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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF2FF4 it is the complementary color #30D00B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF2FF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF2FF4 shade: #D42FEF, #E541FF, #F653FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF2FF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF2FF4 shade: #CF2FF4, #BE1DE1, #AD0BCE, #9C00BB and #8B00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF2FF4 shade: #CE2EF4, #F42EE3, #F42EAE, #F42E79 and #F42E44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF2FF4 shade: #CE2EF4, #992EF4, #642EF4, #2F2EF4 and #2E2EF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF2FF4 shade matches the following richer shades: #CE2EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF2FF4 shade: #CE2EF4, #C340E2, #B852D0, #AD63BE and #A275AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF2FF4 shade: #632EF4, #972EF4, #CC2EF4, #F42EE6 and #F42EB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF2FF4 shade: #A20AC5, #C20CEC, #CE2EF4, #D855F6 and #E17DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF2FF4 shade: #CF2FF4, #F42E2E and #2EF47D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF2FF4 shade: #CF2FF4, #F4CC2E and #2EF4CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF2FF4 shade: #CF2FF4, #F42E2E, #56F42E and #2EF4F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF2FF4 shade: #CF2FF4, #F4692E, #56F42E and #2EB8F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 81 / 0 / 4

HEX #CF2FF4

RGB 207 47 244

HSL 288.73, 0.9%, 0.57%

LAB 53.85, 83.01, -65.54

 

Complementary color

CMYK 77 / 0 / 95 / 18

HEX #30D00B

RGB 48 208 11

HSL 108.73, 0.9%, 0.43%

LAB 73.39, -70.01, 70.73

 

CMYK 11 / 80 / 0 / 6

HEX #D42FEF

RGB 212 47 239

HSL 291.56, 0.86%, 0.56%

LAB 54.3, 83.02, -61.96

 

CMYK 10 / 75 / 0 / 0

HEX #E541FF

RGB 229 65 255

HSL 291.79, 1%, 0.63%

LAB 59.58, 83.83, -62.26

 

CMYK 4 / 67 / 0 / 0

HEX #F653FF

RGB 246 83 255

HSL 296.86, 1%, 0.66%

LAB 64.16, 81.36, -54.8

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 15 / 81 / 0 / 4

HEX #CF2FF4

RGB 207 47 244

HSL 288.73, 0.9%, 0.57%

LAB 53.85, 83.01, -65.54

 

CMYK 16 / 87 / 0 / 12

HEX #BE1DE1

RGB 190 29 225

HSL 289.29, 0.77%, 0.5%

LAB 48.59, 80.89, -63.45

 

CMYK 16 / 95 / 0 / 19

HEX #AD0BCE

RGB 173 11 206

HSL 289.85, 0.9%, 0.43%

LAB 43.62, 77.64, -60.72

 

CMYK 17 / 100 / 0 / 27

HEX #9C00BB

RGB 156 0 187

HSL 290.05, 1%, 0.37%

LAB 38.99, 73.08, -57.26

 

CMYK 17 / 100 / 0 / 34

HEX #8B00A8

RGB 139 0 168

HSL 289.64, 1%, 0.33%

LAB 34.63, 67.37, -53.16

 

CMYK 16 / 81 / 0 / 4

HEX #CE2EF4

RGB 206 46 244

HSL 288.48, 0.9%, 0.57%

LAB 53.61, 83.09, -65.93

 

CMYK 0 / 81 / 7 / 4

HEX #F42EE3

RGB 244 46 227

HSL 305.15, 0.9%, 0.57%

LAB 58.73, 87.24, -47.86

 

CMYK 0 / 81 / 29 / 4

HEX #F42EAE

RGB 244 46 174

HSL 321.21, 0.9%, 0.57%

LAB 56.33, 80.58, -21.23

 

CMYK 0 / 81 / 50 / 4

HEX #F42E79

RGB 244 46 121

HSL 337.27, 0.9%, 0.57%

LAB 54.62, 75.63, 7.61

 

CMYK 0 / 81 / 72 / 4

HEX #F42E44

RGB 244 46 68

HSL 353.33, 0.9%, 0.57%

LAB 53.6, 72.57, 37.78

 

CMYK 16 / 81 / 0 / 4

HEX #CE2EF4

RGB 206 46 244

HSL 288.48, 0.9%, 0.57%

LAB 53.61, 83.09, -65.93

 

CMYK 37 / 81 / 0 / 4

HEX #992EF4

RGB 153 46 244

HSL 272.42, 0.9%, 0.57%

LAB 45.99, 74.92, -78.67

 

CMYK 59 / 81 / 0 / 4

HEX #642EF4

RGB 100 46 244

HSL 256.36, 0.9%, 0.57%

LAB 39.91, 68.61, -88.88

 

CMYK 81 / 81 / 0 / 4

HEX #2F2EF4

RGB 47 46 244

HSL 240.3, 0.9%, 0.57%

LAB 36.16, 64.84, -95.21

 

CMYK 81 / 81 / 0 / 4

HEX #2E2EF4

RGB 46 46 244

HSL 240, 0.9%, 0.57%

LAB 36.11, 64.79, -95.29

 

CMYK 16 / 81 / 0 / 4

HEX #CE2EF4

RGB 206 46 244

HSL 288.48, 0.9%, 0.57%

LAB 53.61, 83.09, -65.93

 

CMYK 16 / 81 / 0 / 4

HEX #CE2EF4

RGB 206 46 244

HSL 288.48, 0.9%, 0.57%

LAB 53.61, 83.09, -65.93

 

CMYK 14 / 72 / 0 / 11

HEX #C340E2

RGB 195 64 226

HSL 288.52, 0.74%, 0.57%

LAB 52.69, 72.5, -57.38

 

CMYK 12 / 61 / 0 / 18

HEX #B852D0

RGB 184 82 208

HSL 288.57, 0.57%, 0.57%

LAB 52.71, 59.38, -47.21

 

CMYK 9 / 48 / 0 / 25

HEX #AD63BE

RGB 173 99 190

HSL 288.79, 0.41%, 0.57%

LAB 53.52, 44.48, -35.7

 

CMYK 6 / 32 / 0 / 32

HEX #A275AD

RGB 162 117 173

HSL 288.21, 0.25%, 0.57%

LAB 55.5, 27.64, -22.93

 

CMYK 59 / 81 / 0 / 4

HEX #632EF4

RGB 99 46 244

HSL 256.06, 0.9%, 0.57%

LAB 39.81, 68.51, -89.04

 

CMYK 38 / 81 / 0 / 4

HEX #972EF4

RGB 151 46 244

HSL 271.82, 0.9%, 0.57%

LAB 45.72, 74.64, -79.11

 

CMYK 16 / 81 / 0 / 4

HEX #CC2EF4

RGB 204 46 244

HSL 287.88, 0.9%, 0.57%

LAB 53.3, 82.75, -66.44

 

CMYK 0 / 81 / 6 / 4

HEX #F42EE6

RGB 244 46 230

HSL 304.24, 0.9%, 0.57%

LAB 58.88, 87.66, -49.3

 

CMYK 0 / 81 / 27 / 4

HEX #F42EB2

RGB 244 46 178

HSL 320, 0.9%, 0.57%

LAB 56.49, 81.03, -23.32

 

CMYK 18 / 95 / 0 / 23

HEX #A20AC5

RGB 162 10 197

HSL 288.77, 0.9%, 0.41%

LAB 41.1, 74.59, -59.66

 

CMYK 18 / 95 / 0 / 7

HEX #C20CEC

RGB 194 12 236

HSL 288.75, 0.9%, 0.49%

LAB 49.24, 85.58, -68.6

 

CMYK 16 / 81 / 0 / 4

HEX #CE2EF4

RGB 206 46 244

HSL 288.48, 0.9%, 0.57%

LAB 53.61, 83.09, -65.93

 

CMYK 12 / 65 / 0 / 4

HEX #D855F6

RGB 216 85 246

HSL 288.82, 0.9%, 0.65%

LAB 59.66, 72.6, -57.25

 

CMYK 9 / 50 / 0 / 3

HEX #E17DF8

RGB 225 125 248

HSL 288.78, 0.9%, 0.73%

LAB 67.61, 57.07, -45.68

 

CMYK 15 / 81 / 0 / 4

HEX #CF2FF4

RGB 207 47 244

HSL 288.73, 0.9%, 0.57%

LAB 53.85, 83.01, -65.54

 

CMYK 0 / 81 / 81 / 4

HEX #F42E2E

RGB 244 46 46

HSL 0, 0.9%, 0.57%

LAB 53.37, 71.84, 49.6

 

CMYK 81 / 0 / 49 / 4

HEX #2EF47D

RGB 46 244 125

HSL 143.94, 0.9%, 0.57%

LAB 85.38, -71.33, 44.18

 

CMYK 15 / 81 / 0 / 4

HEX #CF2FF4

RGB 207 47 244

HSL 288.73, 0.9%, 0.57%

LAB 53.85, 83.01, -65.54

 

CMYK 0 / 16 / 81 / 4

HEX #F4CC2E

RGB 244 204 46

HSL 47.88, 0.9%, 0.57%

LAB 83.24, -0.29, 76.45

 

CMYK 81 / 0 / 16 / 4

HEX #2EF4CC

RGB 46 244 204

HSL 167.88, 0.9%, 0.57%

LAB 86.82, -55.3, 6.13

 

CMYK 15 / 81 / 0 / 4

HEX #CF2FF4

RGB 207 47 244

HSL 288.73, 0.9%, 0.57%

LAB 53.85, 83.01, -65.54

 

CMYK 0 / 81 / 81 / 4

HEX #F42E2E

RGB 244 46 46

HSL 0, 0.9%, 0.57%

LAB 53.37, 71.84, 49.6

 

CMYK 65 / 0 / 81 / 4

HEX #56F42E

RGB 86 244 46

HSL 107.88, 0.9%, 0.57%

LAB 85.44, -73.22, 75.02

 

CMYK 81 / 0 / 0 / 4

HEX #2EF4F4

RGB 46 244 244

HSL 180, 0.9%, 0.57%

LAB 87.88, -44.65, -13.22

 

CMYK 15 / 81 / 0 / 4

HEX #CF2FF4

RGB 207 47 244

HSL 288.73, 0.9%, 0.57%

LAB 53.85, 83.01, -65.54

 

CMYK 0 / 57 / 81 / 4

HEX #F4692E

RGB 244 105 46

HSL 17.88, 0.9%, 0.57%

LAB 61.25, 50.43, 56.97

 

CMYK 65 / 0 / 81 / 4

HEX #56F42E

RGB 86 244 46

HSL 107.88, 0.9%, 0.57%

LAB 85.44, -73.22, 75.02

 

CMYK 81 / 25 / 0 / 4

HEX #2EB8F4

RGB 46 184 244

HSL 198.18, 0.9%, 0.57%

LAB 70.45, -15.63, -39.86

 

Description

Color code: HEX #CF2FF4 | qconv.com Color code: HEX #CF2FF4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 47 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 47 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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