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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE49B4 it is the complementary color #31B64B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE49B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CE49B4: #D349AF, #E45BC2, #F56DD5, #FF7FE8 and #FF91FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE49B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CE49B4: #CE49B4, #BD37A1, #AC258E, #9B137B and #8A0168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

Complementary color

CMYK 73 / 0 / 59 / 29

HEX #31B64B

RGB 49 182 75

HSL 131.73, 0.58%, 0.45%

LAB 65.45, -57.37, 43.69

 

CMYK 0 / 65 / 17 / 17

HEX #D349AF

RGB 211 73 175

HSL 315.65, 0.61%, 0.56%

LAB 53.72, 64.53, -26.3

 

CMYK 0 / 60 / 15 / 11

HEX #E45BC2

RGB 228 91 194

HSL 314.89, 0.72%, 0.63%

LAB 59.77, 64.46, -27.69

 

CMYK 0 / 56 / 13 / 4

HEX #F56DD5

RGB 245 109 213

HSL 314.12, 0.87%, 0.69%

LAB 65.87, 64.12, -28.82

 

CMYK 0 / 50 / 9 / 0

HEX #FF7FE8

RGB 255 127 232

HSL 310.78, 1%, 0.75%

LAB 71.05, 61.63, -31.25

 

CMYK 0 / 43 / 2 / 0

HEX #FF91FB

RGB 255 145 251

HSL 302.18, 1%, 0.78%

LAB 75.12, 56.11, -35.33

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 0 / 71 / 15 / 26

HEX #BD37A1

RGB 189 55 161

HSL 312.54, 0.55%, 0.48%

LAB 47.14, 63.63, -28.55

 

CMYK 0 / 78 / 17 / 33

HEX #AC258E

RGB 172 37 142

HSL 313.33, 0.65%, 0.41%

LAB 41.29, 62.62, -26.45

 

CMYK 0 / 88 / 21 / 39

HEX #9B137B

RGB 155 19 123

HSL 314.12, 0.78%, 0.34%

LAB 35.72, 60.56, -23.63

 

CMYK 0 / 99 / 25 / 46

HEX #8A0168

RGB 138 1 104

HSL 314.89, 0.99%, 0.27%

LAB 30.46, 57.3, -20

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 0 / 65 / 22 / 19

HEX #CE49A0

RGB 206 73 160

HSL 320.75, 0.58%, 0.55%

LAB 52.31, 61.11, -19.74

 

CMYK 0 / 65 / 33 / 19

HEX #CE498A

RGB 206 73 138

HSL 330.68, 0.58%, 0.55%

LAB 51.52, 58.32, -7.89

 

CMYK 0 / 65 / 44 / 19

HEX #CE4973

RGB 206 73 115

HSL 341.05, 0.58%, 0.55%

LAB 50.83, 55.84, 4.9

 

CMYK 0 / 65 / 55 / 19

HEX #CE495D

RGB 206 73 93

HSL 350.98, 0.58%, 0.55%

LAB 50.31, 53.91, 17.41

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 0 / 50 / 0 / 99

HEX #020102

RGB 2 1 2

HSL 300, 0.33%, 0.01%

LAB 0.35, 0.4, -0.29

 

CMYK 0 / 64 / 13 / 79

HEX #35132E

RGB 53 19 46

HSL 312.35, 0.47%, 0.14%

LAB 12.09, 21.29, -10.2

 

CMYK 0 / 64 / 13 / 59

HEX #68255B

RGB 104 37 91

HSL 311.64, 0.48%, 0.28%

LAB 26.8, 37, -17.73

 

CMYK 0 / 65 / 13 / 39

HEX #9B3787

RGB 155 55 135

HSL 312, 0.48%, 0.41%

LAB 40.33, 50.87, -23.89

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 0 / 40 / 65 / 19

HEX #CE7C49

RGB 206 124 73

HSL 23.01, 0.58%, 0.55%

LAB 59.91, 27.28, 40.86

 

CMYK 65 / 0 / 14 / 19

HEX #49CEB1

RGB 73 206 177

HSL 166.92, 0.58%, 0.55%

LAB 75.29, -42.92, 3.84

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 12 / 0 / 65 / 19

HEX #B6CE49

RGB 182 206 73

HSL 70.83, 0.58%, 0.55%

LAB 78.79, -26.05, 61.08

 

CMYK 65 / 12 / 0 / 19

HEX #49B6CE

RGB 73 182 206

HSL 190.83, 0.58%, 0.55%

LAB 68.99, -23.58, -21.32

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 0 / 40 / 65 / 19

HEX #CE7C49

RGB 206 124 73

HSL 23.01, 0.58%, 0.55%

LAB 59.91, 27.28, 40.86

 

CMYK 65 / 0 / 52 / 19

HEX #49CE62

RGB 73 206 98

HSL 131.28, 0.58%, 0.55%

LAB 73.83, -58.42, 42.93

 

CMYK 65 / 25 / 0 / 19

HEX #499BCE

RGB 73 155 206

HSL 203.01, 0.58%, 0.55%

LAB 61.06, -9.21, -33.53

 

CMYK 0 / 65 / 13 / 19

HEX #CE49B4

RGB 206 73 180

HSL 311.73, 0.58%, 0.55%

LAB 53.15, 63.96, -30.16

 

CMYK 0 / 20 / 65 / 19

HEX #CEA449

RGB 206 164 73

HSL 41.05, 0.58%, 0.55%

LAB 69.58, 5.61, 51.8

 

CMYK 65 / 0 / 52 / 19

HEX #49CE62

RGB 73 206 98

HSL 131.28, 0.58%, 0.55%

LAB 73.83, -58.42, 42.93

 

CMYK 65 / 44 / 0 / 19

HEX #4973CE

RGB 73 115 206

HSL 221.05, 0.58%, 0.55%

LAB 49.66, 14.48, -51.52

 

Description

Color code: HEX #CE49B4 | qconv.com Color code: HEX #CE49B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 73 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 73 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 13 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 13% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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