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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4D001 it is the complementary color #4B2FFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4D001. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4D001 shade: #B9D000, #CAE20F, #DBF422, #ECFF35 and #FDFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4D001. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4D001 shade: #B4D001, #A3BE00, #92AC00, #819A00 and #708800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4D001 shade: #B4D001, #D0B401, #D07C01, #D04501 and #D00D01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4D001 shade: #B4D001, #7CD001, #44D001, #0DD001 and #01D02D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4D001 shade matches the following richer shades: #B4D001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4D001 shade: #B4D001, #A8BF12, #9BAE23, #8F9D34 and #838C45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4D001 shade: #D07D01, #D0B401, #B4D001, #7DD001 and #46D001

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4D001 shade: #6D7E01, #91A701, #B4D001, #D8F901 and #E1FE26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4D001 shade: #B4D001, #01D046 and #9901D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4D001 shade: #B4D001, #01B4D0 and #D001B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4D001 shade: #B4D001, #01D046, #1D01D0 and #D0018B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4D001 shade: #B4D001, #01D084, #1D01D0 and #D0014D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

Complementary color

CMYK 70 / 81 / 0 / 0

HEX #4B2FFE

RGB 75 47 254

HSL 248.12, 0.99%, 0.59%

LAB 39.04, 68.84, -95.99

 

CMYK 11 / 0 / 100 / 18

HEX #B9D000

RGB 185 208 0

HSL 66.63, 1%, 0.41%

LAB 79.29, -28.18, 78.96

 

CMYK 11 / 0 / 93 / 11

HEX #CAE20F

RGB 202 226 15

HSL 66.82, 0.88%, 0.47%

LAB 85.5, -29.49, 82.82

 

CMYK 10 / 0 / 86 / 4

HEX #DBF422

RGB 219 244 34

HSL 67.14, 0.91%, 0.55%

LAB 91.63, -30.63, 85.42

 

CMYK 7 / 0 / 79 / 0

HEX #ECFF35

RGB 236 255 53

HSL 65.64, 1%, 0.6%

LAB 95.83, -28.38, 85.29

 

CMYK 1 / 0 / 72 / 0

HEX #FDFF48

RGB 253 255 72

HSL 60.66, 1%, 0.64%

LAB 97.18, -20.83, 81.49

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 14 / 0 / 100 / 25

HEX #A3BE00

RGB 163 190 0

HSL 68.53, 1%, 0.37%

LAB 72.64, -28.8, 73.3

 

CMYK 15 / 0 / 100 / 33

HEX #92AC00

RGB 146 172 0

HSL 69.07, 1%, 0.34%

LAB 66.23, -27.34, 67.96

 

CMYK 16 / 0 / 100 / 40

HEX #819A00

RGB 129 154 0

HSL 69.74, 1%, 0.3%

LAB 59.69, -25.86, 62.52

 

CMYK 18 / 0 / 100 / 47

HEX #708800

RGB 112 136 0

HSL 70.59, 1%, 0.27%

LAB 53.01, -24.36, 56.95

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 0 / 13 / 100 / 18

HEX #D0B401

RGB 208 180 1

HSL 51.88, 0.99%, 0.41%

LAB 73.58, -4.26, 75.54

 

CMYK 0 / 40 / 100 / 18

HEX #D07C01

RGB 208 124 1

HSL 35.65, 0.99%, 0.41%

LAB 59.73, 25.79, 66.09

 

CMYK 0 / 67 / 100 / 18

HEX #D04501

RGB 208 69 1

HSL 19.71, 0.99%, 0.41%

LAB 49.09, 52.7, 59.85

 

CMYK 0 / 94 / 100 / 18

HEX #D00D01

RGB 208 13 1

HSL 3.48, 0.99%, 0.41%

LAB 43.8, 67.49, 57.46

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 40 / 0 / 100 / 18

HEX #7CD001

RGB 124 208 1

HSL 84.35, 0.99%, 0.41%

LAB 75.7, -51.55, 74.56

 

CMYK 67 / 0 / 100 / 18

HEX #44D001

RGB 68 208 1

HSL 100.58, 0.99%, 0.41%

LAB 73.77, -66.8, 72.21

 

CMYK 94 / 0 / 100 / 18

HEX #0DD001

RGB 13 208 1

HSL 116.52, 0.99%, 0.41%

LAB 73.02, -73.38, 71.3

 

CMYK 100 / 0 / 78 / 18

HEX #01D02D

RGB 1 208 45

HSL 132.75, 0.99%, 0.41%

LAB 73.09, -72.26, 63.33

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 12 / 0 / 91 / 25

HEX #A8BF12

RGB 168 191 18

HSL 67.98, 0.83%, 0.41%

LAB 73.3, -26.93, 71.84

 

CMYK 11 / 0 / 80 / 32

HEX #9BAE23

RGB 155 174 35

HSL 68.2, 0.67%, 0.41%

LAB 67.55, -23.68, 62.89

 

CMYK 9 / 0 / 67 / 38

HEX #8F9D34

RGB 143 157 52

HSL 68, 0.5%, 0.41%

LAB 61.83, -19.42, 51.08

 

CMYK 6 / 0 / 51 / 45

HEX #838C45

RGB 131 140 69

HSL 67.61, 0.34%, 0.41%

LAB 56.1, -14.31, 36.48

 

CMYK 0 / 40 / 100 / 18

HEX #D07D01

RGB 208 125 1

HSL 35.94, 0.99%, 0.41%

LAB 59.96, 25.25, 66.24

 

CMYK 0 / 13 / 100 / 18

HEX #D0B401

RGB 208 180 1

HSL 51.88, 0.99%, 0.41%

LAB 73.58, -4.26, 75.54

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 40 / 0 / 100 / 18

HEX #7DD001

RGB 125 208 1

HSL 84.06, 0.99%, 0.41%

LAB 75.75, -51.21, 74.61

 

CMYK 66 / 0 / 100 / 18

HEX #46D001

RGB 70 208 1

HSL 100, 0.99%, 0.41%

LAB 73.81, -66.4, 72.27

 

CMYK 13 / 0 / 99 / 51

HEX #6D7E01

RGB 109 126 1

HSL 68.16, 0.98%, 0.25%

LAB 49.71, -20.6, 54.18

 

CMYK 13 / 0 / 99 / 35

HEX #91A701

RGB 145 167 1

HSL 67.95, 0.99%, 0.33%

LAB 64.69, -25.32, 66.65

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 13 / 0 / 100 / 2

HEX #D8F901

RGB 216 249 1

HSL 67.98, 0.99%, 0.49%

LAB 92.73, -34.57, 89.89

 

CMYK 11 / 0 / 85 / 0

HEX #E1FE26

RGB 225 254 38

HSL 68.06, 0.99%, 0.57%

LAB 94.75, -32.74, 87.41

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 100 / 0 / 66 / 18

HEX #01D046

RGB 1 208 70

HSL 140, 0.99%, 0.41%

LAB 73.26, -70.15, 54.56

 

CMYK 26 / 100 / 0 / 18

HEX #9901D0

RGB 153 1 208

HSL 284.06, 0.99%, 0.41%

LAB 40.16, 76.28, -67.66

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 100 / 13 / 0 / 18

HEX #01B4D0

RGB 1 180 208

HSL 188.12, 0.99%, 0.41%

LAB 67.43, -28.03, -24.9

 

CMYK 0 / 100 / 13 / 18

HEX #D001B4

RGB 208 1 180

HSL 308.12, 0.99%, 0.41%

LAB 47.91, 80.35, -38.34

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 100 / 0 / 66 / 18

HEX #01D046

RGB 1 208 70

HSL 140, 0.99%, 0.41%

LAB 73.26, -70.15, 54.56

 

CMYK 86 / 100 / 0 / 18

HEX #1D01D0

RGB 29 1 208

HSL 248.12, 0.99%, 0.41%

LAB 26.27, 67.98, -91.08

 

CMYK 0 / 100 / 33 / 18

HEX #D0018B

RGB 208 1 139

HSL 320, 0.99%, 0.41%

LAB 46.04, 75.6, -16.74

 

CMYK 13 / 0 / 100 / 18

HEX #B4D001

RGB 180 208 1

HSL 68.12, 0.99%, 0.41%

LAB 78.94, -30.24, 78.45

 

CMYK 100 / 0 / 37 / 18

HEX #01D084

RGB 1 208 132

HSL 157.97, 0.99%, 0.41%

LAB 74.05, -60.56, 25.92

 

CMYK 86 / 100 / 0 / 18

HEX #1D01D0

RGB 29 1 208

HSL 248.12, 0.99%, 0.41%

LAB 26.27, 67.98, -91.08

 

CMYK 0 / 100 / 63 / 18

HEX #D0014D

RGB 208 1 77

HSL 337.97, 0.99%, 0.41%

LAB 44.19, 70.73, 19.05

 

Description

Color code: HEX #B4D001 | qconv.com Color code: HEX #B4D001 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 208 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 208 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 100 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 100% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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