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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3E53 it is the complementary color #30C1AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3E53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CF3E53: #D43E4E, #E55061, #F66274, #FF7487 and #FF869A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3E53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CF3E53: #CF3E53, #BE2C40, #AD1A2D, #9C081A and #8B0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

Complementary color

CMYK 75 / 0 / 11 / 24

HEX #30C1AC

RGB 48 193 172

HSL 171.31, 0.6%, 0.47%

LAB 70.7, -42.05, -0.19

 

CMYK 0 / 71 / 63 / 17

HEX #D43E4E

RGB 212 62 78

HSL 353.6, 0.64%, 0.54%

LAB 49.49, 59.1, 25.51

 

CMYK 0 / 65 / 58 / 10

HEX #E55061

RGB 229 80 97

HSL 353.15, 0.74%, 0.61%

LAB 55.34, 58.71, 22.46

 

CMYK 0 / 60 / 53 / 4

HEX #F66274

RGB 246 98 116

HSL 352.7, 0.89%, 0.67%

LAB 61.3, 58.03, 19.9

 

CMYK 0 / 55 / 47 / 0

HEX #FF7487

RGB 255 116 135

HSL 351.8, 1%, 0.73%

LAB 66.14, 54.53, 15.9

 

CMYK 0 / 47 / 40 / 0

HEX #FF869A

RGB 255 134 154

HSL 350.08, 1%, 0.76%

LAB 69.93, 47.79, 10.51

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 0 / 77 / 66 / 25

HEX #BE2C40

RGB 190 44 64

HSL 351.78, 0.62%, 0.46%

LAB 42.94, 57.8, 24.82

 

CMYK 0 / 85 / 74 / 32

HEX #AD1A2D

RGB 173 26 45

HSL 352.24, 0.74%, 0.39%

LAB 37.5, 56.92, 29.12

 

CMYK 0 / 95 / 83 / 39

HEX #9C081A

RGB 156 8 26

HSL 352.7, 0.9%, 0.32%

LAB 32.52, 54.83, 34.13

 

CMYK 0 / 100 / 95 / 45

HEX #8B0007

RGB 139 0 7

HSL 356.98, 1%, 0.27%

LAB 28.13, 51.12, 38.48

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 0 / 69 / 70 / 19

HEX #CF413F

RGB 207 65 63

HSL 0.83, 0.6%, 0.53%

LAB 48.77, 55.57, 33.26

 

CMYK 0 / 57 / 70 / 19

HEX #CF593F

RGB 207 89 63

HSL 10.83, 0.6%, 0.53%

LAB 52.7, 45.09, 37.87

 

CMYK 0 / 45 / 70 / 19

HEX #CF713F

RGB 207 113 63

HSL 20.83, 0.6%, 0.53%

LAB 57.5, 32.97, 43.31

 

CMYK 0 / 34 / 70 / 19

HEX #CF893F

RGB 207 137 63

HSL 30.83, 0.6%, 0.53%

LAB 62.94, 20.07, 49.27

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 0 / 67 / 67 / 99

HEX #030101

RGB 3 1 1

HSL 0, 0.5%, 0.01%

LAB 0.39, 0.52, 0.18

 

CMYK 0 / 70 / 59 / 79

HEX #361016

RGB 54 16 22

HSL 350.53, 0.54%, 0.14%

LAB 10.65, 19.66, 5.55

 

CMYK 0 / 70 / 60 / 59

HEX #691F2A

RGB 105 31 42

HSL 351.08, 0.54%, 0.27%

LAB 24.16, 33.78, 11.38

 

CMYK 0 / 70 / 60 / 39

HEX #9C2F3F

RGB 156 47 63

HSL 351.19, 0.54%, 0.4%

LAB 36.85, 46.07, 16.29

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 4 / 0 / 70 / 19

HEX #C7CF3F

RGB 199 207 63

HSL 63.33, 0.6%, 0.53%

LAB 80.25, -20.15, 66.8

 

CMYK 70 / 31 / 0 / 19

HEX #3F8ECF

RGB 63 142 207

HSL 207.08, 0.6%, 0.53%

LAB 56.99, -3.08, -40.49

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 59 / 0 / 70 / 19

HEX #54CF3F

RGB 84 207 63

HSL 111.25, 0.6%, 0.53%

LAB 74.11, -60.25, 58.59

 

CMYK 70 / 59 / 0 / 19

HEX #3F54CF

RGB 63 84 207

HSL 231.25, 0.6%, 0.53%

LAB 41.06, 32.88, -66.01

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 4 / 0 / 70 / 19

HEX #C7CF3F

RGB 199 207 63

HSL 63.33, 0.6%, 0.53%

LAB 80.25, -20.15, 66.8

 

CMYK 70 / 0 / 11 / 19

HEX #3FCFB9

RGB 63 207 185

HSL 170.83, 0.6%, 0.53%

LAB 75.57, -42.84, -0.09

 

CMYK 66 / 70 / 0 / 19

HEX #463FCF

RGB 70 63 207

HSL 242.92, 0.6%, 0.53%

LAB 36.67, 46.52, -73.17

 

CMYK 0 / 70 / 60 / 19

HEX #CF3E53

RGB 207 62 83

HSL 351.31, 0.6%, 0.53%

LAB 48.68, 57.88, 21.28

 

CMYK 25 / 0 / 70 / 19

HEX #9CCF3F

RGB 156 207 63

HSL 81.25, 0.6%, 0.53%

LAB 77.31, -37.39, 62.9

 

CMYK 70 / 0 / 11 / 19

HEX #3FCFB9

RGB 63 207 185

HSL 170.83, 0.6%, 0.53%

LAB 75.57, -42.84, -0.09

 

CMYK 45 / 70 / 0 / 19

HEX #713FCF

RGB 113 63 207

HSL 260.83, 0.6%, 0.53%

LAB 40.53, 53.01, -66.71

 

Description

Color code: HEX #CF3E53 | qconv.com Color code: HEX #CF3E53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 62 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 62 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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