 52.05, 47.72, -47.85

 

CMYK 7 / 55 / 0 / 19

HEX #C15ECF

RGB 193 94 207

HSL 292.57, 0.54%, 0.59%

LAB 55.94, 55.86, -41.45

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 55 / 55 / 0 / 19

HEX #5E5ECF

RGB 94 94 207

HSL 240, 0.54%, 0.59%

LAB 45.48, 31.79, -58.74

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 66 / 52 / 0 / 12

HEX #4D6BE0

RGB 77 107 224

HSL 227.76, 0.7%, 0.59%

LAB 48.85, 26.4, -63.03

 

CMYK 75 / 60 / 0 / 5

HEX #3C61F1

RGB 60 97 241

HSL 227.73, 0.87%, 0.59%

LAB 46.79, 36.41, -75.98

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 42 / 33 / 0 / 25

HEX #6F7FBE

RGB 111 127 190

HSL 227.85, 0.38%, 0.59%

LAB 54.32, 10.45, -34.87

 

CMYK 26 / 21 / 0 / 32

HEX #8089AD

RGB 128 137 173

HSL 228, 0.22%, 0.59%

LAB 57.56, 4.96, -20.05

 

CMYK 7 / 6 / 0 / 39

HEX #91939C

RGB 145 147 156

HSL 229.09, 0.05%, 0.59%

LAB 61.03, 1.09, -4.99

 

CMYK 0 / 3 / 14 / 36

HEX #A29D8B

RGB 162 157 139

HSL 46.96, 0.11%, 0.59%

LAB 64.69, -1.36, 10.07

 

CMYK 55 / 14 / 0 / 19

HEX #5EB3CF

RGB 94 179 207

HSL 194.87, 0.54%, 0.59%

LAB 68.84, -17.87, -22.03

 

CMYK 55 / 28 / 0 / 19

HEX #5E95CF

RGB 94 149 207

HSL 210.8, 0.54%, 0.59%

LAB 60.23, -1.42, -35.32

 

CMYK 55 / 43 / 0 / 19

HEX #5E76CF

RGB 94 118 207

HSL 227.26, 0.54%, 0.59%

LAB 51.66, 17.02, -48.84

 

CMYK 52 / 55 / 0 / 19

HEX #645ECF

RGB 100 94 207

HSL 243.19, 0.54%, 0.59%

LAB 45.93, 33, -57.99

 

CMYK 37 / 55 / 0 / 19

HEX #825ECF

RGB 130 94 207

HSL 259.12, 0.54%, 0.59%

LAB 48.58, 39.72, -53.59

 

CMYK 70 / 56 / 0 / 34

HEX #324AA8

RGB 50 74 168

HSL 227.8, 0.54%, 0.43%

LAB 34.81, 23.42, -53.33

 

CMYK 69 / 54 / 0 / 23

HEX #3E5AC5

RGB 62 90 197

HSL 227.56, 0.54%, 0.51%

LAB 41.79, 25.35, -59.04

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 42 / 33 / 0 / 15

HEX #7E90D8

RGB 126 144 216

HSL 228, 0.54%, 0.67%

LAB 61.08, 11.83, -38.89

 

CMYK 30 / 24 / 0 / 11

HEX #9EABE2

RGB 158 171 226

HSL 228.53, 0.54%, 0.75%

LAB 70.79, 7.91, -29.16

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 1 / 55 / 0 / 19

HEX #CD5ECF

RGB 205 94 207

HSL 298.94, 0.54%, 0.59%

LAB 57.55, 59.05, -38.8

 

CMYK 21 / 0 / 55 / 19

HEX #A4CF5E

RGB 164 207 94

HSL 82.83, 0.54%, 0.59%

LAB 78.07, -31.89, 50.83

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 0 / 55 / 43 / 19

HEX #CF5E76

RGB 207 94 118

HSL 347.26, 0.54%, 0.59%

LAB 54.64, 46.97, 8.56

 

CMYK 43 / 0 / 55 / 19

HEX #76CF5E

RGB 118 207 94

HSL 107.26, 0.54%, 0.59%

LAB 75.63, -47.83, 47.35

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 1 / 55 / 0 / 19

HEX #CD5ECF

RGB 205 94 207

HSL 298.94, 0.54%, 0.59%

LAB 57.55, 59.05, -38.8

 

CMYK 0 / 12 / 55 / 19

HEX #CFB65E

RGB 207 182 94

HSL 46.73, 0.54%, 0.59%

LAB 74.53, -2.01, 47.51

 

CMYK 54 / 0 / 55 / 19

HEX #60CF5E

RGB 96 207 94

HSL 118.94, 0.54%, 0.59%

LAB 74.77, -54.06, 46.13

 

CMYK 55 / 43 / 0 / 19

HEX #5E75CF

RGB 94 117 207

HSL 227.79, 0.54%, 0.59%

LAB 51.39, 17.63, -49.26

 

CMYK 0 / 55 / 15 / 19

HEX #CF5EAF

RGB 207 94 175

HSL 316.99, 0.54%, 0.59%

LAB 56.45, 54.34, -22.14

 

CMYK 0 / 12 / 55 / 19

HEX #CFB65E

RGB 207 182 94

HSL 46.73, 0.54%, 0.59%

LAB 74.53, -2.01, 47.51

 

CMYK 55 / 0 / 39 / 19

HEX #5ECF7E

RGB 94 207 126

HSL 136.99, 0.54%, 0.59%

LAB 75.15, -49.83, 30.75

 

Description

Color code: HEX #5E75CF | qconv.com Color code: HEX #5E75CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 117 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 117 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 43 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 43% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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