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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF9E6D it is the complementary color #306192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF9E6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF9E6D shade: #D49E68, #E5B07B, #F6C28E, #FFD4A1 and #FFE6B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF9E6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF9E6D shade: #CF9E6D, #BE8C5A, #AD7A47, #9C6834 and #8B5621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF9E6D shade: #CF9E6C, #CF836C and #CF6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF9E6D shade: #CF9E6C, #CFB86C, #CBCF6C, #B0CF6C and #96CF6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF9E6D shade matches the following richer shades: #CF9E6C, #DF9E5D, #EE9E4D and #FE9E3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF9E6D shade: #CF9E6C, #BF9E7C, #B09E8C, #A09E9B and #909EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF9E6D shade: #CF6C6F, #CF836C, #CF9E6C, #CFB86C and #CCCF6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF9E6D shade: #B07439, #C5894D, #CF9E6C, #D9B28B and #E3C7AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF9E6D shade: #CF9E6D, #8ACF6C and #766CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF9E6D shade: #CF9E6D, #6CCF9E and #9E6CCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF9E6D shade: #CF9E6D, #8ACF6C, #6C9ECF and #B16CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF9E6D shade: #CF9E6D, #6CCF6C, #6C9ECF and #CF6CCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 47 / 19

HEX #CF9E6D

RGB 207 158 109

HSL 30, 0.51%, 0.62%

LAB 68.62, 12.17, 32.56

 

Complementary color

CMYK 67 / 34 / 0 / 43

HEX #306192

RGB 48 97 146

HSL 210, 0.51%, 0.38%

LAB 40, -0.1, -31.83

 

CMYK 0 / 25 / 51 / 17

HEX #D49E68

RGB 212 158 104

HSL 30, 0.56%, 0.62%

LAB 69.08, 13.76, 35.9

 

CMYK 0 / 23 / 46 / 10

HEX #E5B07B

RGB 229 176 123

HSL 30, 0.67%, 0.69%

LAB 75.54, 12.84, 34.52

 

CMYK 0 / 21 / 42 / 4

HEX #F6C28E

RGB 246 194 142

HSL 30, 0.85%, 0.76%

LAB 81.91, 12.03, 33.23

 

CMYK 0 / 17 / 37 / 0

HEX #FFD4A1

RGB 255 212 161

HSL 32.55, 1%, 0.82%

LAB 87.45, 8.25, 30.88

 

CMYK 0 / 10 / 29 / 0

HEX #FFE6B4

RGB 255 230 180

HSL 40, 1%, 0.85%

LAB 92.2, 1.3, 27.51

 

CMYK 0 / 24 / 47 / 19

HEX #CF9E6D

RGB 207 158 109

HSL 30, 0.51%, 0.62%

LAB 68.62, 12.17, 32.56

 

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

CMYK 0 / 29 / 59 / 32

HEX #AD7A47

RGB 173 122 71

HSL 30, 0.42%, 0.48%

LAB 55.34, 14.28, 35.5

 

CMYK 0 / 33 / 67 / 39

HEX #9C6834

RGB 156 104 52

HSL 30, 0.5%, 0.41%

LAB 48.53, 15.63, 37.08

 

CMYK 0 / 38 / 76 / 45

HEX #8B5621

RGB 139 86 33

HSL 30, 0.62%, 0.34%

LAB 41.62, 17.27, 38.58

 

CMYK 0 / 24 / 48 / 19

HEX #CF9E6C

RGB 207 158 108

HSL 30.3, 0.51%, 0.62%

LAB 68.61, 12.07, 33.08

 

CMYK 0 / 37 / 48 / 19

HEX #CF836C

RGB 207 131 108

HSL 13.94, 0.51%, 0.62%

LAB 62.15, 26.75, 24.65

 

CMYK 0 / 48 / 48 / 19

HEX #CF6C6C

RGB 207 108 108

HSL 0, 0.51%, 0.62%

LAB 57.15, 38.96, 17.9

 

CMYK 0 / 24 / 48 / 19

HEX #CF9E6C

RGB 207 158 108

HSL 30.3, 0.51%, 0.62%

LAB 68.61, 12.07, 33.08

 

CMYK 0 / 11 / 48 / 19

HEX #CFB86C

RGB 207 184 108

HSL 46.06, 0.51%, 0.62%

LAB 75.22, -1.83, 41.41

 

CMYK 2 / 0 / 48 / 19

HEX #CBCF6C

RGB 203 207 108

HSL 62.42, 0.51%, 0.62%

LAB 80.96, -15.27, 48.34

 

CMYK 15 / 0 / 48 / 19

HEX #B0CF6C

RGB 176 207 108

HSL 78.79, 0.51%, 0.62%

LAB 79.01, -25.9, 45.51

 

CMYK 28 / 0 / 48 / 19

HEX #96CF6C

RGB 150 207 108

HSL 94.55, 0.51%, 0.62%

LAB 77.4, -35.53, 43.17

 

CMYK 0 / 24 / 48 / 19

HEX #CF9E6C

RGB 207 158 108

HSL 30.3, 0.51%, 0.62%

LAB 68.61, 12.07, 33.08

 

CMYK 0 / 29 / 58 / 13

HEX #DF9E5D

RGB 223 158 93

HSL 30, 0.67%, 0.62%

LAB 70.13, 17.4, 43.17

 

CMYK 0 / 34 / 68 / 7

HEX #EE9E4D

RGB 238 158 77

HSL 30.19, 0.83%, 0.62%

LAB 71.67, 22.56, 53.23

 

CMYK 0 / 38 / 76 / 0

HEX #FE9E3D

RGB 254 158 61

HSL 30.16, 0.99%, 0.62%

LAB 73.46, 28.38, 62.74

 

CMYK 0 / 24 / 48 / 19

HEX #CF9E6C

RGB 207 158 108

HSL 30.3, 0.51%, 0.62%

LAB 68.61, 12.07, 33.08

 

CMYK 0 / 17 / 35 / 25

HEX #BF9E7C

RGB 191 158 124

HSL 30.45, 0.34%, 0.62%

LAB 67.27, 7.33, 22.35

 

CMYK 0 / 10 / 20 / 31

HEX #B09E8C

RGB 176 158 140

HSL 30, 0.19%, 0.62%

LAB 66.2, 3.63, 11.81

 

CMYK 0 / 1 / 3 / 37

HEX #A09E9B

RGB 160 158 155

HSL 36, 0.03%, 0.62%

LAB 65.2, 0.16, 1.81

 

CMYK 16 / 8 / 0 / 33

HEX #909EAB

RGB 144 158 171

HSL 208.89, 0.14%, 0.62%

LAB 64.42, -2.18, -8.44

 

CMYK 0 / 48 / 46 / 19

HEX #CF6C6F

RGB 207 108 111

HSL 358.18, 0.51%, 0.62%

LAB 57.21, 39.25, 16.25

 

CMYK 0 / 37 / 48 / 19

HEX #CF836C

RGB 207 131 108

HSL 13.94, 0.51%, 0.62%

LAB 62.15, 26.75, 24.65

 

CMYK 0 / 24 / 48 / 19

HEX #CF9E6C

RGB 207 158 108

HSL 30.3, 0.51%, 0.62%

LAB 68.61, 12.07, 33.08

 

CMYK 0 / 11 / 48 / 19

HEX #CFB86C

RGB 207 184 108

HSL 46.06, 0.51%, 0.62%

LAB 75.22, -1.83, 41.41

 

CMYK 1 / 0 / 48 / 19

HEX #CCCF6C

RGB 204 207 108

HSL 61.82, 0.51%, 0.62%

LAB 81.04, -14.87, 48.45

 

CMYK 0 / 34 / 68 / 31

HEX #B07439

RGB 176 116 57

HSL 29.75, 0.51%, 0.46%

LAB 54.04, 17.97, 41.38

 

CMYK 0 / 30 / 61 / 23

HEX #C5894D

RGB 197 137 77

HSL 30, 0.51%, 0.54%

LAB 61.91, 16.7, 40.86

 

CMYK 0 / 24 / 48 / 19

HEX #CF9E6C

RGB 207 158 108

HSL 30.3, 0.51%, 0.62%

LAB 68.61, 12.07, 33.08

 

CMYK 0 / 18 / 36 / 15

HEX #D9B28B

RGB 217 178 139

HSL 30, 0.51%, 0.7%

LAB 75.11, 8.73, 25.25

 

CMYK 0 / 12 / 25 / 11

HEX #E3C7AA

RGB 227 199 170

HSL 30.53, 0.5%, 0.78%

LAB 81.88, 5.48, 18.15

 

CMYK 0 / 24 / 47 / 19

HEX #CF9E6D

RGB 207 158 109

HSL 30, 0.51%, 0.62%

LAB 68.62, 12.17, 32.56

 

CMYK 33 / 0 / 48 / 19

HEX #8ACF6C

RGB 138 207 108

HSL 101.82, 0.51%, 0.62%

LAB 76.75, -39.69, 42.23

 

CMYK 43 / 48 / 0 / 19

HEX #766CCF

RGB 118 108 207

HSL 246.06, 0.51%, 0.62%

LAB 50.78, 28.6, -50.13

 

CMYK 0 / 24 / 47 / 19

HEX #CF9E6D

RGB 207 158 109

HSL 30, 0.51%, 0.62%

LAB 68.62, 12.17, 32.56

 

CMYK 48 / 0 / 24 / 19

HEX #6CCF9E

RGB 108 207 158

HSL 150.3, 0.51%, 0.62%

LAB 76.24, -40.35, 15.53

 

CMYK 24 / 48 / 0 / 19

HEX #9E6CCF

RGB 158 108 207

HSL 270.3, 0.51%, 0.62%

LAB 54.55, 39.05, -43.91

 

CMYK 0 / 24 / 47 / 19

HEX #CF9E6D

RGB 207 158 109

HSL 30, 0.51%, 0.62%

LAB 68.62, 12.17, 32.56

 

CMYK 33 / 0 / 48 / 19

HEX #8ACF6C

RGB 138 207 108

HSL 101.82, 0.51%, 0.62%

LAB 76.75, -39.69, 42.23

 

CMYK 48 / 24 / 0 / 19

HEX #6C9ECF

RGB 108 158 207

HSL 209.7, 0.51%, 0.62%

LAB 63.46, -3.32, -30.24

 

CMYK 14 / 48 / 0 / 19

HEX #B16CCF

RGB 177 108 207

HSL 281.82, 0.51%, 0.62%

LAB 56.66, 44.35, -40.44

 

CMYK 0 / 24 / 47 / 19

HEX #CF9E6D

RGB 207 158 109

HSL 30, 0.51%, 0.62%

LAB 68.62, 12.17, 32.56

 

CMYK 48 / 0 / 48 / 19

HEX #6CCF6C

RGB 108 207 108

HSL 120, 0.51%, 0.62%

LAB 75.39, -48.98, 40.24

 

CMYK 48 / 24 / 0 / 19

HEX #6C9ECF

RGB 108 158 207

HSL 209.7, 0.51%, 0.62%

LAB 63.46, -3.32, -30.24

 

CMYK 0 / 48 / 0 / 19

HEX #CF6CCF

RGB 207 108 207

HSL 300, 0.51%, 0.62%

LAB 60.33, 52.89, -34.43

 

Description

Color code: HEX #CF9E6D | qconv.com Color code: HEX #CF9E6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 158 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 158 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 47 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 47% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - RÖSLE Online-Shop - ...
Link: http://www.roesle.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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