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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE7C01 it is the complementary color #3183FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE7C01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE7C01 shade: #D37C00, #E48E0F, #F5A022, #FFB235 and #FFC448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE7C01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE7C01 shade: #CE7C01, #BD6A00, #AC5800, #9B4600 and #8A3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE7C01 shade: #D07D01, #D04501, #D00E01 and #D00101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE7C01 shade: #D07D01, #D0B501, #B3D001, #7BD001 and #44D001

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE7C01 shade matches the following richer shades: #D07D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE7C01 shade: #D07D01, #BF7A12, #AE7623, #9D7334 and #8C7045

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE7C01 shade: #D00F01, #D04601, #D07D01, #D0B401 and #B4D001

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE7C01 shade: #7E4C01, #A76501, #D07D01, #F99601 and #FEA726

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE7C01 shade: #CE7C01, #2AD001 and #2A01D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE7C01 shade: #CE7C01, #01D07D and #7D01D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE7C01 shade: #CE7C01, #2AD001, #0154D0 and #A701D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE7C01 shade: #CE7C01, #01D016, #0154D0 and #D001BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 100 / 19

HEX #CE7C01

RGB 206 124 1

HSL 36, 0.99%, 0.41%

LAB 59.47, 24.93, 65.8

 

Complementary color

CMYK 81 / 48 / 0 / 0

HEX #3183FE

RGB 49 131 254

HSL 216, 0.99%, 0.59%

LAB 56.13, 18.88, -68.06

 

CMYK 0 / 41 / 100 / 17

HEX #D37C00

RGB 211 124 0

HSL 35.26, 1%, 0.41%

LAB 60.13, 27.05, 66.71

 

CMYK 0 / 38 / 93 / 11

HEX #E48E0F

RGB 228 142 15

HSL 35.77, 0.88%, 0.48%

LAB 66.42, 24.82, 69.66

 

CMYK 0 / 35 / 86 / 4

HEX #F5A022

RGB 245 160 34

HSL 35.83, 0.91%, 0.55%

LAB 72.67, 22.8, 71

 

CMYK 0 / 30 / 79 / 0

HEX #FFB235

RGB 255 178 53

HSL 37.13, 1%, 0.6%

LAB 78.09, 18.08, 70.15

 

CMYK 0 / 23 / 72 / 0

HEX #FFC448

RGB 255 196 72

HSL 40.66, 1%, 0.64%

LAB 82.49, 9.45, 67.28

 

CMYK 0 / 40 / 100 / 19

HEX #CE7C01

RGB 206 124 1

HSL 36, 0.99%, 0.41%

LAB 59.47, 24.93, 65.8

 

CMYK 0 / 44 / 100 / 26

HEX #BD6A00

RGB 189 106 0

HSL 33.65, 1%, 0.37%

LAB 53.09, 27.36, 60.79

 

CMYK 0 / 49 / 100 / 33

HEX #AC5800

RGB 172 88 0

HSL 30.7, 1%, 0.34%

LAB 46.64, 29.85, 55.6

 

CMYK 0 / 55 / 100 / 39

HEX #9B4600

RGB 155 70 0

HSL 27.1, 1%, 0.3%

LAB 40.16, 32.31, 50.4

 

CMYK 0 / 62 / 100 / 46

HEX #8A3400

RGB 138 52 0

HSL 22.61, 1%, 0.27%

LAB 33.69, 34.62, 45.21

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 67 / 100 / 18

HEX #D04501

RGB 208 69 1

HSL 19.71, 0.99%, 0.41%

LAB 49.09, 52.7, 59.85

 

CMYK 0 / 93 / 100 / 18

HEX #D00E01

RGB 208 14 1

HSL 3.77, 0.99%, 0.41%

LAB 43.84, 67.38, 57.47

 

CMYK 0 / 100 / 100 / 18

HEX #D00101

RGB 208 1 1

HSL 0, 0.99%, 0.41%

LAB 43.41, 68.62, 57.31

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 13 / 100 / 18

HEX #D0B501

RGB 208 181 1

HSL 52.17, 0.99%, 0.41%

LAB 73.84, -4.79, 75.73

 

CMYK 14 / 0 / 100 / 18

HEX #B3D001

RGB 179 208 1

HSL 68.41, 0.99%, 0.41%

LAB 78.87, -30.65, 78.36

 

CMYK 41 / 0 / 100 / 18

HEX #7BD001

RGB 123 208 1

HSL 84.64, 0.99%, 0.41%

LAB 75.65, -51.89, 74.5

 

CMYK 67 / 0 / 100 / 18

HEX #44D001

RGB 68 208 1

HSL 100.58, 0.99%, 0.41%

LAB 73.77, -66.8, 72.21

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 36 / 91 / 25

HEX #BF7A12

RGB 191 122 18

HSL 36.07, 0.83%, 0.41%

LAB 57.11, 19.73, 60.13

 

CMYK 0 / 32 / 80 / 32

HEX #AE7623

RGB 174 118 35

HSL 35.83, 0.67%, 0.41%

LAB 54.11, 14.88, 51.35

 

CMYK 0 / 27 / 67 / 38

HEX #9D7334

RGB 157 115 52

HSL 36, 0.5%, 0.41%

LAB 51.47, 9.79, 40.4

 

CMYK 0 / 20 / 51 / 45

HEX #8C7045

RGB 140 112 69

HSL 36.34, 0.34%, 0.41%

LAB 49, 5.27, 27.97

 

CMYK 0 / 93 / 100 / 18

HEX #D00F01

RGB 208 15 1

HSL 4.06, 0.99%, 0.41%

LAB 43.88, 67.26, 57.49

 

CMYK 0 / 66 / 100 / 18

HEX #D04601

RGB 208 70 1

HSL 20, 0.99%, 0.41%

LAB 49.24, 52.29, 59.93

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 13 / 100 / 18

HEX #D0B401

RGB 208 180 1

HSL 51.88, 0.99%, 0.41%

LAB 73.58, -4.26, 75.54

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 0 / 40 / 99 / 51

HEX #7E4C01

RGB 126 76 1

HSL 36, 0.98%, 0.25%

LAB 37.13, 16.09, 45.97

 

CMYK 0 / 40 / 99 / 35

HEX #A76501

RGB 167 101 1

HSL 36.14, 0.99%, 0.33%

LAB 48.91, 20.51, 56.43

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 40 / 100 / 2

HEX #F99601

RGB 249 150 1

HSL 36.05, 0.99%, 0.49%

LAB 70.84, 29.26, 75.82

 

CMYK 0 / 34 / 85 / 0

HEX #FEA726

RGB 254 167 38

HSL 35.83, 0.99%, 0.57%

LAB 75.36, 22.98, 72.5

 

CMYK 0 / 40 / 100 / 19

HEX #CE7C01

RGB 206 124 1

HSL 36, 0.99%, 0.41%

LAB 59.47, 24.93, 65.8

 

CMYK 80 / 0 / 100 / 18

HEX #2AD001

RGB 42 208 1

HSL 108.12, 0.99%, 0.41%

LAB 73.29, -70.98, 71.63

 

CMYK 80 / 100 / 0 / 18

HEX #2A01D0

RGB 42 1 208

HSL 251.88, 0.99%, 0.41%

LAB 26.93, 68.22, -89.96

 

CMYK 0 / 40 / 100 / 19

HEX #CE7C01

RGB 206 124 1

HSL 36, 0.99%, 0.41%

LAB 59.47, 24.93, 65.8

 

CMYK 100 / 0 / 40 / 18

HEX #01D07D

RGB 1 208 125

HSL 155.94, 0.99%, 0.41%

LAB 73.93, -61.95, 29.39

 

CMYK 40 / 100 / 0 / 18

HEX #7D01D0

RGB 125 1 208

HSL 275.94, 0.99%, 0.41%

LAB 35.86, 73.13, -74.88

 

CMYK 0 / 40 / 100 / 19

HEX #CE7C01

RGB 206 124 1

HSL 36, 0.99%, 0.41%

LAB 59.47, 24.93, 65.8

 

CMYK 80 / 0 / 100 / 18

HEX #2AD001

RGB 42 208 1

HSL 108.12, 0.99%, 0.41%

LAB 73.29, -70.98, 71.63

 

CMYK 100 / 60 / 0 / 18

HEX #0154D0

RGB 1 84 208

HSL 215.94, 0.99%, 0.41%

LAB 39.41, 28.73, -69.34

 

CMYK 20 / 100 / 0 / 18

HEX #A701D0

RGB 167 1 208

HSL 288.12, 0.99%, 0.41%

LAB 42.45, 78.1, -63.84

 

CMYK 0 / 40 / 100 / 19

HEX #CE7C01

RGB 206 124 1

HSL 36, 0.99%, 0.41%

LAB 59.47, 24.93, 65.8

 

CMYK 100 / 0 / 89 / 18

HEX #01D016

RGB 1 208 22

HSL 126.09, 0.99%, 0.41%

LAB 73.01, -73.38, 68.72

 

CMYK 100 / 60 / 0 / 18

HEX #0154D0

RGB 1 84 208

HSL 215.94, 0.99%, 0.41%

LAB 39.41, 28.73, -69.34

 

CMYK 0 / 100 / 10 / 18

HEX #D001BB

RGB 208 1 187

HSL 306.09, 0.99%, 0.41%

LAB 48.28, 81.27, -41.86

 

Description

Color code: HEX #CE7C01 | qconv.com Color code: HEX #CE7C01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 124 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 124 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 100 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 100% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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