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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA694 it is the complementary color #31596B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA694 shade: #D3A68F, #E4B8A2, #F5CAB5, #FFDCC8 and #FFEEDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA694 shade: #CEA694, #BD9481, #AC826E, #9B705B and #8A5E48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA694 shade: #CDA593, #CD9593 and #CD9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA694 shade: #CDA593, #CDB593, #CDC493, #C6CD93 and #B6CD93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA694 shade matches the following richer shades: #CDA593, #DAA086, #E79B79 and #F4966C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA694 shade: #CDA593, #C0AA9F, #B4AFAC, #A7B3B9 and #9AB8C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA694 shade: #CD93A0, #CD9593, #CDA493, #CDB493 and #CDC393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA694 shade: #B3765A, #C08D76, #CDA593, #DABCAF and #E7D4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA694 shade: #CEA694, #B0CD93 and #9399CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA694 shade: #CEA694, #93CDA4 and #A493CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA694 shade: #CEA694, #B0CD93, #93BCCD and #B093CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA694 shade: #CEA694, #9ECD93, #93BCCD and #C193CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 28 / 19

HEX #CEA694

RGB 206 166 148

HSL 18.62, 0.37%, 0.69%

LAB 71.24, 12.04, 14.87

 

Complementary color

CMYK 54 / 17 / 0 / 58

HEX #31596B

RGB 49 89 107

HSL 198.62, 0.37%, 0.31%

LAB 35.71, -8.51, -14.65

 

CMYK 0 / 21 / 32 / 17

HEX #D3A68F

RGB 211 166 143

HSL 20.29, 0.44%, 0.69%

LAB 71.63, 13.32, 18.23

 

CMYK 0 / 19 / 29 / 11

HEX #E4B8A2

RGB 228 184 162

HSL 20, 0.55%, 0.76%

LAB 78.1, 12.7, 17.17

 

CMYK 0 / 18 / 26 / 4

HEX #F5CAB5

RGB 245 202 181

HSL 19.69, 0.76%, 0.84%

LAB 84.48, 12.15, 16.19

 

CMYK 0 / 14 / 22 / 0

HEX #FFDCC8

RGB 255 220 200

HSL 21.82, 1%, 0.89%

LAB 90.14, 9.11, 14.3

 

CMYK 0 / 7 / 14 / 0

HEX #FFEEDB

RGB 255 238 219

HSL 31.67, 1%, 0.93%

LAB 94.96, 2.69, 11.25

 

CMYK 0 / 19 / 28 / 19

HEX #CEA694

RGB 206 166 148

HSL 18.62, 0.37%, 0.69%

LAB 71.24, 12.04, 14.87

 

CMYK 0 / 22 / 32 / 26

HEX #BD9481

RGB 189 148 129

HSL 19, 0.31%, 0.62%

LAB 64.63, 12.67, 15.94

 

CMYK 0 / 24 / 36 / 33

HEX #AC826E

RGB 172 130 110

HSL 19.35, 0.27%, 0.55%

LAB 57.91, 13.38, 17.1

 

CMYK 0 / 28 / 41 / 39

HEX #9B705B

RGB 155 112 91

HSL 19.69, 0.26%, 0.48%

LAB 51.05, 14.22, 18.38

 

CMYK 0 / 32 / 48 / 46

HEX #8A5E48

RGB 138 94 72

HSL 20, 0.31%, 0.41%

LAB 44.06, 15.21, 19.83

 

CMYK 0 / 20 / 28 / 20

HEX #CDA593

RGB 205 165 147

HSL 18.62, 0.37%, 0.69%

LAB 70.87, 12.06, 14.89

 

CMYK 0 / 27 / 28 / 20

HEX #CD9593

RGB 205 149 147

HSL 2.07, 0.37%, 0.69%

LAB 66.96, 20.78, 9.38

 

CMYK 0 / 28 / 28 / 20

HEX #CD9393

RGB 205 147 147

HSL 0, 0.37%, 0.69%

LAB 66.48, 21.88, 8.71

 

CMYK 0 / 20 / 28 / 20

HEX #CDA593

RGB 205 165 147

HSL 18.62, 0.37%, 0.69%

LAB 70.87, 12.06, 14.89

 

CMYK 0 / 12 / 28 / 20

HEX #CDB593

RGB 205 181 147

HSL 35.17, 0.37%, 0.69%

LAB 74.91, 3.45, 20.5

 

CMYK 0 / 4 / 28 / 20

HEX #CDC493

RGB 205 196 147

HSL 50.69, 0.37%, 0.69%

LAB 78.79, -4.46, 25.79

 

CMYK 3 / 0 / 28 / 20

HEX #C6CD93

RGB 198 205 147

HSL 67.24, 0.37%, 0.69%

LAB 80.61, -11.77, 28.15

 

CMYK 11 / 0 / 28 / 20

HEX #B6CD93

RGB 182 205 147

HSL 83.79, 0.37%, 0.69%

LAB 79.45, -17.76, 26.39

 

CMYK 0 / 20 / 28 / 20

HEX #CDA593

RGB 205 165 147

HSL 18.62, 0.37%, 0.69%

LAB 70.87, 12.06, 14.89

 

CMYK 0 / 27 / 39 / 15

HEX #DAA086

RGB 218 160 134

HSL 18.57, 0.53%, 0.69%

LAB 70.71, 18.2, 22.01

 

CMYK 0 / 33 / 48 / 9

HEX #E79B79

RGB 231 155 121

HSL 18.55, 0.7%, 0.69%

LAB 70.74, 24.64, 29.38

 

CMYK 0 / 39 / 56 / 4

HEX #F4966C

RGB 244 150 108

HSL 18.53, 0.86%, 0.69%

LAB 70.96, 31.27, 36.94

 

CMYK 0 / 20 / 28 / 20

HEX #CDA593

RGB 205 165 147

HSL 18.62, 0.37%, 0.69%

LAB 70.87, 12.06, 14.89

 

CMYK 0 / 11 / 17 / 25

HEX #C0AA9F

RGB 192 170 159

HSL 20, 0.21%, 0.69%

LAB 71.19, 6.15, 8.57

 

CMYK 0 / 3 / 4 / 29

HEX #B4AFAC

RGB 180 175 172

HSL 22.5, 0.05%, 0.69%

LAB 71.79, 1.23, 2.16

 

CMYK 10 / 3 / 0 / 27

HEX #A7B3B9

RGB 167 179 185

HSL 200, 0.11%, 0.69%

LAB 72.2, -2.96, -4.49

 

CMYK 22 / 7 / 0 / 22

HEX #9AB8C6

RGB 154 184 198

HSL 199.09, 0.28%, 0.69%

LAB 73.04, -7.06, -10.46

 

CMYK 0 / 28 / 22 / 20

HEX #CD93A0

RGB 205 147 160

HSL 346.55, 0.37%, 0.69%

LAB 66.81, 23.75, 1.88

 

CMYK 0 / 27 / 28 / 20

HEX #CD9593

RGB 205 149 147

HSL 2.07, 0.37%, 0.69%

LAB 66.96, 20.78, 9.38

 

CMYK 0 / 20 / 28 / 20

HEX #CDA493

RGB 205 164 147

HSL 17.59, 0.37%, 0.69%

LAB 70.62, 12.6, 14.55

 

CMYK 0 / 12 / 28 / 20

HEX #CDB493

RGB 205 180 147

HSL 34.14, 0.37%, 0.69%

LAB 74.65, 3.98, 20.15

 

CMYK 0 / 5 / 28 / 20

HEX #CDC393

RGB 205 195 147

HSL 49.66, 0.37%, 0.69%

LAB 78.53, -3.94, 25.44

 

CMYK 0 / 34 / 50 / 30

HEX #B3765A

RGB 179 118 90

HSL 18.88, 0.37%, 0.53%

LAB 55.36, 20.76, 25.19

 

CMYK 0 / 27 / 39 / 25

HEX #C08D76

RGB 192 141 118

HSL 18.65, 0.37%, 0.61%

LAB 62.98, 16.35, 19.87

 

CMYK 0 / 20 / 28 / 20

HEX #CDA593

RGB 205 165 147

HSL 18.62, 0.37%, 0.69%

LAB 70.87, 12.06, 14.89

 

CMYK 0 / 14 / 20 / 15

HEX #DABCAF

RGB 218 188 175

HSL 18.14, 0.37%, 0.77%

LAB 78.44, 8.65, 10.52

 

CMYK 0 / 8 / 12 / 9

HEX #E7D4CB

RGB 231 212 203

HSL 19.29, 0.37%, 0.85%

LAB 86.2, 5.09, 6.81

 

CMYK 0 / 19 / 28 / 19

HEX #CEA694

RGB 206 166 148

HSL 18.62, 0.37%, 0.69%

LAB 71.24, 12.04, 14.87

 

CMYK 14 / 0 / 28 / 20

HEX #B0CD93

RGB 176 205 147

HSL 90, 0.37%, 0.69%

LAB 79.04, -19.95, 25.76

 

CMYK 28 / 25 / 0 / 20

HEX #9399CD

RGB 147 153 205

HSL 233.79, 0.37%, 0.69%

LAB 64.48, 9.58, -27.36

 

CMYK 0 / 19 / 28 / 19

HEX #CEA694

RGB 206 166 148

HSL 18.62, 0.37%, 0.69%

LAB 71.24, 12.04, 14.87

 

CMYK 28 / 0 / 20 / 20

HEX #93CDA4

RGB 147 205 164

HSL 137.59, 0.37%, 0.69%

LAB 77.61, -27.03, 14.51

 

CMYK 20 / 28 / 0 / 20

HEX #A493CD

RGB 164 147 205

HSL 257.59, 0.37%, 0.69%

LAB 64.3, 18.2, -27.53

 

CMYK 0 / 19 / 28 / 19

HEX #CEA694

RGB 206 166 148

HSL 18.62, 0.37%, 0.69%

LAB 71.24, 12.04, 14.87

 

CMYK 14 / 0 / 28 / 20

HEX #B0CD93

RGB 176 205 147

HSL 90, 0.37%, 0.69%

LAB 79.04, -19.95, 25.76

 

CMYK 28 / 8 / 0 / 20

HEX #93BCCD

RGB 147 188 205

HSL 197.59, 0.37%, 0.69%

LAB 73.92, -9.68, -13.01

 

CMYK 14 / 28 / 0 / 20

HEX #B093CD

RGB 176 147 205

HSL 270, 0.37%, 0.69%

LAB 65.36, 21.98, -25.8

 

CMYK 0 / 19 / 28 / 19

HEX #CEA694

RGB 206 166 148

HSL 18.62, 0.37%, 0.69%

LAB 71.24, 12.04, 14.87

 

CMYK 23 / 0 / 28 / 20

HEX #9ECD93

RGB 158 205 147

HSL 108.62, 0.37%, 0.69%

LAB 77.9, -26.33, 24.02

 

CMYK 28 / 8 / 0 / 20

HEX #93BCCD

RGB 147 188 205

HSL 197.59, 0.37%, 0.69%

LAB 73.92, -9.68, -13.01

 

CMYK 6 / 28 / 0 / 20

HEX #C193CD

RGB 193 147 205

HSL 287.59, 0.37%, 0.69%

LAB 66.99, 27.46, -23.17

 

Description

Color code: HEX #CEA694 | qconv.com Color code: HEX #CEA694 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 166 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 166 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 28 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 28% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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