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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 26 246 it is the complementary color RGB 43 229 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 26 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 26 246 shade: RGB 217 26 241, RGB 234 44 255, RGB 251 62 255, RGB 255 80 255 and RGB 255 98 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 26 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 26 246 shade: RGB 212 26 246, RGB 195 8 227, RGB 178 0 208, RGB 161 0 189 and RGB 144 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 26 246 shade: RGB 211 25 245, RGB 245 25 220, RGB 245 25 161, RGB 245 25 101 and RGB 245 25 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 26 246 shade: RGB 211 25 245, RGB 152 25 245, RGB 92 25 245, RGB 33 25 245 and RGB 25 25 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 26 246 shade matches the following richer shades: RGB 211 25 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 26 246 shade: RGB 211 25 245, RGB 198 44 226, RGB 185 64 207, RGB 171 83 187 and RGB 158 102 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 26 246 shade: RGB 91 25 245, RGB 150 25 245, RGB 209 25 245, RGB 245 25 223 and RGB 245 25 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 26 246 shade: RGB 154 8 180, RGB 187 9 220, RGB 211 25 245, RGB 219 64 247 and RGB 226 104 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 26 246 shade: RGB 212 26 246, RGB 245 32 25 and RGB 25 245 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 26 246 shade: RGB 212 26 246, RGB 245 209 25 and RGB 25 245 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 26 246 shade: RGB 212 26 246, RGB 245 32 25, RGB 62 245 25 and RGB 25 238 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 26 246 shade: RGB 212 26 246, RGB 245 98 25, RGB 62 245 25 and RGB 25 172 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

Complementary color

CMYK 81 / 0 / 96 / 10

HEX #2BE509

RGB 43 229 9

HSL 110.73, 0.92%, 0.47%

LAB 79.94, -76.67, 76.25

 

CMYK 10 / 89 / 0 / 5

HEX #D91AF1

RGB 217 26 241

HSL 293.3, 0.88%, 0.52%

LAB 53.86, 88.19, -63.76

 

CMYK 8 / 83 / 0 / 0

HEX #EA2CFF

RGB 234 44 255

HSL 294.03, 1%, 0.59%

LAB 58.52, 90.03, -63.92

 

CMYK 2 / 76 / 0 / 0

HEX #FB3EFF

RGB 251 62 255

HSL 298.76, 1%, 0.62%

LAB 62.65, 88.83, -57.15

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

CMYK 14 / 96 / 0 / 11

HEX #C308E3

RGB 195 8 227

HSL 291.23, 0.93%, 0.46%

LAB 48.66, 84.57, -64.43

 

CMYK 14 / 100 / 0 / 18

HEX #B200D0

RGB 178 0 208

HSL 291.35, 1%, 0.41%

LAB 44.26, 79.72, -60.81

 

CMYK 15 / 100 / 0 / 26

HEX #A100BD

RGB 161 0 189

HSL 291.11, 1%, 0.37%

LAB 40, 74.14, -56.77

 

CMYK 15 / 100 / 0 / 33

HEX #9000AA

RGB 144 0 170

HSL 290.82, 1%, 0.33%

LAB 35.66, 68.44, -52.66

 

CMYK 14 / 90 / 0 / 4

HEX #D319F5

RGB 211 25 245

HSL 290.73, 0.92%, 0.53%

LAB 53.1, 88.05, -67.28

 

CMYK 0 / 90 / 10 / 4

HEX #F519DC

RGB 245 25 220

HSL 306.82, 0.92%, 0.53%

LAB 57.34, 89.96, -46.08

 

CMYK 0 / 90 / 34 / 4

HEX #F519A1

RGB 245 25 161

HSL 322.91, 0.92%, 0.53%

LAB 54.74, 83.14, -16.01

 

CMYK 0 / 90 / 59 / 4

HEX #F51965

RGB 245 25 101

HSL 339.27, 0.92%, 0.53%

LAB 53, 78.37, 17.43

 

CMYK 0 / 90 / 83 / 4

HEX #F5192A

RGB 245 25 42

HSL 355.36, 0.92%, 0.53%

LAB 52.15, 75.96, 50.57

 

CMYK 14 / 90 / 0 / 4

HEX #D319F5

RGB 211 25 245

HSL 290.73, 0.92%, 0.53%

LAB 53.1, 88.05, -67.28

 

CMYK 38 / 90 / 0 / 4

HEX #9819F5

RGB 152 25 245

HSL 274.64, 0.92%, 0.53%

LAB 44.18, 80.19, -82.19

 

CMYK 62 / 90 / 0 / 4

HEX #5C19F5

RGB 92 25 245

HSL 258.27, 0.92%, 0.53%

LAB 37.05, 74.78, -94.21

 

CMYK 87 / 90 / 0 / 4

HEX #2119F5

RGB 33 25 245

HSL 242.18, 0.92%, 0.53%

LAB 33.16, 72.32, -100.78

 

CMYK 90 / 90 / 0 / 4

HEX #1919F5

RGB 25 25 245

HSL 240, 0.92%, 0.53%

LAB 32.91, 72.17, -101.21

 

CMYK 14 / 90 / 0 / 4

HEX #D319F5

RGB 211 25 245

HSL 290.73, 0.92%, 0.53%

LAB 53.1, 88.05, -67.28

 

CMYK 14 / 90 / 0 / 4

HEX #D319F5

RGB 211 25 245

HSL 290.73, 0.92%, 0.53%

LAB 53.1, 88.05, -67.28

 

CMYK 12 / 81 / 0 / 11

HEX #C62CE2

RGB 198 44 226

HSL 290.77, 0.76%, 0.53%

LAB 51.03, 79.13, -60.01

 

CMYK 11 / 69 / 0 / 19

HEX #B940CF

RGB 185 64 207

HSL 290.77, 0.6%, 0.53%

LAB 50.08, 66.96, -50.81

 

CMYK 9 / 56 / 0 / 27

HEX #AB53BB

RGB 171 83 187

HSL 290.77, 0.43%, 0.53%

LAB 50.02, 51.5, -39.5

 

CMYK 6 / 39 / 0 / 34

HEX #9E66A8

RGB 158 102 168

HSL 290.91, 0.28%, 0.53%

LAB 51.38, 33.81, -26.42

 

CMYK 63 / 90 / 0 / 4

HEX #5B19F5

RGB 91 25 245

HSL 258, 0.92%, 0.53%

LAB 36.95, 74.72, -94.37

 

CMYK 39 / 90 / 0 / 4

HEX #9619F5

RGB 150 25 245

HSL 274.09, 0.92%, 0.53%

LAB 43.9, 79.97, -82.66

 

CMYK 15 / 90 / 0 / 4

HEX #D119F5

RGB 209 25 245

HSL 290.18, 0.92%, 0.53%

LAB 52.78, 87.75, -67.81

 

CMYK 0 / 90 / 9 / 4

HEX #F519DF

RGB 245 25 223

HSL 306, 0.92%, 0.53%

LAB 57.5, 90.36, -47.54

 

CMYK 0 / 90 / 33 / 4

HEX #F519A5

RGB 245 25 165

HSL 321.82, 0.92%, 0.53%

LAB 54.89, 83.54, -18.14

 

CMYK 14 / 96 / 0 / 29

HEX #9A08B4

RGB 154 8 180

HSL 290.93, 0.91%, 0.37%

LAB 38.44, 70.69, -54.03

 

CMYK 15 / 96 / 0 / 14

HEX #BB09DC

RGB 187 9 220

HSL 290.62, 0.92%, 0.45%

LAB 46.88, 82.19, -63.39

 

CMYK 14 / 90 / 0 / 4

HEX #D319F5

RGB 211 25 245

HSL 290.73, 0.92%, 0.53%

LAB 53.1, 88.05, -67.28

 

CMYK 11 / 74 / 0 / 3

HEX #DB40F7

RGB 219 64 247

HSL 290.82, 0.92%, 0.61%

LAB 57.5, 80.89, -61.23

 

CMYK 9 / 58 / 0 / 2

HEX #E268F9

RGB 226 104 249

HSL 290.48, 0.92%, 0.69%

LAB 64.09, 67.41, -51.79

 

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

CMYK 0 / 87 / 90 / 4

HEX #F52019

RGB 245 32 25

HSL 1.91, 0.92%, 0.53%

LAB 52.42, 74.57, 58.52

 

CMYK 90 / 0 / 51 / 4

HEX #19F578

RGB 25 245 120

HSL 145.91, 0.92%, 0.53%

LAB 85.44, -73.99, 46.57

 

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

CMYK 0 / 15 / 90 / 4

HEX #F5D119

RGB 245 209 25

HSL 50.18, 0.92%, 0.53%

LAB 84.53, -2.89, 82.23

 

CMYK 90 / 0 / 15 / 4

HEX #19F5D1

RGB 25 245 209

HSL 170.18, 0.92%, 0.53%

LAB 87.05, -55.77, 3.83

 

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

CMYK 0 / 87 / 90 / 4

HEX #F52019

RGB 245 32 25

HSL 1.91, 0.92%, 0.53%

LAB 52.42, 74.57, 58.52

 

CMYK 75 / 0 / 90 / 4

HEX #3EF519

RGB 62 245 25

HSL 109.91, 0.92%, 0.53%

LAB 85.2, -78.46, 78.86

 

CMYK 90 / 3 / 0 / 4

HEX #19EEF5

RGB 25 238 245

HSL 181.91, 0.92%, 0.53%

LAB 85.98, -42.91, -16.61

 

CMYK 14 / 89 / 0 / 4

HEX #D41AF6

RGB 212 26 246

HSL 290.73, 0.92%, 0.53%

LAB 53.37, 88.22, -67.38

 

CMYK 0 / 60 / 90 / 4

HEX #F56219

RGB 245 98 25

HSL 19.91, 0.92%, 0.53%

LAB 60.09, 53.49, 63.92

 

CMYK 75 / 0 / 90 / 4

HEX #3EF519

RGB 62 245 25

HSL 109.91, 0.92%, 0.53%

LAB 85.2, -78.46, 78.86

 

CMYK 90 / 30 / 0 / 4

HEX #19ACF5

RGB 25 172 245

HSL 199.91, 0.92%, 0.53%

LAB 66.75, -10.18, -46.21

 

Description

Color code: RGB 212 26 246 | qconv.com Color code: RGB 212 26 246 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 26 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 26 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 89 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 89% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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