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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE3C9A it is the complementary color #31C365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE3C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE3C9A shade: #D33C95, #E44EA8, #F560BB, #FF72CE and #FF84E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE3C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE3C9A shade: #CE3C9A, #BD2A87, #AC1874, #9B0661 and #8A004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE3C9A shade: #CE3B9A, #CE3B72, #CE3B4B and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE3C9A shade: #CE3B9A, #CE3BC1, #B33BCE, #8C3BCE and #643BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE3C9A shade matches the following richer shades: #CE3B9A, #E2279F and #F614A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE3C9A shade: #CE3B9A, #BA4F94, #A6638E, #937789 and #7F8A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE3C9A shade: #B33BCE, #CE3BC2, #CE3B9B, #CE3B73 and #CE3B4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE3C9A shade: #92256B, #B32D83, #CE3B9A, #D65CAB and #DF7DBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE3C9A shade: #CE3C9A, #CE8C3B and #3BCEC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE3C9A shade: #CE3C9A, #9BCE3B and #3B9BCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE3C9A shade: #CE3C9A, #CE8C3B, #3BCE6F and #3B7DCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE3C9A shade: #CE3C9A, #CEB83B, #3BCE6F and #3B51CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 25 / 19

HEX #CE3C9A

RGB 206 60 154

HSL 321.37, 0.6%, 0.52%

LAB 50.32, 65.22, -19.24

 

Complementary color

CMYK 75 / 0 / 48 / 24

HEX #31C365

RGB 49 195 101

HSL 141.37, 0.6%, 0.48%

LAB 69.91, -58.14, 36.49

 

CMYK 0 / 72 / 29 / 17

HEX #D33C95

RGB 211 60 149

HSL 324.64, 0.63%, 0.53%

LAB 50.98, 65.9, -15.18

 

CMYK 0 / 66 / 26 / 11

HEX #E44EA8

RGB 228 78 168

HSL 324, 0.74%, 0.6%

LAB 56.85, 66.18, -17.19

 

CMYK 0 / 61 / 24 / 4

HEX #F560BB

RGB 245 96 187

HSL 323.36, 0.88%, 0.67%

LAB 62.82, 66.07, -18.81

 

CMYK 0 / 55 / 19 / 0

HEX #FF72CE

RGB 255 114 206

HSL 320.85, 1%, 0.72%

LAB 67.84, 63.7, -21.76

 

CMYK 0 / 48 / 12 / 0

HEX #FF84E1

RGB 255 132 225

HSL 314.63, 1%, 0.76%

LAB 71.69, 58.17, -26.41

 

CMYK 0 / 71 / 25 / 19

HEX #CE3C9A

RGB 206 60 154

HSL 321.37, 0.6%, 0.52%

LAB 50.32, 65.22, -19.24

 

CMYK 0 / 78 / 29 / 26

HEX #BD2A87

RGB 189 42 135

HSL 322.04, 0.64%, 0.45%

LAB 44.55, 64.35, -16.89

 

CMYK 0 / 86 / 33 / 33

HEX #AC1874

RGB 172 24 116

HSL 322.7, 0.76%, 0.38%

LAB 39.04, 62.55, -13.85

 

CMYK 0 / 96 / 37 / 39

HEX #9B0661

RGB 155 6 97

HSL 323.36, 0.93%, 0.32%

LAB 33.9, 59.47, -9.89

 

CMYK 0 / 100 / 43 / 46

HEX #8A004E

RGB 138 0 78

HSL 326.09, 1%, 0.27%

LAB 29.29, 54.59, -4.73

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9A

RGB 206 59 154

HSL 321.22, 0.6%, 0.52%

LAB 50.2, 65.56, -19.43

 

CMYK 0 / 71 / 45 / 19

HEX #CE3B72

RGB 206 59 114

HSL 337.55, 0.6%, 0.52%

LAB 48.84, 61.16, 2.63

 

CMYK 0 / 71 / 64 / 19

HEX #CE3B4B

RGB 206 59 75

HSL 353.47, 0.6%, 0.52%

LAB 47.95, 58.17, 25.12

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9A

RGB 206 59 154

HSL 321.22, 0.6%, 0.52%

LAB 50.2, 65.56, -19.43

 

CMYK 0 / 71 / 6 / 19

HEX #CE3BC1

RGB 206 59 193

HSL 305.31, 0.6%, 0.52%

LAB 51.95, 71.02, -39.58

 

CMYK 13 / 71 / 0 / 19

HEX #B33BCE

RGB 179 59 206

HSL 288.98, 0.6%, 0.52%

LAB 48.47, 67.37, -52.86

 

CMYK 32 / 71 / 0 / 19

HEX #8C3BCE

RGB 140 59 206

HSL 273.06, 0.6%, 0.52%

LAB 43, 59.59, -61.96

 

CMYK 51 / 71 / 0 / 19

HEX #643BCE

RGB 100 59 206

HSL 256.73, 0.6%, 0.52%

LAB 38.36, 52.59, -69.72

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9A

RGB 206 59 154

HSL 321.22, 0.6%, 0.52%

LAB 50.2, 65.56, -19.43

 

CMYK 0 / 83 / 30 / 11

HEX #E2279F

RGB 226 39 159

HSL 321.5, 0.76%, 0.52%

LAB 51.98, 76.46, -19.36

 

CMYK 0 / 92 / 33 / 4

HEX #F614A5

RGB 246 20 165

HSL 321.5, 0.93%, 0.52%

LAB 54.88, 84.34, -18.15

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9A

RGB 206 59 154

HSL 321.22, 0.6%, 0.52%

LAB 50.2, 65.56, -19.43

 

CMYK 0 / 58 / 20 / 27

HEX #BA4F94

RGB 186 79 148

HSL 321.31, 0.44%, 0.52%

LAB 49.7, 51.04, -16.9

 

CMYK 0 / 40 / 14 / 35

HEX #A6638E

RGB 166 99 142

HSL 321.49, 0.27%, 0.52%

LAB 50.67, 33.3, -12.14

 

CMYK 0 / 19 / 7 / 42

HEX #937789

RGB 147 119 137

HSL 321.43, 0.11%, 0.52%

LAB 53.17, 14.08, -5.67

 

CMYK 8 / 0 / 5 / 46

HEX #7F8A83

RGB 127 138 131

HSL 141.82, 0.04%, 0.52%

LAB 56.41, -5.43, 2.36

 

CMYK 13 / 71 / 0 / 19

HEX #B33BCE

RGB 179 59 206

HSL 288.98, 0.6%, 0.52%

LAB 48.47, 67.37, -52.86

 

CMYK 0 / 71 / 6 / 19

HEX #CE3BC2

RGB 206 59 194

HSL 304.9, 0.6%, 0.52%

LAB 52, 71.17, -40.07

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9B

RGB 206 59 155

HSL 320.82, 0.6%, 0.52%

LAB 50.24, 65.69, -19.96

 

CMYK 0 / 71 / 44 / 19

HEX #CE3B73

RGB 206 59 115

HSL 337.14, 0.6%, 0.52%

LAB 48.87, 61.25, 2.06

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 75 / 27 / 43

HEX #92256B

RGB 146 37 107

HSL 321.47, 0.6%, 0.36%

LAB 34.99, 51.41, -14.8

 

CMYK 0 / 75 / 27 / 30

HEX #B32D83

RGB 179 45 131

HSL 321.49, 0.6%, 0.44%

LAB 42.91, 60.44, -17.12

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9A

RGB 206 59 154

HSL 321.22, 0.6%, 0.52%

LAB 50.2, 65.56, -19.43

 

CMYK 0 / 57 / 20 / 16

HEX #D65CAB

RGB 214 92 171

HSL 321.15, 0.6%, 0.6%

LAB 56.97, 56.74, -18.95

 

CMYK 0 / 44 / 16 / 13

HEX #DF7DBC

RGB 223 125 188

HSL 321.43, 0.6%, 0.68%

LAB 64.95, 46.02, -16.43

 

CMYK 0 / 71 / 25 / 19

HEX #CE3C9A

RGB 206 60 154

HSL 321.37, 0.6%, 0.52%

LAB 50.32, 65.22, -19.24

 

CMYK 0 / 32 / 71 / 19

HEX #CE8C3B

RGB 206 140 59

HSL 33.06, 0.6%, 0.52%

LAB 63.5, 17.81, 51.68

 

CMYK 71 / 0 / 3 / 19

HEX #3BCEC7

RGB 59 206 199

HSL 177.14, 0.6%, 0.52%

LAB 75.57, -39.14, -7.64

 

CMYK 0 / 71 / 25 / 19

HEX #CE3C9A

RGB 206 60 154

HSL 321.37, 0.6%, 0.52%

LAB 50.32, 65.22, -19.24

 

CMYK 25 / 0 / 71 / 19

HEX #9BCE3B

RGB 155 206 59

HSL 80.82, 0.6%, 0.52%

LAB 76.94, -37.56, 63.96

 

CMYK 71 / 25 / 0 / 19

HEX #3B9BCE

RGB 59 155 206

HSL 200.82, 0.6%, 0.52%

LAB 60.63, -11.38, -34.23

 

CMYK 0 / 71 / 25 / 19

HEX #CE3C9A

RGB 206 60 154

HSL 321.37, 0.6%, 0.52%

LAB 50.32, 65.22, -19.24

 

CMYK 0 / 32 / 71 / 19

HEX #CE8C3B

RGB 206 140 59

HSL 33.06, 0.6%, 0.52%

LAB 63.5, 17.81, 51.68

 

CMYK 71 / 0 / 46 / 19

HEX #3BCE6F

RGB 59 206 111

HSL 141.22, 0.6%, 0.52%

LAB 73.69, -58.94, 36.3

 

CMYK 71 / 39 / 0 / 19

HEX #3B7DCE

RGB 59 125 206

HSL 213.06, 0.6%, 0.52%

LAB 51.9, 6.1, -47.98

 

CMYK 0 / 71 / 25 / 19

HEX #CE3C9A

RGB 206 60 154

HSL 321.37, 0.6%, 0.52%

LAB 50.32, 65.22, -19.24

 

CMYK 0 / 11 / 71 / 19

HEX #CEB83B

RGB 206 184 59

HSL 51.02, 0.6%, 0.52%

LAB 74.65, -5.75, 62.97

 

CMYK 71 / 0 / 46 / 19

HEX #3BCE6F

RGB 59 206 111

HSL 141.22, 0.6%, 0.52%

LAB 73.69, -58.94, 36.3

 

CMYK 71 / 61 / 0 / 19

HEX #3B51CE

RGB 59 81 206

HSL 231.02, 0.6%, 0.52%

LAB 40.03, 33.9, -67.11

 

Description

Color code: HEX #CE3C9A | qconv.com Color code: HEX #CE3C9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 60 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 60 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 25 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 25% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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