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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF1AFB it is the complementary color #30E504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF1AFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF1AFB shade: #D41AF6, #E52CFF, #F63EFF, #FF50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF1AFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF1AFB shade: #CF1AFB, #BE08E8, #AD00D5, #9C00C2 and #8B00AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF1AFB shade: #CF18FB, #FB18EB, #FB18AD, #FB1870 and #FB1833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF1AFB shade: #CF18FB, #9218FB, #5418FB and #1818FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF1AFB shade matches the following richer shades: #CF18FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF1AFB shade: #CF18FB, #C32BE9, #B83ED6, #AC51C3 and #A164B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF1AFB shade: #5518FB, #9118FB, #CE18FB, #FB18EC and #FB18B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF1AFB shade: #9903BE, #BA04E7, #CF18FB, #D741FC and #E069FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF1AFB shade: #CF1AFB, #FB1818 and #18FB73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF1AFB shade: #CF1AFB, #FBCE18 and #18FBCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF1AFB shade: #CF1AFB, #FB1818, #45FB18 and #18FBFB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF1AFB shade: #CF1AFB, #FB5C18, #45FB18 and #18B7FB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 90 / 0 / 2

HEX #CF1AFB

RGB 207 26 251

HSL 288.27, 0.97%, 0.54%

LAB 52.92, 88.31, -70.95

 

Complementary color

CMYK 79 / 0 / 98 / 10

HEX #30E504

RGB 48 229 4

HSL 108.27, 0.97%, 0.46%

LAB 80, -76.17, 76.77

 

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

CMYK 10 / 83 / 0 / 0

HEX #E52CFF

RGB 229 44 255

HSL 292.61, 1%, 0.59%

LAB 57.73, 89.19, -65.23

 

CMYK 4 / 76 / 0 / 0

HEX #F63EFF

RGB 246 62 255

HSL 297.2, 1%, 0.62%

LAB 61.88, 87.88, -58.44

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 18 / 90 / 0 / 2

HEX #CF1AFB

RGB 207 26 251

HSL 288.27, 0.97%, 0.54%

LAB 52.92, 88.31, -70.95

 

CMYK 18 / 97 / 0 / 9

HEX #BE08E8

RGB 190 8 232

HSL 288.75, 0.93%, 0.47%

LAB 48.19, 84.69, -68.06

 

CMYK 19 / 100 / 0 / 16

HEX #AD00D5

RGB 173 0 213

HSL 288.73, 1%, 0.42%

LAB 43.78, 79.86, -64.51

 

CMYK 20 / 100 / 0 / 24

HEX #9C00C2

RGB 156 0 194

HSL 288.25, 1%, 0.38%

LAB 39.52, 74.29, -60.53

 

CMYK 21 / 100 / 0 / 31

HEX #8B00AF

RGB 139 0 175

HSL 287.66, 1%, 0.34%

LAB 35.17, 68.6, -56.49

 

CMYK 18 / 90 / 0 / 2

HEX #CF18FB

RGB 207 24 251

HSL 288.37, 0.97%, 0.54%

LAB 52.82, 88.59, -71.11

 

CMYK 0 / 90 / 6 / 2

HEX #FB18EB

RGB 251 24 235

HSL 304.23, 0.97%, 0.54%

LAB 59.12, 93.12, -51.65

 

CMYK 0 / 90 / 31 / 2

HEX #FB18AD

RGB 251 24 173

HSL 320.62, 0.97%, 0.54%

LAB 56.27, 85.71, -20.63

 

CMYK 0 / 90 / 55 / 2

HEX #FB1870

RGB 251 24 112

HSL 336.74, 0.97%, 0.54%

LAB 54.38, 80.59, 12.87

 

CMYK 0 / 90 / 80 / 2

HEX #FB1833

RGB 251 24 51

HSL 352.86, 0.97%, 0.54%

LAB 53.39, 77.81, 47.46

 

CMYK 18 / 90 / 0 / 2

HEX #CF18FB

RGB 207 24 251

HSL 288.37, 0.97%, 0.54%

LAB 52.82, 88.59, -71.11

 

CMYK 42 / 90 / 0 / 2

HEX #9218FB

RGB 146 24 251

HSL 272.25, 0.97%, 0.54%

LAB 43.84, 80.95, -86.15

 

CMYK 67 / 90 / 0 / 2

HEX #5418FB

RGB 84 24 251

HSL 255.86, 0.97%, 0.54%

LAB 36.94, 75.99, -97.79

 

CMYK 90 / 90 / 0 / 2

HEX #1818FB

RGB 24 24 251

HSL 240, 0.97%, 0.54%

LAB 33.59, 74, -103.46

 

CMYK 18 / 90 / 0 / 2

HEX #CF18FB

RGB 207 24 251

HSL 288.37, 0.97%, 0.54%

LAB 52.82, 88.59, -71.11

 

CMYK 18 / 90 / 0 / 2

HEX #CF18FB

RGB 207 24 251

HSL 288.37, 0.97%, 0.54%

LAB 52.82, 88.59, -71.11

 

CMYK 16 / 82 / 0 / 9

HEX #C32BE9

RGB 195 43 233

HSL 288, 0.81%, 0.54%

LAB 50.94, 80.08, -64.15

 

CMYK 14 / 71 / 0 / 16

HEX #B83ED6

RGB 184 62 214

HSL 288.16, 0.65%, 0.54%

LAB 50.09, 68.78, -54.82

 

CMYK 12 / 58 / 0 / 24

HEX #AC51C3

RGB 172 81 195

HSL 287.89, 0.49%, 0.54%

LAB 50.21, 54.31, -43.81

 

CMYK 9 / 43 / 0 / 31

HEX #A164B0

RGB 161 100 176

HSL 288.16, 0.32%, 0.54%

LAB 51.64, 37.5, -30.65

 

CMYK 66 / 90 / 0 / 2

HEX #5518FB

RGB 85 24 251

HSL 256.12, 0.97%, 0.54%

LAB 37.02, 76.04, -97.65

 

CMYK 42 / 90 / 0 / 2

HEX #9118FB

RGB 145 24 251

HSL 271.98, 0.97%, 0.54%

LAB 43.71, 80.84, -86.37

 

CMYK 18 / 90 / 0 / 2

HEX #CE18FB

RGB 206 24 251

HSL 288.11, 0.97%, 0.54%

LAB 52.66, 88.44, -71.37

 

CMYK 0 / 90 / 6 / 2

HEX #FB18EC

RGB 251 24 236

HSL 303.96, 0.97%, 0.54%

LAB 59.18, 93.25, -52.12

 

CMYK 0 / 90 / 30 / 2

HEX #FB18B0

RGB 251 24 176

HSL 319.82, 0.97%, 0.54%

LAB 56.38, 86.02, -22.2

 

CMYK 19 / 98 / 0 / 25

HEX #9903BE

RGB 153 3 190

HSL 288.13, 0.97%, 0.38%

LAB 38.82, 72.84, -59.34

 

CMYK 19 / 98 / 0 / 9

HEX #BA04E7

RGB 186 4 231

HSL 288.11, 0.97%, 0.46%

LAB 47.36, 84.31, -68.88

 

CMYK 18 / 90 / 0 / 2

HEX #CF18FB

RGB 207 24 251

HSL 288.37, 0.97%, 0.54%

LAB 52.82, 88.59, -71.11

 

CMYK 15 / 74 / 0 / 1

HEX #D741FC

RGB 215 65 252

HSL 288.13, 0.97%, 0.62%

LAB 57.32, 80.69, -64.33

 

CMYK 11 / 58 / 0 / 1

HEX #E069FD

RGB 224 105 253

HSL 288.24, 0.97%, 0.7%

LAB 64.2, 67.22, -53.83

 

CMYK 18 / 90 / 0 / 2

HEX #CF1AFB

RGB 207 26 251

HSL 288.27, 0.97%, 0.54%

LAB 52.92, 88.31, -70.95

 

CMYK 0 / 90 / 90 / 2

HEX #FB1818

RGB 251 24 24

HSL 0, 0.97%, 0.54%

LAB 53.2, 77.28, 60

 

CMYK 90 / 0 / 54 / 2

HEX #18FB73

RGB 24 251 115

HSL 144.05, 0.97%, 0.54%

LAB 87.21, -76.61, 51.04

 

CMYK 18 / 90 / 0 / 2

HEX #CF1AFB

RGB 207 26 251

HSL 288.27, 0.97%, 0.54%

LAB 52.92, 88.31, -70.95

 

CMYK 0 / 18 / 90 / 2

HEX #FBCE18

RGB 251 206 24

HSL 48.11, 0.97%, 0.54%

LAB 84.34, 1.19, 82.5

 

CMYK 90 / 0 / 18 / 2

HEX #18FBCE

RGB 24 251 206

HSL 168.11, 0.97%, 0.54%

LAB 88.75, -58.92, 7.85

 

CMYK 18 / 90 / 0 / 2

HEX #CF1AFB

RGB 207 26 251

HSL 288.27, 0.97%, 0.54%

LAB 52.92, 88.31, -70.95

 

CMYK 0 / 90 / 90 / 2

HEX #FB1818

RGB 251 24 24

HSL 0, 0.97%, 0.54%

LAB 53.2, 77.28, 60

 

CMYK 73 / 0 / 90 / 2

HEX #45FB18

RGB 69 251 24

HSL 108.11, 0.97%, 0.54%

LAB 87.16, -79.17, 80.7

 

CMYK 90 / 0 / 0 / 2

HEX #18FBFB

RGB 24 251 251

HSL 180, 0.97%, 0.54%

LAB 89.93, -46.91, -13.83

 

CMYK 18 / 90 / 0 / 2

HEX #CF1AFB

RGB 207 26 251

HSL 288.27, 0.97%, 0.54%

LAB 52.92, 88.31, -70.95

 

CMYK 0 / 63 / 90 / 2

HEX #FB5C18

RGB 251 92 24

HSL 17.97, 0.97%, 0.54%

LAB 60.1, 58.13, 64.68

 

CMYK 73 / 0 / 90 / 2

HEX #45FB18

RGB 69 251 24

HSL 108.11, 0.97%, 0.54%

LAB 87.16, -79.17, 80.7

 

CMYK 90 / 27 / 0 / 2

HEX #18B7FB

RGB 24 183 251

HSL 197.97, 0.97%, 0.54%

LAB 70.19, -14.09, -44.07

 

Description

Color code: HEX #CF1AFB | qconv.com Color code: HEX #CF1AFB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 26 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 26 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 90 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 90% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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