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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFA5B5 it is the complementary color #305A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFA5B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFA5B5 shade: #D4A5B0, #E5B7C3, #F6C9D6, #FFDBE9 and #FFEDFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFA5B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFA5B5 shade: #CFA5B5, #BE93A2, #AD818F, #9C6F7C and #8B5D69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFA5B5 shade: #CFA5B5, #CFA5AA and #CFA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFA5B5 shade: #CFA5B5, #CFA5C0, #CFA5CC, #C7A5CF and #BCA5CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFA5B5 shade matches the following richer shades: #CFA5B5, #DA9AB3, #E58FB0, #F084AD and #FB79AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFA5B5 shade: #CFA5B5, #C4B1B8, #B9BCBB, #ADC7BD and #A2D2C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFA5B5 shade: #CFA5CB, #CFA5C0, #CFA5B5, #CFA5AA and #CFACA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFA5B5 shade: #B27089, #C08B9F, #CFA5B5, #DDC0CB and #ECDBE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFA5B5 shade: #CFA5B5, #CFC7A5 and #A5C6CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFA5B5 shade: #CFA5B5, #B5CFA5 and #A5B5CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFA5B5 shade: #CFA5B5, #CFC7A5, #A5CFBF and #A5ADCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFA5B5 shade: #CFA5B5, #CACFA5, #A5CFBF and #AAA5CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

Complementary color

CMYK 47 / 0 / 18 / 65

HEX #305A4A

RGB 48 90 74

HSL 157.14, 0.3%, 0.27%

LAB 34.87, -18.97, 4.7

 

CMYK 0 / 22 / 17 / 17

HEX #D4A5B0

RGB 212 165 176

HSL 345.96, 0.35%, 0.74%

LAB 72.26, 18.98, 0.99

 

CMYK 0 / 20 / 15 / 10

HEX #E5B7C3

RGB 229 183 195

HSL 344.35, 0.47%, 0.81%

LAB 78.73, 18.43, 0.25

 

CMYK 0 / 18 / 13 / 4

HEX #F6C9D6

RGB 246 201 214

HSL 342.67, 0.71%, 0.88%

LAB 85.11, 17.92, -0.44

 

CMYK 0 / 14 / 9 / 0

HEX #FFDBE9

RGB 255 219 233

HSL 336.67, 1%, 0.93%

LAB 90.69, 14.71, -2.22

 

CMYK 0 / 7 / 1 / 0

HEX #FFEDFC

RGB 255 237 252

HSL 310, 1%, 0.96%

LAB 95.52, 8.65, -5.03

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 23 / 15 / 25

HEX #BE93A2

RGB 190 147 162

HSL 339.07, 0.25%, 0.66%

LAB 65.3, 18.54, -1.64

 

CMYK 0 / 25 / 17 / 32

HEX #AD818F

RGB 173 129 143

HSL 340.91, 0.21%, 0.59%

LAB 58.57, 19.16, -0.89

 

CMYK 0 / 29 / 21 / 39

HEX #9C6F7C

RGB 156 111 124

HSL 342.67, 0.19%, 0.52%

LAB 51.71, 19.85, -0.06

 

CMYK 0 / 33 / 24 / 45

HEX #8B5D69

RGB 139 93 105

HSL 344.35, 0.2%, 0.45%

LAB 44.71, 20.63, 0.86

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 20 / 18 / 19

HEX #CFA5AA

RGB 207 165 170

HSL 352.86, 0.3%, 0.73%

LAB 71.61, 16.2, 3.3

 

CMYK 0 / 20 / 20 / 19

HEX #CFA5A5

RGB 207 165 165

HSL 0, 0.3%, 0.73%

LAB 71.48, 15.43, 5.88

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 20 / 1 / 19

HEX #CFA5CC

RGB 207 165 204

HSL 304.29, 0.3%, 0.73%

LAB 72.58, 22.03, -14

 

CMYK 4 / 20 / 0 / 19

HEX #C7A5CF

RGB 199 165 207

HSL 288.57, 0.3%, 0.73%

LAB 71.93, 19.9, -16.7

 

CMYK 9 / 20 / 0 / 19

HEX #BCA5CF

RGB 188 165 207

HSL 272.86, 0.3%, 0.73%

LAB 70.94, 16.25, -18.29

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 29 / 18 / 15

HEX #DA9AB3

RGB 218 154 179

HSL 336.56, 0.46%, 0.73%

LAB 70.37, 27.57, -3.36

 

CMYK 0 / 38 / 23 / 10

HEX #E58FB0

RGB 229 143 176

HSL 336.98, 0.62%, 0.73%

LAB 69.07, 36.88, -3.46

 

CMYK 0 / 45 / 28 / 6

HEX #F084AD

RGB 240 132 173

HSL 337.22, 0.78%, 0.73%

LAB 68.05, 45.93, -3.11

 

CMYK 0 / 52 / 32 / 2

HEX #FB79AB

RGB 251 121 171

HSL 336.92, 0.94%, 0.73%

LAB 67.37, 54.69, -2.82

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 10 / 6 / 23

HEX #C4B1B8

RGB 196 177 184

HSL 337.89, 0.14%, 0.73%

LAB 73.96, 8.02, -1.09

 

CMYK 2 / 0 / 1 / 26

HEX #B9BCBB

RGB 185 188 187

HSL 160, 0.02%, 0.73%

LAB 75.99, -1.23, 0.13

 

CMYK 13 / 0 / 5 / 22

HEX #ADC7BD

RGB 173 199 189

HSL 156.92, 0.19%, 0.73%

LAB 78.11, -10.72, 2.04

 

CMYK 23 / 0 / 9 / 18

HEX #A2D2C0

RGB 162 210 192

HSL 157.5, 0.35%, 0.73%

LAB 80.5, -19.29, 3.81

 

CMYK 0 / 20 / 2 / 19

HEX #CFA5CB

RGB 207 165 203

HSL 305.71, 0.3%, 0.73%

LAB 72.55, 21.84, -13.5

 

CMYK 0 / 20 / 7 / 19

HEX #CFA5C0

RGB 207 165 192

HSL 321.43, 0.3%, 0.73%

LAB 72.22, 19.86, -7.94

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 20 / 18 / 19

HEX #CFA5AA

RGB 207 165 170

HSL 352.86, 0.3%, 0.73%

LAB 71.61, 16.2, 3.3

 

CMYK 0 / 17 / 20 / 19

HEX #CFACA5

RGB 207 172 165

HSL 10, 0.3%, 0.73%

LAB 73.21, 11.63, 8.36

 

CMYK 0 / 37 / 23 / 30

HEX #B27089

RGB 178 112 137

HSL 337.27, 0.3%, 0.57%

LAB 54.93, 29.6, -2.69

 

CMYK 0 / 28 / 17 / 25

HEX #C08B9F

RGB 192 139 159

HSL 337.36, 0.3%, 0.65%

LAB 63.49, 23.22, -2.58

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 13 / 8 / 13

HEX #DDC0CB

RGB 221 192 203

HSL 337.24, 0.3%, 0.81%

LAB 80.39, 12.1, -1.72

 

CMYK 0 / 7 / 5 / 7

HEX #ECDBE1

RGB 236 219 225

HSL 338.82, 0.31%, 0.89%

LAB 88.89, 6.85, -0.84

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 4 / 20 / 19

HEX #CFC7A5

RGB 207 199 165

HSL 48.57, 0.3%, 0.73%

LAB 80.08, -2.75, 18.05

 

CMYK 20 / 4 / 0 / 19

HEX #A5C6CF

RGB 165 198 207

HSL 192.86, 0.3%, 0.73%

LAB 77.81, -9.05, -8.17

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 13 / 0 / 20 / 19

HEX #B5CFA5

RGB 181 207 165

HSL 97.14, 0.3%, 0.73%

LAB 80.27, -16.35, 18.02

 

CMYK 20 / 13 / 0 / 19

HEX #A5B5CF

RGB 165 181 207

HSL 217.14, 0.3%, 0.73%

LAB 73.25, 0.02, -14.98

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 0 / 4 / 20 / 19

HEX #CFC7A5

RGB 207 199 165

HSL 48.57, 0.3%, 0.73%

LAB 80.08, -2.75, 18.05

 

CMYK 20 / 0 / 8 / 19

HEX #A5CFBF

RGB 165 207 191

HSL 157.14, 0.3%, 0.73%

LAB 79.83, -17.03, 3.4

 

CMYK 20 / 16 / 0 / 19

HEX #A5ADCF

RGB 165 173 207

HSL 228.57, 0.3%, 0.73%

LAB 71.14, 4.4, -18.17

 

CMYK 0 / 20 / 13 / 19

HEX #CFA5B5

RGB 207 165 181

HSL 337.14, 0.3%, 0.73%

LAB 71.9, 17.98, -2.34

 

CMYK 2 / 0 / 20 / 19

HEX #CACFA5

RGB 202 207 165

HSL 67.14, 0.3%, 0.73%

LAB 81.78, -8.74, 20.35

 

CMYK 20 / 0 / 8 / 19

HEX #A5CFBF

RGB 165 207 191

HSL 157.14, 0.3%, 0.73%

LAB 79.83, -17.03, 3.4

 

CMYK 18 / 20 / 0 / 19

HEX #AAA5CF

RGB 170 165 207

HSL 247.14, 0.3%, 0.73%

LAB 69.44, 10.41, -20.71

 

Description

Color code: HEX #CFA5B5 | qconv.com Color code: HEX #CFA5B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 165 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 165 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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