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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE8C5A it is the complementary color #4173A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE8C5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE8C5A shade: #C38C55, #D49E68, #E5B07B, #F6C28E and #FFD4A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE8C5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE8C5A shade: #BE8C5A, #AD7A47, #9C6834, #8B5621 and #7A440E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE8C5A shade: #BE8C5B, #BE725B and #BE5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE8C5A shade: #BE8C5B, #BEA75B, #BABE5B, #9FBE5B and #84BE5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE8C5A shade matches the following richer shades: #BE8C5B, #D08C48, #E38C36 and #F58C23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE8C5A shade: #BE8C5B, #AB8C6D, #988C80, #868C93 and #738CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE8C5A shade: #BE5B5E, #BE725B, #BE8C5B, #BEA75B and #BABE5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE8C5A shade: #8E6338, #AB7844, #BE8C5B, #C9A178 and #D5B696

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE8C5A shade: #BE8C5A, #79BE5B and #655BBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE8C5A shade: #BE8C5A, #5BBE8C and #8C5BBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE8C5A shade: #BE8C5A, #79BE5B, #5B8CBE and #A05BBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE8C5A shade: #BE8C5A, #5BBE5B, #5B8CBE and #BE5BBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

Complementary color

CMYK 61 / 30 / 0 / 35

HEX #4173A5

RGB 65 115 165

HSL 210, 0.43%, 0.45%

LAB 47.11, -1.2, -31.89

 

CMYK 0 / 28 / 56 / 24

HEX #C38C55

RGB 195 140 85

HSL 30, 0.48%, 0.55%

LAB 62.52, 14.82, 37.37

 

CMYK 0 / 25 / 51 / 17

HEX #D49E68

RGB 212 158 104

HSL 30, 0.56%, 0.62%

LAB 69.08, 13.76, 35.9

 

CMYK 0 / 23 / 46 / 10

HEX #E5B07B

RGB 229 176 123

HSL 30, 0.67%, 0.69%

LAB 75.54, 12.84, 34.52

 

CMYK 0 / 21 / 42 / 4

HEX #F6C28E

RGB 246 194 142

HSL 30, 0.85%, 0.76%

LAB 81.91, 12.03, 33.23

 

CMYK 0 / 17 / 37 / 0

HEX #FFD4A1

RGB 255 212 161

HSL 32.55, 1%, 0.82%

LAB 87.45, 8.25, 30.88

 

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

CMYK 0 / 29 / 59 / 32

HEX #AD7A47

RGB 173 122 71

HSL 30, 0.42%, 0.48%

LAB 55.34, 14.28, 35.5

 

CMYK 0 / 33 / 67 / 39

HEX #9C6834

RGB 156 104 52

HSL 30, 0.5%, 0.41%

LAB 48.53, 15.63, 37.08

 

CMYK 0 / 38 / 76 / 45

HEX #8B5621

RGB 139 86 33

HSL 30, 0.62%, 0.34%

LAB 41.62, 17.27, 38.58

 

CMYK 0 / 44 / 89 / 52

HEX #7A440E

RGB 122 68 14

HSL 30, 0.79%, 0.27%

LAB 34.61, 19.26, 39.5

 

CMYK 0 / 26 / 52 / 25

HEX #BE8C5B

RGB 190 140 91

HSL 29.7, 0.43%, 0.55%

LAB 62.05, 13.23, 33.47

 

CMYK 0 / 40 / 52 / 25

HEX #BE725B

RGB 190 114 91

HSL 13.94, 0.43%, 0.55%

LAB 55.82, 27.57, 25.49

 

CMYK 0 / 52 / 52 / 25

HEX #BE5B5B

RGB 190 91 91

HSL 0, 0.43%, 0.55%

LAB 50.9, 39.76, 18.97

 

CMYK 0 / 26 / 52 / 25

HEX #BE8C5B

RGB 190 140 91

HSL 29.7, 0.43%, 0.55%

LAB 62.05, 13.23, 33.47

 

CMYK 0 / 12 / 52 / 25

HEX #BEA75B

RGB 190 167 91

HSL 46.06, 0.43%, 0.55%

LAB 69, -1.47, 42.02

 

CMYK 2 / 0 / 52 / 25

HEX #BABE5B

RGB 186 190 91

HSL 62.42, 0.43%, 0.55%

LAB 74.84, -15.14, 48.86

 

CMYK 16 / 0 / 52 / 25

HEX #9FBE5B

RGB 159 190 91

HSL 78.79, 0.43%, 0.55%

LAB 72.86, -26.01, 46.04

 

CMYK 31 / 0 / 52 / 25

HEX #84BE5B

RGB 132 190 91

HSL 95.15, 0.43%, 0.55%

LAB 71.21, -36.15, 43.67

 

CMYK 0 / 26 / 52 / 25

HEX #BE8C5B

RGB 190 140 91

HSL 29.7, 0.43%, 0.55%

LAB 62.05, 13.23, 33.47

 

CMYK 0 / 33 / 65 / 18

HEX #D08C48

RGB 208 140 72

HSL 30, 0.59%, 0.55%

LAB 63.86, 19.39, 45.97

 

CMYK 0 / 38 / 76 / 11

HEX #E38C36

RGB 227 140 54

HSL 29.83, 0.76%, 0.55%

LAB 66.02, 26.45, 57.25

 

CMYK 0 / 43 / 86 / 4

HEX #F58C23

RGB 245 140 35

HSL 30, 0.91%, 0.55%

LAB 68.23, 33.26, 67.12

 

CMYK 0 / 26 / 52 / 25

HEX #BE8C5B

RGB 190 140 91

HSL 29.7, 0.43%, 0.55%

LAB 62.05, 13.23, 33.47

 

CMYK 0 / 18 / 36 / 33

HEX #AB8C6D

RGB 171 140 109

HSL 30, 0.27%, 0.55%

LAB 60.35, 7.24, 20.98

 

CMYK 0 / 8 / 16 / 40

HEX #988C80

RGB 152 140 128

HSL 30, 0.1%, 0.55%

LAB 58.97, 2.38, 8.02

 

CMYK 9 / 5 / 0 / 42

HEX #868C93

RGB 134 140 147

HSL 212.31, 0.06%, 0.55%

LAB 57.97, -0.74, -4.48

 

CMYK 30 / 15 / 0 / 35

HEX #738CA5

RGB 115 140 165

HSL 210, 0.22%, 0.55%

LAB 57.19, -2.82, -16.11

 

CMYK 0 / 52 / 51 / 25

HEX #BE5B5E

RGB 190 91 94

HSL 358.18, 0.43%, 0.55%

LAB 50.96, 40.03, 17.28

 

CMYK 0 / 40 / 52 / 25

HEX #BE725B

RGB 190 114 91

HSL 13.94, 0.43%, 0.55%

LAB 55.82, 27.57, 25.49

 

CMYK 0 / 26 / 52 / 25

HEX #BE8C5B

RGB 190 140 91

HSL 29.7, 0.43%, 0.55%

LAB 62.05, 13.23, 33.47

 

CMYK 0 / 12 / 52 / 25

HEX #BEA75B

RGB 190 167 91

HSL 46.06, 0.43%, 0.55%

LAB 69, -1.47, 42.02

 

CMYK 2 / 0 / 52 / 25

HEX #BABE5B

RGB 186 190 91

HSL 62.42, 0.43%, 0.55%

LAB 74.84, -15.14, 48.86

 

CMYK 0 / 30 / 61 / 44

HEX #8E6338

RGB 142 99 56

HSL 30, 0.43%, 0.39%

LAB 45.58, 12.54, 31.06

 

CMYK 0 / 30 / 60 / 33

HEX #AB7844

RGB 171 120 68

HSL 30.29, 0.43%, 0.47%

LAB 54.56, 14.3, 36.12

 

CMYK 0 / 26 / 52 / 25

HEX #BE8C5B

RGB 190 140 91

HSL 29.7, 0.43%, 0.55%

LAB 62.05, 13.23, 33.47

 

CMYK 0 / 20 / 40 / 21

HEX #C9A178

RGB 201 161 120

HSL 30.37, 0.43%, 0.63%

LAB 68.94, 9.26, 26.95

 

CMYK 0 / 15 / 30 / 16

HEX #D5B696

RGB 213 182 150

HSL 30.48, 0.43%, 0.71%

LAB 75.95, 6.42, 20.43

 

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

CMYK 36 / 0 / 52 / 25

HEX #79BE5B

RGB 121 190 91

HSL 101.82, 0.43%, 0.55%

LAB 70.63, -39.96, 42.84

 

CMYK 47 / 52 / 0 / 25

HEX #655BBE

RGB 101 91 190

HSL 246.06, 0.43%, 0.55%

LAB 44.18, 29.84, -50.99

 

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

CMYK 52 / 0 / 26 / 25

HEX #5BBE8C

RGB 91 190 140

HSL 149.7, 0.43%, 0.55%

LAB 70.14, -40.73, 16.56

 

CMYK 26 / 52 / 0 / 25

HEX #8C5BBE

RGB 140 91 190

HSL 269.7, 0.43%, 0.55%

LAB 47.98, 39.61, -44.71

 

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

CMYK 36 / 0 / 52 / 25

HEX #79BE5B

RGB 121 190 91

HSL 101.82, 0.43%, 0.55%

LAB 70.63, -39.96, 42.84

 

CMYK 52 / 26 / 0 / 25

HEX #5B8CBE

RGB 91 140 190

HSL 210.3, 0.43%, 0.55%

LAB 56.78, -2.19, -31.12

 

CMYK 16 / 52 / 0 / 25

HEX #A05BBE

RGB 160 91 190

HSL 281.82, 0.43%, 0.55%

LAB 50.3, 45.04, -40.87

 

CMYK 0 / 26 / 53 / 25

HEX #BE8C5A

RGB 190 140 90

HSL 30, 0.43%, 0.55%

LAB 62.03, 13.14, 33.99

 

CMYK 52 / 0 / 52 / 25

HEX #5BBE5B

RGB 91 190 91

HSL 120, 0.43%, 0.55%

LAB 69.33, -49.1, 40.96

 

CMYK 52 / 26 / 0 / 25

HEX #5B8CBE

RGB 91 140 190

HSL 210.3, 0.43%, 0.55%

LAB 56.78, -2.19, -31.12

 

CMYK 0 / 52 / 0 / 25

HEX #BE5BBE

RGB 190 91 190

HSL 300, 0.43%, 0.55%

LAB 54.18, 53.36, -34.5

 

Description

Color code: HEX #BE8C5A | qconv.com Color code: HEX #BE8C5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 140 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 140 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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