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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE84A0 it is the complementary color #317B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE84A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CE84A0: #D3849B, #E496AE, #F5A8C1, #FFBAD4 and #FFCCE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE84A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CE84A0: #CE84A0, #BD728D, #AC607A, #9B4E67 and #8A3C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

Complementary color

CMYK 60 / 0 / 23 / 52

HEX #317B5F

RGB 49 123 95

HSL 157.3, 0.43%, 0.34%

LAB 46.51, -30.15, 8.54

 

CMYK 0 / 37 / 27 / 17

HEX #D3849B

RGB 211 132 155

HSL 342.53, 0.47%, 0.67%

LAB 63.93, 33.35, 0.6

 

CMYK 0 / 34 / 24 / 11

HEX #E496AE

RGB 228 150 174

HSL 341.54, 0.59%, 0.74%

LAB 70.43, 32.54, -0.36

 

CMYK 0 / 31 / 21 / 4

HEX #F5A8C1

RGB 245 168 193

HSL 340.52, 0.79%, 0.81%

LAB 76.84, 31.78, -1.23

 

CMYK 0 / 27 / 17 / 0

HEX #FFBAD4

RGB 255 186 212

HSL 337.39, 1%, 0.86%

LAB 82.45, 28.65, -3.17

 

CMYK 0 / 20 / 9 / 0

HEX #FFCCE7

RGB 255 204 231

HSL 328.24, 1%, 0.9%

LAB 87.1, 22.22, -6.45

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 0 / 40 / 25 / 26

HEX #BD728D

RGB 189 114 141

HSL 338.4, 0.36%, 0.59%

LAB 56.86, 33.11, -2.03

 

CMYK 0 / 44 / 29 / 33

HEX #AC607A

RGB 172 96 122

HSL 339.47, 0.31%, 0.53%

LAB 50.15, 34, -0.93

 

CMYK 0 / 50 / 34 / 39

HEX #9B4E67

RGB 155 78 103

HSL 340.52, 0.33%, 0.46%

LAB 43.35, 34.92, 0.36

 

CMYK 0 / 57 / 39 / 46

HEX #8A3C54

RGB 138 60 84

HSL 341.54, 0.39%, 0.39%

LAB 36.51, 35.81, 1.96

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 0 / 36 / 28 / 20

HEX #CD8393

RGB 205 131 147

HSL 347.03, 0.43%, 0.66%

LAB 62.78, 30.59, 3.38

 

CMYK 0 / 36 / 35 / 20

HEX #CD8386

RGB 205 131 134

HSL 357.57, 0.43%, 0.66%

LAB 62.45, 28.88, 10.32

 

CMYK 0 / 32 / 36 / 20

HEX #CD8B83

RGB 205 139 131

HSL 6.49, 0.43%, 0.66%

LAB 64.23, 24.16, 14.52

 

CMYK 0 / 26 / 36 / 20

HEX #CD9883

RGB 205 152 131

HSL 17.03, 0.43%, 0.66%

LAB 67.33, 17.06, 18.82

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 0 / 36 / 23 / 79

HEX #352229

RGB 53 34 41

HSL 337.89, 0.22%, 0.17%

LAB 15.8, 10.42, -0.98

 

CMYK 0 / 36 / 22 / 59

HEX #684351

RGB 104 67 81

HSL 337.3, 0.22%, 0.34%

LAB 33.03, 18.24, -1.79

 

CMYK 0 / 36 / 23 / 39

HEX #9B6378

RGB 155 99 120

HSL 337.5, 0.22%, 0.5%

LAB 48.57, 25.71, -2.31

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 0 / 7 / 36 / 20

HEX #CDBF83

RGB 205 191 131

HSL 48.65, 0.43%, 0.66%

LAB 77.21, -3.85, 32.08

 

CMYK 36 / 8 / 0 / 20

HEX #83BDCD

RGB 131 189 205

HSL 192.97, 0.43%, 0.66%

LAB 73.3, -14.73, -14.02

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 22 / 0 / 36 / 20

HEX #9FCD83

RGB 159 205 131

HSL 97.3, 0.43%, 0.66%

LAB 77.68, -28.4, 32.08

 

CMYK 36 / 22 / 0 / 20

HEX #839FCD

RGB 131 159 205

HSL 217.3, 0.43%, 0.66%

LAB 64.99, 1.55, -26.67

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 0 / 7 / 36 / 20

HEX #CDBF83

RGB 205 191 131

HSL 48.65, 0.43%, 0.66%

LAB 77.21, -3.85, 32.08

 

CMYK 36 / 0 / 14 / 20

HEX #83CDB0

RGB 131 205 176

HSL 156.49, 0.43%, 0.66%

LAB 77.05, -29.46, 7.19

 

CMYK 36 / 30 / 0 / 20

HEX #8390CD

RGB 131 144 205

HSL 229.46, 0.43%, 0.66%

LAB 60.94, 10.12, -32.93

 

CMYK 0 / 36 / 22 / 19

HEX #CE84A0

RGB 206 132 160

HSL 337.3, 0.43%, 0.66%

LAB 63.48, 32.28, -2.98

 

CMYK 4 / 0 / 36 / 20

HEX #C4CD83

RGB 196 205 131

HSL 67.3, 0.43%, 0.66%

LAB 80.2, -14.58, 35.84

 

CMYK 36 / 0 / 14 / 20

HEX #83CDB0

RGB 131 205 176

HSL 156.49, 0.43%, 0.66%

LAB 77.05, -29.46, 7.19

 

CMYK 32 / 36 / 0 / 20

HEX #8B83CD

RGB 139 131 205

HSL 246.49, 0.43%, 0.66%

LAB 58.16, 19.96, -37.22

 

Description

Color code: HEX #CE84A0 | qconv.com Color code: HEX #CE84A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 132 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 132 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 22% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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