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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA59ACE it is the complementary color #305A65CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA59ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA59ACE shade: #D4A595CE, #E5B7A8CE, #F6C9BBCE, #FFDBCECE and #FFEDE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA59ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA59ACE shade: #CFA59ACE, #BE9387CE, #AD8174CE, #9C6F61CE and #8B5D4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA59ACE shade: #D0A59A and #D09A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA59ACE shade: #D0A59A, #D0B49A, #D0C29A, #CFD09A and #C0D09A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA59ACE shade matches the following richer shades: #D0A59A, #DC9E8E, #E89782 and #F49077

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA59ACE shade: #D0A59A, #C4ACA6, #B8B3B2, #ACBABE and #A0C1CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA59ACE shade: #D09AAC, #D09A9E, #D0A59A, #D0B39A and #D0C19A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA59ACE shade: #B57462, #C28D7E, #D0A59A, #DDBEB6 and #EAD7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA59ACE shade: #CFA59A, #BAD09A and #9AA5D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA59ACE shade: #CFA59A, #9AD0A5 and #A59AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA59ACE shade: #CFA59A, #BAD09A, #9AC5D0 and #B09AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA59ACE shade: #CFA59A, #AAD09A, #9AC5D0 and #C09AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 21 / 15

HEX #CFA59ACE

RGBA 207 165 154 0.81

HSLA 12.45, 0.36%, 0.71%, 0.81

LABA 71.22, 13.81, 11.57, 0.81

 

Complementary color

CMYK 43 / 9 / 0 / 49

HEX #305A65CE

RGBA 48 90 101 0.81

HSLA 192.45, 0.36%, 0.29%, 0.81

LABA 35.75, -11.28, -10.86, 0.81

 

CMYK 0 / 18 / 24 / 14

HEX #D4A595CE

RGBA 212 165 149 0.81

HSLA 15.24, 0.42%, 0.71%, 0.81

LABA 71.61, 15.03, 14.93, 0.81

 

CMYK 0 / 16 / 22 / 8

HEX #E5B7A8CE

RGBA 229 183 168 0.81

HSLA 14.75, 0.54%, 0.78%, 0.81

LABA 78.08, 14.42, 13.93, 0.81

 

CMYK 0 / 15 / 19 / 3

HEX #F6C9BBCE

RGBA 246 201 187 0.81

HSLA 14.24, 0.77%, 0.85%, 0.81

LABA 84.46, 13.87, 12.99, 0.81

 

CMYK 0 / 11 / 16 / 0

HEX #FFDBCECE

RGBA 255 219 206 0.81

HSLA 15.92, 1%, 0.9%, 0.81

LABA 90.04, 10.49, 11, 0.81

 

CMYK 0 / 6 / 10 / 0

HEX #FFEDE1CE

RGBA 255 237 225 0.81

HSLA 24, 1%, 0.94%, 0.81

LABA 94.85, 4.14, 7.99, 0.81

 

CMYK 0 / 16 / 21 / 15

HEX #CFA59ACE

RGBA 207 165 154 0.81

HSLA 12.45, 0.36%, 0.71%, 0.81

LABA 71.22, 13.81, 11.57, 0.81

 

CMYK 0 / 18 / 23 / 21

HEX #BE9387CE

RGBA 190 147 135 0.81

HSLA 13.09, 0.3%, 0.64%, 0.81

LABA 64.61, 14.43, 12.57, 0.81

 

CMYK 0 / 21 / 27 / 26

HEX #AD8174CE

RGBA 173 129 116 0.81

HSLA 13.68, 0.26%, 0.57%, 0.81

LABA 57.89, 15.13, 13.66, 0.81

 

CMYK 0 / 23 / 31 / 31

HEX #9C6F61CE

RGBA 156 111 97 0.81

HSLA 14.24, 0.23%, 0.5%, 0.81

LABA 51.04, 15.95, 14.88, 0.81

 

CMYK 0 / 27 / 36 / 37

HEX #8B5D4ECE

RGBA 139 93 78 0.81

HSLA 14.75, 0.28%, 0.43%, 0.81

LABA 44.04, 16.91, 16.26, 0.81

 

CMYK 0 / 21 / 26 / 18

HEX #D0A59A

RGB 208 165 154

HSL 12.22, 0.36%, 0.71%

LAB 71.32, 14.19, 11.72

 

CMYK 0 / 26 / 26 / 18

HEX #D09A9A

RGB 208 154 154

HSL 0, 0.36%, 0.71%

LAB 68.65, 20.17, 7.92

 

CMYK 0 / 21 / 26 / 18

HEX #D0A59A

RGB 208 165 154

HSL 12.22, 0.36%, 0.71%

LAB 71.32, 14.19, 11.72

 

CMYK 0 / 13 / 26 / 18

HEX #D0B49A

RGB 208 180 154

HSL 28.89, 0.36%, 0.71%

LAB 75.07, 6.1, 16.98

 

CMYK 0 / 7 / 26 / 18

HEX #D0C29A

RGB 208 194 154

HSL 44.44, 0.36%, 0.71%

LAB 78.65, -1.32, 21.93

 

CMYK 0 / 0 / 26 / 18

HEX #CFD09A

RGB 207 208 154

HSL 61.11, 0.36%, 0.71%

LAB 82.22, -8.95, 26.78

 

CMYK 8 / 0 / 26 / 18

HEX #C0D09A

RGB 192 208 154

HSL 77.78, 0.36%, 0.71%

LAB 81.1, -14.56, 25.07

 

CMYK 0 / 21 / 26 / 18

HEX #D0A59A

RGB 208 165 154

HSL 12.22, 0.36%, 0.71%

LAB 71.32, 14.19, 11.72

 

CMYK 0 / 28 / 35 / 14

HEX #DC9E8E

RGB 220 158 142

HSL 12.31, 0.53%, 0.71%

LAB 70.61, 21.01, 17.52

 

CMYK 0 / 35 / 44 / 9

HEX #E89782

RGB 232 151 130

HSL 12.35, 0.69%, 0.71%

LAB 70.11, 28.06, 23.65

 

CMYK 0 / 41 / 51 / 4

HEX #F49077

RGB 244 144 119

HSL 12, 0.85%, 0.71%

LAB 69.83, 35.3, 29.56

 

CMYK 0 / 21 / 26 / 18

HEX #D0A59A

RGB 208 165 154

HSL 12.22, 0.36%, 0.71%

LAB 71.32, 14.19, 11.72

 

CMYK 0 / 12 / 15 / 23

HEX #C4ACA6

RGB 196 172 166

HSL 12, 0.2%, 0.71%

LAB 72.22, 7.68, 6.26

 

CMYK 0 / 3 / 3 / 28

HEX #B8B3B2

RGB 184 179 178

HSL 10, 0.04%, 0.71%

LAB 73.31, 1.59, 1.13

 

CMYK 9 / 2 / 0 / 25

HEX #ACBABE

RGB 172 186 190

HSL 193.33, 0.12%, 0.71%

LAB 74.58, -4.02, -3.69

 

CMYK 21 / 4 / 0 / 21

HEX #A0C1CA

RGB 160 193 202

HSL 192.86, 0.28%, 0.71%

LAB 75.99, -9.07, -8.2

 

CMYK 0 / 26 / 17 / 18

HEX #D09AAC

RGB 208 154 172

HSL 340, 0.36%, 0.71%

LAB 69.11, 22.88, -1.43

 

CMYK 0 / 26 / 24 / 18

HEX #D09A9E

RGB 208 154 158

HSL 355.56, 0.36%, 0.71%

LAB 68.74, 20.75, 5.83

 

CMYK 0 / 21 / 26 / 18

HEX #D0A59A

RGB 208 165 154

HSL 12.22, 0.36%, 0.71%

LAB 71.32, 14.19, 11.72

 

CMYK 0 / 14 / 26 / 18

HEX #D0B39A

RGB 208 179 154

HSL 27.78, 0.36%, 0.71%

LAB 74.81, 6.64, 16.63

 

CMYK 0 / 7 / 26 / 18

HEX #D0C19A

RGB 208 193 154

HSL 43.33, 0.36%, 0.71%

LAB 78.39, -0.79, 21.58

 

CMYK 0 / 36 / 46 / 29

HEX #B57462

RGB 181 116 98

HSL 13.01, 0.36%, 0.55%

LAB 55.27, 23.51, 20.56

 

CMYK 0 / 27 / 35 / 24

HEX #C28D7E

RGB 194 141 126

HSL 13.24, 0.36%, 0.63%

LAB 63.36, 18.13, 15.94

 

CMYK 0 / 21 / 26 / 18

HEX #D0A59A

RGB 208 165 154

HSL 12.22, 0.36%, 0.71%

LAB 71.32, 14.19, 11.72

 

CMYK 0 / 14 / 18 / 13

HEX #DDBEB6

RGB 221 190 182

HSL 12.31, 0.36%, 0.79%

LAB 79.37, 9.76, 8.11

 

CMYK 0 / 8 / 10 / 8

HEX #EAD7D3

RGB 234 215 211

HSL 10.43, 0.35%, 0.87%

LAB 87.39, 5.88, 4.33

 

CMYK 0 / 20 / 26 / 19

HEX #CFA59A

RGB 207 165 154

HSL 12.45, 0.36%, 0.71%

LAB 71.22, 13.81, 11.57

 

CMYK 11 / 0 / 26 / 18

HEX #BAD09A

RGB 186 208 154

HSL 84.44, 0.36%, 0.71%

LAB 80.67, -16.77, 24.42

 

CMYK 26 / 21 / 0 / 18

HEX #9AA5D0

RGB 154 165 208

HSL 227.78, 0.36%, 0.71%

LAB 68.27, 5.66, -23.17

 

CMYK 0 / 20 / 26 / 19

HEX #CFA59A

RGB 207 165 154

HSL 12.45, 0.36%, 0.71%

LAB 71.22, 13.81, 11.57

 

CMYK 26 / 0 / 21 / 18

HEX #9AD0A5

RGB 154 208 165

HSL 132.22, 0.36%, 0.71%

LAB 78.87, -26.05, 15.81

 

CMYK 21 / 26 / 0 / 18

HEX #A59AD0

RGB 165 154 208

HSL 252.22, 0.36%, 0.71%

LAB 66.26, 15.23, -26.16

 

CMYK 0 / 20 / 26 / 19

HEX #CFA59A

RGB 207 165 154

HSL 12.45, 0.36%, 0.71%

LAB 71.22, 13.81, 11.57

 

CMYK 11 / 0 / 26 / 18

HEX #BAD09A

RGB 186 208 154

HSL 84.44, 0.36%, 0.71%

LAB 80.67, -16.77, 24.42

 

CMYK 26 / 5 / 0 / 18

HEX #9AC5D0

RGB 154 197 208

HSL 192.22, 0.36%, 0.71%

LAB 76.89, -11.64, -10.15

 

CMYK 15 / 26 / 0 / 18

HEX #B09AD0

RGB 176 154 208

HSL 264.44, 0.36%, 0.71%

LAB 67.2, 18.7, -24.65

 

CMYK 0 / 20 / 26 / 19

HEX #CFA59A

RGB 207 165 154

HSL 12.45, 0.36%, 0.71%

LAB 71.22, 13.81, 11.57

 

CMYK 18 / 0 / 26 / 18

HEX #AAD09A

RGB 170 208 154

HSL 102.22, 0.36%, 0.71%

LAB 79.61, -22.51, 22.8

 

CMYK 26 / 5 / 0 / 18

HEX #9AC5D0

RGB 154 197 208

HSL 192.22, 0.36%, 0.71%

LAB 76.89, -11.64, -10.15

 

CMYK 8 / 26 / 0 / 18

HEX #C09AD0

RGB 192 154 208

HSL 282.22, 0.36%, 0.71%

LAB 68.66, 23.86, -22.29

 

Description

Color code: HEX #CFA59ACE | qconv.com Color code: HEX #CFA59ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 165 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 165 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 21 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 21% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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