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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEA4BF it is the complementary color #315B40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEA4BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEA4BF shade: #D3A4BA, #E4B6CD, #F5C8E0, #FFDAF3 and #FFECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEA4BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEA4BF shade: #CEA4BF, #BD92AC, #AC8099, #9B6E86 and #8A5C73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEA4BF shade: #CFA5C0, #CFA5B5, #CFA5AA and #CFA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEA4BF shade: #CFA5C0, #CFA5CB, #C7A5CF, #BCA5CF and #B1A5CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEA4BF shade matches the following richer shades: #CFA5C0, #DA9AC3, #E58FC6, #F084CA and #FB79CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEA4BF shade: #CFA5C0, #C4B1BD, #B9BCBA, #ADC7B7 and #A2D2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEA4BF shade: #C7A5CF, #CFA5CB, #CFA5C0, #CFA5B5 and #CFA5AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEA4BF shade: #B2709A, #C08BAD, #CFA5C0, #DDC0D3 and #ECDBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEA4BF shade: #CEA4BF, #CFBCA5 and #A5CFCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEA4BF shade: #CEA4BF, #C0CFA5 and #A5C0CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEA4BF shade: #CEA4BF, #CFBCA5, #A5CFB4 and #A5B8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEA4BF shade: #CEA4BF, #CFC9A5, #A5CFB4 and #A5ACCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 7 / 19

HEX #CEA4BF

RGB 206 164 191

HSL 321.43, 0.3%, 0.73%

LAB 71.85, 19.88, -7.95

 

Complementary color

CMYK 46 / 0 / 30 / 64

HEX #315B40

RGB 49 91 64

HSL 141.43, 0.3%, 0.27%

LAB 35.01, -21.54, 11.1

 

CMYK 0 / 22 / 12 / 17

HEX #D3A4BA

RGB 211 164 186

HSL 331.91, 0.35%, 0.74%

LAB 72.19, 20.79, -4.63

 

CMYK 0 / 20 / 10 / 11

HEX #E4B6CD

RGB 228 182 205

HSL 330, 0.46%, 0.8%

LAB 78.67, 20.24, -5.27

 

CMYK 0 / 18 / 9 / 4

HEX #F5C8E0

RGB 245 200 224

HSL 328, 0.69%, 0.87%

LAB 85.05, 19.74, -5.87

 

CMYK 0 / 15 / 5 / 0

HEX #FFDAF3

RGB 255 218 243

HSL 319.46, 1%, 0.93%

LAB 90.72, 16.92, -7.43

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 0 / 20 / 7 / 19

HEX #CEA4BF

RGB 206 164 191

HSL 321.43, 0.3%, 0.73%

LAB 71.85, 19.88, -7.95

 

CMYK 0 / 23 / 9 / 26

HEX #BD92AC

RGB 189 146 172

HSL 323.72, 0.25%, 0.66%

LAB 65.24, 20.44, -7.36

 

CMYK 0 / 26 / 11 / 33

HEX #AC8099

RGB 172 128 153

HSL 325.91, 0.21%, 0.59%

LAB 58.52, 21.05, -6.74

 

CMYK 0 / 29 / 14 / 39

HEX #9B6E86

RGB 155 110 134

HSL 328, 0.18%, 0.52%

LAB 51.66, 21.73, -6.06

 

CMYK 0 / 33 / 17 / 46

HEX #8A5C73

RGB 138 92 115

HSL 330, 0.2%, 0.45%

LAB 44.65, 22.48, -5.32

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 20 / 18 / 19

HEX #CFA5AA

RGB 207 165 170

HSL 352.86, 0.3%, 0.73%

LAB 71.61, 16.2, 3.3

 

CMYK 0 / 20 / 20 / 19

HEX #CFA5A5

RGB 207 165 165

HSL 0, 0.3%, 0.73%

LAB 71.48, 15.43, 5.88

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 20 / 2 / 19

HEX #CFA5CB

RGB 207 165 203

HSL 305.71, 0.3%, 0.73%

LAB 72.55, 21.84, -13.5

 

CMYK 4 / 20 / 0 / 19

HEX #C7A5CF

RGB 199 165 207

HSL 288.57, 0.3%, 0.73%

LAB 71.93, 19.9, -16.7

 

CMYK 9 / 20 / 0 / 19

HEX #BCA5CF

RGB 188 165 207

HSL 272.86, 0.3%, 0.73%

LAB 70.94, 16.25, -18.29

 

CMYK 14 / 20 / 0 / 19

HEX #B1A5CF

RGB 177 165 207

HSL 257.14, 0.3%, 0.73%

LAB 70.01, 12.66, -19.8

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 29 / 11 / 15

HEX #DA9AC3

RGB 218 154 195

HSL 321.56, 0.46%, 0.73%

LAB 70.84, 30.17, -11.53

 

CMYK 0 / 38 / 14 / 10

HEX #E58FC6

RGB 229 143 198

HSL 321.63, 0.62%, 0.73%

LAB 69.74, 40.23, -14.73

 

CMYK 0 / 45 / 16 / 6

HEX #F084CA

RGB 240 132 202

HSL 321.11, 0.78%, 0.73%

LAB 68.96, 50.05, -18

 

CMYK 0 / 52 / 18 / 2

HEX #FB79CD

RGB 251 121 205

HSL 321.23, 0.94%, 0.73%

LAB 68.45, 59.19, -20.31

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 10 / 4 / 23

HEX #C4B1BD

RGB 196 177 189

HSL 322.11, 0.14%, 0.73%

LAB 74.1, 8.92, -3.63

 

CMYK 2 / 0 / 1 / 26

HEX #B9BCBA

RGB 185 188 186

HSL 140, 0.02%, 0.73%

LAB 75.96, -1.41, 0.64

 

CMYK 13 / 0 / 8 / 22

HEX #ADC7B7

RGB 173 199 183

HSL 143.08, 0.19%, 0.73%

LAB 77.96, -11.87, 5.05

 

CMYK 23 / 0 / 15 / 18

HEX #A2D2B3

RGB 162 210 179

HSL 141.25, 0.35%, 0.73%

LAB 80.2, -21.84, 10.3

 

CMYK 4 / 20 / 0 / 19

HEX #C7A5CF

RGB 199 165 207

HSL 288.57, 0.3%, 0.73%

LAB 71.93, 19.9, -16.7

 

CMYK 0 / 20 / 2 / 19

HEX #CFA5CB

RGB 207 165 203

HSL 305.71, 0.3%, 0.73%

LAB 72.55, 21.84, -13.5

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 20 / 18 / 19

HEX #CFA5AA

RGB 207 165 170

HSL 352.86, 0.3%, 0.73%

LAB 71.61, 16.2, 3.3

 

CMYK 0 / 37 / 13 / 30

HEX #B2709A

RGB 178 112 154

HSL 321.82, 0.3%, 0.57%

LAB 55.47, 32.33, -11.8

 

CMYK 0 / 28 / 10 / 25

HEX #C08BAD

RGB 192 139 173

HSL 321.51, 0.3%, 0.65%

LAB 63.91, 25.56, -9.88

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 13 / 5 / 13

HEX #DDC0D3

RGB 221 192 211

HSL 320.69, 0.3%, 0.81%

LAB 80.61, 13.49, -5.71

 

CMYK 0 / 7 / 3 / 7

HEX #ECDBE6

RGB 236 219 230

HSL 321.18, 0.31%, 0.89%

LAB 89.02, 7.73, -3.28

 

CMYK 0 / 20 / 7 / 19

HEX #CEA4BF

RGB 206 164 191

HSL 321.43, 0.3%, 0.73%

LAB 71.85, 19.88, -7.95

 

CMYK 0 / 9 / 20 / 19

HEX #CFBCA5

RGB 207 188 165

HSL 32.86, 0.3%, 0.73%

LAB 77.25, 3.05, 14.08

 

CMYK 20 / 0 / 1 / 19

HEX #A5CFCD

RGB 165 207 205

HSL 177.14, 0.3%, 0.73%

LAB 80.2, -14.14, -3.57

 

CMYK 0 / 20 / 7 / 19

HEX #CEA4BF

RGB 206 164 191

HSL 321.43, 0.3%, 0.73%

LAB 71.85, 19.88, -7.95

 

CMYK 7 / 0 / 20 / 19

HEX #C0CFA5

RGB 192 207 165

HSL 81.43, 0.3%, 0.73%

LAB 81.04, -12.41, 19.21

 

CMYK 20 / 7 / 0 / 19

HEX #A5C0CF

RGB 165 192 207

HSL 201.43, 0.3%, 0.73%

LAB 76.19, -5.88, -10.58

 

CMYK 0 / 20 / 7 / 19

HEX #CEA4BF

RGB 206 164 191

HSL 321.43, 0.3%, 0.73%

LAB 71.85, 19.88, -7.95

 

CMYK 0 / 9 / 20 / 19

HEX #CFBCA5

RGB 207 188 165

HSL 32.86, 0.3%, 0.73%

LAB 77.25, 3.05, 14.08

 

CMYK 20 / 0 / 13 / 19

HEX #A5CFB4

RGB 165 207 180

HSL 141.43, 0.3%, 0.73%

LAB 79.57, -19.18, 8.9

 

CMYK 20 / 11 / 0 / 19

HEX #A5B8CF

RGB 165 184 207

HSL 212.86, 0.3%, 0.73%

LAB 74.05, -1.6, -13.78

 

CMYK 0 / 20 / 7 / 19

HEX #CEA4BF

RGB 206 164 191

HSL 321.43, 0.3%, 0.73%

LAB 71.85, 19.88, -7.95

 

CMYK 0 / 3 / 20 / 19

HEX #CFC9A5

RGB 207 201 165

HSL 51.43, 0.3%, 0.73%

LAB 80.6, -3.79, 18.77

 

CMYK 20 / 0 / 13 / 19

HEX #A5CFB4

RGB 165 207 180

HSL 141.43, 0.3%, 0.73%

LAB 79.57, -19.18, 8.9

 

CMYK 20 / 17 / 0 / 19

HEX #A5ACCF

RGB 165 172 207

HSL 230, 0.3%, 0.73%

LAB 70.88, 4.95, -18.57

 

Description

Color code: HEX #CEA4BF | qconv.com Color code: HEX #CEA4BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 164 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 164 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 7 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 7% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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