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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 39 / 15 it is the complementary color CMYK 69 / 21 / 0 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 39 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 39 / 15: CMYK 0 / 29 / 43 / 13, CMYK 0 / 26 / 39 / 6, CMYK 0 / 24 / 35 / 0, CMYK 0 / 17 / 28 / 0 and CMYK 0 / 10 / 20 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 39 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 39 / 15: CMYK 0 / 27 / 39 / 15, CMYK 0 / 30 / 44 / 22, CMYK 0 / 33 / 49 / 28, CMYK 0 / 37 / 55 / 35 and CMYK 0 / 42 / 62 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

Complementary color

CMYK 69 / 21 / 0 / 52

HEX #26617B

RGB 38 97 123

HSL 198.35, 0.53%, 0.32%

LAB 38.54, -10.17, -20.21

 

CMYK 0 / 29 / 43 / 13

HEX #DE9E7F

RGB 222 158 127

HSL 19.58, 0.59%, 0.68%

LAB 70.54, 20.08, 25.67

 

CMYK 0 / 26 / 39 / 6

HEX #EFB092

RGB 239 176 146

HSL 19.35, 0.74%, 0.75%

LAB 76.97, 19.22, 24.39

 

CMYK 0 / 24 / 35 / 0

HEX #FFC2A5

RGB 255 194 165

HSL 19.33, 1%, 0.82%

LAB 83.21, 18.07, 23.05

 

CMYK 0 / 17 / 28 / 0

HEX #FFD4B8

RGB 255 212 184

HSL 23.66, 1%, 0.86%

LAB 87.88, 11.06, 19.49

 

CMYK 0 / 10 / 20 / 0

HEX #FFE6CB

RGB 255 230 203

HSL 31.15, 1%, 0.9%

LAB 92.65, 4.4, 16.26

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 0 / 30 / 44 / 22

HEX #C88C71

RGB 200 140 113

HSL 18.62, 0.44%, 0.61%

LAB 63.53, 19.55, 23.55

 

CMYK 0 / 33 / 49 / 28

HEX #B77A5E

RGB 183 122 94

HSL 18.88, 0.38%, 0.54%

LAB 56.87, 20.58, 25.01

 

CMYK 0 / 37 / 55 / 35

HEX #A6684B

RGB 166 104 75

HSL 19.12, 0.38%, 0.47%

LAB 50.12, 21.76, 26.63

 

CMYK 0 / 42 / 62 / 42

HEX #955638

RGB 149 86 56

HSL 19.35, 0.45%, 0.4%

LAB 43.26, 23.14, 28.47

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 0 / 21 / 40 / 15

HEX #D8AA82

RGB 216 170 130

HSL 27.91, 0.52%, 0.68%

LAB 72.87, 11.57, 27.05

 

CMYK 0 / 15 / 40 / 15

HEX #D8B882

RGB 216 184 130

HSL 37.67, 0.52%, 0.68%

LAB 76.37, 4.1, 31.69

 

CMYK 0 / 8 / 40 / 15

HEX #D8C782

RGB 216 199 130

HSL 48.14, 0.52%, 0.68%

LAB 80.21, -3.76, 36.69

 

CMYK 0 / 1 / 40 / 15

HEX #D8D582

RGB 216 213 130

HSL 57.91, 0.52%, 0.68%

LAB 83.86, -10.91, 41.35

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 0 / 31 / 38 / 95

HEX #0D0908

RGB 13 9 8

HSL 12, 0.24%, 0.04%

LAB 2.7, 0.98, 0.77

 

CMYK 0 / 27 / 39 / 75

HEX #402F27

RGB 64 47 39

HSL 19.2, 0.24%, 0.2%

LAB 21.09, 6.42, 8.14

 

CMYK 0 / 27 / 39 / 55

HEX #735446

RGB 115 84 70

HSL 18.67, 0.24%, 0.36%

LAB 38.6, 10.85, 13.23

 

CMYK 0 / 27 / 39 / 35

HEX #A67965

RGB 166 121 101

HSL 18.46, 0.27%, 0.52%

LAB 54.78, 14.88, 17.87

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 20 / 0 / 40 / 15

HEX #ADD882

RGB 173 216 130

HSL 90, 0.52%, 0.68%

LAB 81.62, -28.75, 37.87

 

CMYK 40 / 36 / 0 / 15

HEX #828AD8

RGB 130 138 216

HSL 234.42, 0.52%, 0.68%

LAB 59.78, 16.38, -40.91

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 40 / 0 / 28 / 15

HEX #82D89C

RGB 130 216 156

HSL 138.14, 0.52%, 0.68%

LAB 79.76, -38.81, 21.61

 

CMYK 28 / 40 / 0 / 15

HEX #9C82D8

RGB 156 130 216

HSL 258.14, 0.52%, 0.68%

LAB 59.88, 28.17, -40.6

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 20 / 0 / 40 / 15

HEX #ADD882

RGB 173 216 130

HSL 90, 0.52%, 0.68%

LAB 81.62, -28.75, 37.87

 

CMYK 40 / 12 / 0 / 15

HEX #82BED8

RGB 130 190 216

HSL 198.14, 0.52%, 0.68%

LAB 73.89, -12.71, -19.13

 

CMYK 20 / 40 / 0 / 15

HEX #AD82D8

RGB 173 130 216

HSL 270, 0.52%, 0.68%

LAB 61.49, 33.08, -37.97

 

CMYK 0 / 27 / 39 / 15

HEX #D99E84

RGB 217 158 132

HSL 18.35, 0.53%, 0.68%

LAB 70.09, 18.66, 22.24

 

CMYK 32 / 0 / 40 / 15

HEX #93D882

RGB 147 216 130

HSL 108.14, 0.52%, 0.68%

LAB 80.14, -37.78, 35.66

 

CMYK 40 / 12 / 0 / 15

HEX #82BED8

RGB 130 190 216

HSL 198.14, 0.52%, 0.68%

LAB 73.89, -12.71, -19.13

 

CMYK 8 / 40 / 0 / 15

HEX #C782D8

RGB 199 130 216

HSL 288.14, 0.52%, 0.68%

LAB 64.21, 40.84, -33.52

 

Description

Color code: CMYK 0 / 27 / 39 / 15 | qconv.com Color code: CMYK 0 / 27 / 39 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 158 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 158 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 39 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 39% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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