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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE2FD9 it is the complementary color #31D026. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE2FD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE2FD9 shade: #D32FD4, #E441E7, #F553FA, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE2FD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE2FD9 shade: #CE2FD9, #BD1DC6, #AC0BB3, #9B00A0 and #8A008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE2FD9 shade: #CE30D9, #D930B6, #D93088, #D9305B and #D93030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE2FD9 shade: #CE30D9, #A030D9, #7330D9, #4530D9 and #3030D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE2FD9 shade matches the following richer shades: #CE30D9 and #DF1CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE2FD9 shade: #CE30D9, #BC43C5, #AB57B1, #9A6B9D and #897F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE2FD9 shade: #7330D9, #A030D9, #CD30D9, #D930B7 and #D9308A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE2FD9 shade: #921C9A, #B322BD, #CE30D9, #D653DF and #DE75E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE2FD9 shade: #CE2FD9, #D94630 and #30D98A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE2FD9 shade: #CE2FD9, #D9CD30 and #30D9CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE2FD9 shade: #CE2FD9, #D94630, #3BD930 and #30C2D9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE2FD9 shade: #CE2FD9, #D97930, #3BD930 and #308FD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 78 / 0 / 15

HEX #CE2FD9

RGB 206 47 217

HSL 296.12, 0.69%, 0.52%

LAB 52.02, 78.33, -53.24

 

Complementary color

CMYK 76 / 0 / 82 / 18

HEX #31D026

RGB 49 208 38

HSL 116.12, 0.69%, 0.48%

LAB 73.48, -68.92, 65.83

 

CMYK 0 / 78 / 0 / 17

HEX #D32FD4

RGB 211 47 212

HSL 299.64, 0.66%, 0.51%

LAB 52.55, 78.49, -49.5

 

CMYK 1 / 72 / 0 / 9

HEX #E441E7

RGB 228 65 231

HSL 298.92, 0.78%, 0.58%

LAB 58.08, 79.72, -51.29

 

CMYK 2 / 67 / 0 / 2

HEX #F553FA

RGB 245 83 250

HSL 298.2, 0.94%, 0.65%

LAB 63.75, 80.34, -52.7

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 5 / 78 / 0 / 15

HEX #CE2FD9

RGB 206 47 217

HSL 296.12, 0.69%, 0.52%

LAB 52.02, 78.33, -53.24

 

CMYK 5 / 85 / 0 / 22

HEX #BD1DC6

RGB 189 29 198

HSL 296.8, 0.74%, 0.45%

LAB 46.68, 76.29, -51.03

 

CMYK 4 / 94 / 0 / 30

HEX #AC0BB3

RGB 172 11 179

HSL 297.5, 0.88%, 0.37%

LAB 41.63, 73.09, -48.14

 

CMYK 3 / 100 / 0 / 37

HEX #9B00A0

RGB 155 0 160

HSL 298.13, 1%, 0.31%

LAB 36.94, 68.52, -44.47

 

CMYK 2 / 100 / 0 / 45

HEX #8A008D

RGB 138 0 141

HSL 298.72, 1%, 0.28%

LAB 32.54, 62.71, -40.09

 

CMYK 5 / 78 / 0 / 15

HEX #CE30D9

RGB 206 48 217

HSL 296.09, 0.69%, 0.52%

LAB 52.11, 78.06, -53.09

 

CMYK 0 / 78 / 16 / 15

HEX #D930B6

RGB 217 48 182

HSL 312.43, 0.69%, 0.52%

LAB 52.11, 75.13, -32.81

 

CMYK 0 / 78 / 37 / 15

HEX #D93088

RGB 217 48 136

HSL 328.76, 0.69%, 0.52%

LAB 50.27, 69.71, -8.37

 

CMYK 0 / 78 / 58 / 15

HEX #D9305B

RGB 217 48 91

HSL 344.73, 0.69%, 0.52%

LAB 49.03, 65.92, 17.22

 

CMYK 0 / 78 / 78 / 15

HEX #D93030

RGB 217 48 48

HSL 0, 0.69%, 0.52%

LAB 48.36, 63.8, 41.81

 

CMYK 5 / 78 / 0 / 15

HEX #CE30D9

RGB 206 48 217

HSL 296.09, 0.69%, 0.52%

LAB 52.11, 78.06, -53.09

 

CMYK 26 / 78 / 0 / 15

HEX #A030D9

RGB 160 48 217

HSL 279.76, 0.69%, 0.52%

LAB 45.08, 69.74, -64.79

 

CMYK 47 / 78 / 0 / 15

HEX #7330D9

RGB 115 48 217

HSL 263.79, 0.69%, 0.52%

LAB 39.19, 62.71, -74.65

 

CMYK 68 / 78 / 0 / 15

HEX #4530D9

RGB 69 48 217

HSL 247.46, 0.69%, 0.52%

LAB 34.78, 57.4, -82.07

 

CMYK 78 / 78 / 0 / 15

HEX #3030D9

RGB 48 48 217

HSL 240, 0.69%, 0.52%

LAB 33.46, 55.8, -84.29

 

CMYK 5 / 78 / 0 / 15

HEX #CE30D9

RGB 206 48 217

HSL 296.09, 0.69%, 0.52%

LAB 52.11, 78.06, -53.09

 

CMYK 6 / 88 / 0 / 7

HEX #DF1CEC

RGB 223 28 236

HSL 296.25, 0.85%, 0.52%

LAB 54.63, 88.08, -59.66

 

CMYK 5 / 78 / 0 / 15

HEX #CE30D9

RGB 206 48 217

HSL 296.09, 0.69%, 0.52%

LAB 52.11, 78.06, -53.09

 

CMYK 5 / 66 / 0 / 23

HEX #BC43C5

RGB 188 67 197

HSL 295.85, 0.53%, 0.52%

LAB 50.38, 64.68, -44.56

 

CMYK 3 / 51 / 0 / 31

HEX #AB57B1

RGB 171 87 177

HSL 296, 0.37%, 0.52%

LAB 50.27, 47.58, -33.27

 

CMYK 2 / 32 / 0 / 38

HEX #9A6B9D

RGB 154 107 157

HSL 296.4, 0.2%, 0.52%

LAB 51.63, 27.42, -19.64

 

CMYK 0 / 7 / 0 / 46

HEX #897F89

RGB 137 127 137

HSL 300, 0.04%, 0.52%

LAB 54.35, 5.72, -4.04

 

CMYK 47 / 78 / 0 / 15

HEX #7330D9

RGB 115 48 217

HSL 263.79, 0.69%, 0.52%

LAB 39.19, 62.71, -74.65

 

CMYK 26 / 78 / 0 / 15

HEX #A030D9

RGB 160 48 217

HSL 279.76, 0.69%, 0.52%

LAB 45.08, 69.74, -64.79

 

CMYK 6 / 78 / 0 / 15

HEX #CD30D9

RGB 205 48 217

HSL 295.74, 0.69%, 0.52%

LAB 51.95, 77.87, -53.36

 

CMYK 0 / 78 / 16 / 15

HEX #D930B7

RGB 217 48 183

HSL 312.07, 0.69%, 0.52%

LAB 52.16, 75.27, -33.32

 

CMYK 0 / 78 / 36 / 15

HEX #D9308A

RGB 217 48 138

HSL 328.05, 0.69%, 0.52%

LAB 50.34, 69.91, -9.47

 

CMYK 5 / 82 / 0 / 40

HEX #921C9A

RGB 146 28 154

HSL 296.19, 0.69%, 0.36%

LAB 36.51, 61.35, -41.62

 

CMYK 5 / 82 / 0 / 26

HEX #B322BD

RGB 179 34 189

HSL 296.13, 0.7%, 0.44%

LAB 44.8, 71.98, -48.88

 

CMYK 5 / 78 / 0 / 15

HEX #CE30D9

RGB 206 48 217

HSL 296.09, 0.69%, 0.52%

LAB 52.11, 78.06, -53.09

 

CMYK 4 / 63 / 0 / 13

HEX #D653DF

RGB 214 83 223

HSL 296.14, 0.69%, 0.6%

LAB 57.86, 68.86, -47.28

 

CMYK 3 / 49 / 0 / 10

HEX #DE75E5

RGB 222 117 229

HSL 296.25, 0.68%, 0.68%

LAB 64.89, 56.64, -39.49

 

CMYK 5 / 78 / 0 / 15

HEX #CE2FD9

RGB 206 47 217

HSL 296.12, 0.69%, 0.52%

LAB 52.02, 78.33, -53.24

 

CMYK 0 / 68 / 78 / 15

HEX #D94630

RGB 217 70 48

HSL 7.81, 0.69%, 0.52%

LAB 51.09, 56.25, 44.64

 

CMYK 78 / 0 / 36 / 15

HEX #30D98A

RGB 48 217 138

HSL 151.95, 0.69%, 0.52%

LAB 77.33, -59.54, 27.28

 

CMYK 5 / 78 / 0 / 15

HEX #CE2FD9

RGB 206 47 217

HSL 296.12, 0.69%, 0.52%

LAB 52.02, 78.33, -53.24

 

CMYK 0 / 6 / 78 / 15

HEX #D9CD30

RGB 217 205 48

HSL 55.74, 0.69%, 0.52%

LAB 81.09, -12.23, 73.06

 

CMYK 78 / 0 / 6 / 15

HEX #30D9CD

RGB 48 217 205

HSL 175.74, 0.69%, 0.52%

LAB 78.85, -43.57, -6.04

 

CMYK 5 / 78 / 0 / 15

HEX #CE2FD9

RGB 206 47 217

HSL 296.12, 0.69%, 0.52%

LAB 52.02, 78.33, -53.24

 

CMYK 0 / 68 / 78 / 15

HEX #D94630

RGB 217 70 48

HSL 7.81, 0.69%, 0.52%

LAB 51.09, 56.25, 44.64

 

CMYK 73 / 0 / 78 / 15

HEX #3BD930

RGB 59 217 48

HSL 116.09, 0.69%, 0.52%

LAB 76.54, -69.58, 65.94

 

CMYK 78 / 11 / 0 / 15

HEX #30C2D9

RGB 48 194 217

HSL 188.17, 0.69%, 0.52%

LAB 72.38, -29.39, -22.22

 

CMYK 5 / 78 / 0 / 15

HEX #CE2FD9

RGB 206 47 217

HSL 296.12, 0.69%, 0.52%

LAB 52.02, 78.33, -53.24

 

CMYK 0 / 44 / 78 / 15

HEX #D97930

RGB 217 121 48

HSL 25.92, 0.69%, 0.52%

LAB 60.46, 32.14, 53.96

 

CMYK 73 / 0 / 78 / 15

HEX #3BD930

RGB 59 217 48

HSL 116.09, 0.69%, 0.52%

LAB 76.54, -69.58, 65.94

 

CMYK 78 / 34 / 0 / 15

HEX #308FD9

RGB 48 143 217

HSL 206.27, 0.69%, 0.52%

LAB 57.35, -2.05, -45.56

 

Description

Color code: HEX #CE2FD9 | qconv.com Color code: HEX #CE2FD9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 47 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 47 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 78 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 78% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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