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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFB13C it is the complementary color #304EC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFB13C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFB13C shade: #D4B137, #E5C34A, #F6D55D, #FFE770 and #FFF983

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFB13C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFB13C shade: #CFB13C, #BE9F29, #AD8D16, #9C7B03 and #8B6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFB13C shade: #CEB03B, #CE883B, #CE613B and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFB13C shade: #CEB03B, #C4CE3B, #9DCE3B, #75CE3B and #4ECE3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFB13C shade matches the following richer shades: #CEB03B, #E2BC27 and #F6C814

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFB13C shade: #CEB03B, #BAA44F, #A69963, #938D77 and #7F818A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFB13C shade: #CE603B, #CE873B, #CEAE3B, #C7CE3B and #A0CE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFB13C shade: #927C25, #B3982D, #CEB03B, #D6BD5C and #DFCB7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFB13C shade: #CFB13C, #3ECE3B and #733BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFB13C shade: #CFB13C, #3BCEAE and #AE3BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFB13C shade: #CFB13C, #3ECE3B, #3B5BCE and #CC3BCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFB13C shade: #CFB13C, #3BCE65, #3B5BCE and #CE3BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

Complementary color

CMYK 75 / 60 / 0 / 24

HEX #304EC3

RGB 48 78 195

HSL 227.76, 0.6%, 0.48%

LAB 37.87, 30.54, -64.28

 

CMYK 0 / 17 / 74 / 17

HEX #D4B137

RGB 212 177 55

HSL 46.62, 0.65%, 0.52%

LAB 73.36, 0.33, 63.41

 

CMYK 0 / 15 / 68 / 10

HEX #E5C34A

RGB 229 195 74

HSL 46.84, 0.75%, 0.59%

LAB 79.72, -0.87, 62.84

 

CMYK 0 / 13 / 62 / 4

HEX #F6D55D

RGB 246 213 93

HSL 47.06, 0.89%, 0.66%

LAB 85.99, -1.89, 61.94

 

CMYK 0 / 9 / 56 / 0

HEX #FFE770

RGB 255 231 112

HSL 49.93, 1%, 0.72%

LAB 91.5, -6, 59.91

 

CMYK 0 / 2 / 49 / 0

HEX #FFF983

RGB 255 249 131

HSL 57.1, 1%, 0.76%

LAB 96.27, -13.37, 56.83

 

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

CMYK 0 / 16 / 78 / 25

HEX #BE9F29

RGB 190 159 41

HSL 47.52, 0.65%, 0.45%

LAB 66.45, -0.32, 61.14

 

CMYK 0 / 18 / 87 / 32

HEX #AD8D16

RGB 173 141 22

HSL 47.28, 0.77%, 0.38%

LAB 59.88, 1.22, 60.45

 

CMYK 0 / 21 / 98 / 39

HEX #9C7B03

RGB 156 123 3

HSL 47.06, 0.96%, 0.31%

LAB 53.21, 3.03, 58.33

 

CMYK 0 / 24 / 100 / 45

HEX #8B6900

RGB 139 105 0

HSL 45.32, 1%, 0.27%

LAB 46.43, 5.22, 53.32

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 0 / 34 / 71 / 19

HEX #CE883B

RGB 206 136 59

HSL 31.43, 0.6%, 0.52%

LAB 62.55, 19.98, 50.68

 

CMYK 0 / 53 / 71 / 19

HEX #CE613B

RGB 206 97 59

HSL 15.51, 0.6%, 0.52%

LAB 54.01, 40.6, 41.47

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 5 / 0 / 71 / 19

HEX #C4CE3B

RGB 196 206 59

HSL 64.08, 0.6%, 0.52%

LAB 79.72, -21.11, 67.63

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 43 / 0 / 71 / 19

HEX #75CE3B

RGB 117 206 59

HSL 96.33, 0.6%, 0.52%

LAB 74.98, -50.96, 61.35

 

CMYK 62 / 0 / 71 / 19

HEX #4ECE3B

RGB 78 206 59

HSL 112.24, 0.6%, 0.52%

LAB 73.6, -61.6, 59.5

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 0 / 17 / 83 / 11

HEX #E2BC27

RGB 226 188 39

HSL 47.81, 0.76%, 0.52%

LAB 77.45, 0.06, 72.75

 

CMYK 0 / 19 / 92 / 4

HEX #F6C814

RGB 246 200 20

HSL 47.79, 0.93%, 0.52%

LAB 82.35, 2.07, 81.41

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 0 / 12 / 58 / 27

HEX #BAA44F

RGB 186 164 79

HSL 47.66, 0.44%, 0.52%

LAB 67.69, -2.57, 46.31

 

CMYK 0 / 8 / 40 / 35

HEX #A69963

RGB 166 153 99

HSL 48.36, 0.27%, 0.52%

LAB 63.17, -3.22, 30.1

 

CMYK 0 / 4 / 19 / 42

HEX #938D77

RGB 147 141 119

HSL 47.14, 0.11%, 0.52%

LAB 58.59, -1.62, 12.55

 

CMYK 8 / 7 / 0 / 46

HEX #7F818A

RGB 127 129 138

HSL 229.09, 0.04%, 0.52%

LAB 54.08, 1.12, -5.11

 

CMYK 0 / 53 / 71 / 19

HEX #CE603B

RGB 206 96 59

HSL 15.1, 0.6%, 0.52%

LAB 53.82, 41.1, 41.25

 

CMYK 0 / 34 / 71 / 19

HEX #CE873B

RGB 206 135 59

HSL 31.02, 0.6%, 0.52%

LAB 62.31, 20.52, 50.43

 

CMYK 0 / 16 / 71 / 19

HEX #CEAE3B

RGB 206 174 59

HSL 46.94, 0.6%, 0.52%

LAB 72.03, -0.51, 60.38

 

CMYK 3 / 0 / 71 / 19

HEX #C7CE3B

RGB 199 206 59

HSL 62.86, 0.6%, 0.52%

LAB 79.95, -19.86, 67.93

 

CMYK 22 / 0 / 71 / 19

HEX #A0CE3B

RGB 160 206 59

HSL 78.78, 0.6%, 0.52%

LAB 77.24, -35.64, 64.36

 

CMYK 0 / 15 / 75 / 43

HEX #927C25

RGB 146 124 37

HSL 47.89, 0.6%, 0.36%

LAB 52.58, -1.21, 48

 

CMYK 0 / 15 / 75 / 30

HEX #B3982D

RGB 179 152 45

HSL 47.91, 0.6%, 0.44%

LAB 63.53, -1.28, 56.6

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 0 / 12 / 57 / 16

HEX #D6BD5C

RGB 214 189 92

HSL 47.7, 0.6%, 0.6%

LAB 76.96, -2.9, 51.46

 

CMYK 0 / 9 / 44 / 13

HEX #DFCB7D

RGB 223 203 125

HSL 47.76, 0.6%, 0.68%

LAB 81.77, -3.55, 41.34

 

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

CMYK 70 / 0 / 71 / 19

HEX #3ECE3B

RGB 62 206 59

HSL 118.78, 0.6%, 0.52%

LAB 73.21, -64.81, 58.98

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

CMYK 71 / 0 / 16 / 19

HEX #3BCEAE

RGB 59 206 174

HSL 166.94, 0.6%, 0.52%

LAB 74.91, -45.77, 4.87

 

CMYK 16 / 71 / 0 / 19

HEX #AE3BCE

RGB 174 59 206

HSL 286.94, 0.6%, 0.52%

LAB 47.73, 66.34, -54.09

 

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

CMYK 70 / 0 / 71 / 19

HEX #3ECE3B

RGB 62 206 59

HSL 118.78, 0.6%, 0.52%

LAB 73.21, -64.81, 58.98

 

CMYK 71 / 56 / 0 / 19

HEX #3B5BCE

RGB 59 91 206

HSL 226.94, 0.6%, 0.52%

LAB 42.56, 27.53, -62.99

 

CMYK 1 / 71 / 0 / 19

HEX #CC3BCE

RGB 204 59 206

HSL 299.18, 0.6%, 0.52%

LAB 52.31, 72.62, -46.51

 

CMYK 0 / 14 / 71 / 19

HEX #CFB13C

RGB 207 177 60

HSL 47.76, 0.6%, 0.52%

LAB 72.92, -1.6, 60.89

 

CMYK 71 / 0 / 51 / 19

HEX #3BCE65

RGB 59 206 101

HSL 137.14, 0.6%, 0.52%

LAB 73.55, -60.5, 41.07

 

CMYK 71 / 56 / 0 / 19

HEX #3B5BCE

RGB 59 91 206

HSL 226.94, 0.6%, 0.52%

LAB 42.56, 27.53, -62.99

 

CMYK 0 / 71 / 20 / 19

HEX #CE3BA4

RGB 206 59 164

HSL 317.14, 0.6%, 0.52%

LAB 50.61, 66.86, -24.73

 

Description

Color code: HEX #CFB13C | qconv.com Color code: HEX #CFB13C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 177 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 177 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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