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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDCC31 it is the complementary color #3233CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDCC31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDCC31 shade: #D2CC2C, #E3DE3F, #F4F052, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDCC31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDCC31 shade: #CDCC31, #BCBA1E, #ABA80B, #9A9600 and #898400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDCC31 shade: #CDCC31, #CDA231, #CD7831, #CD4E31 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDCC31 shade: #CDCC31, #A4CD31, #7ACD31, #50CD31 and #31CD3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDCC31 shade matches the following richer shades: #CDCC31, #E1E01D and #F6F508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDCC31 shade: #CDCC31, #B8B746, #A4A35A, #8F8F6F and #7A7A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDCC31 shade: #CD7731, #CDA131, #CDCA31, #A6CD31 and #7CCD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDCC31 shade: #8A8A21, #ACAB29, #CDCC31, #D5D452 and #DDDC74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDCC31 shade: #CDCC31, #31CD4E and #8C31CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDCC31 shade: #CDCC31, #31CDCA and #CA31CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDCC31 shade: #CDCC31, #31CD4E, #3134CD and #CD31B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDCC31 shade: #CDCC31, #31CD7C, #3134CD and #CD3182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

Complementary color

CMYK 76 / 75 / 0 / 19

HEX #3233CE

RGB 50 51 206

HSL 239.62, 0.61%, 0.5%

LAB 32.92, 50.9, -78.81

 

CMYK 0 / 3 / 79 / 18

HEX #D2CC2C

RGB 210 204 44

HSL 57.83, 0.65%, 0.5%

LAB 80.22, -14.84, 73.21

 

CMYK 0 / 2 / 72 / 11

HEX #E3DE3F

RGB 227 222 63

HSL 58.17, 0.75%, 0.57%

LAB 86.47, -15.89, 73.58

 

CMYK 0 / 2 / 66 / 4

HEX #F4F052

RGB 244 240 82

HSL 58.52, 0.88%, 0.64%

LAB 92.65, -16.79, 73.34

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 0 / 1 / 84 / 26

HEX #BCBA1E

RGB 188 186 30

HSL 59.24, 0.72%, 0.43%

LAB 73.48, -15.65, 70.31

 

CMYK 0 / 2 / 94 / 33

HEX #ABA80B

RGB 171 168 11

HSL 58.88, 0.88%, 0.36%

LAB 67.04, -14.29, 68.05

 

CMYK 0 / 3 / 100 / 40

HEX #9A9600

RGB 154 150 0

HSL 58.44, 1%, 0.3%

LAB 60.5, -12.7, 64.01

 

CMYK 0 / 4 / 100 / 46

HEX #898400

RGB 137 132 0

HSL 57.81, 1%, 0.27%

LAB 53.84, -10.9, 58.47

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 0 / 21 / 76 / 20

HEX #CDA231

RGB 205 162 49

HSL 43.46, 0.61%, 0.5%

LAB 68.78, 5, 61.02

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 62 / 76 / 20

HEX #CD4E31

RGB 205 78 49

HSL 11.15, 0.61%, 0.5%

LAB 50.27, 48.82, 42.62

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 20 / 0 / 76 / 20

HEX #A4CD31

RGB 164 205 49

HSL 75.77, 0.61%, 0.5%

LAB 77.15, -34.14, 67.7

 

CMYK 40 / 0 / 76 / 20

HEX #7ACD31

RGB 122 205 49

HSL 91.92, 0.61%, 0.5%

LAB 74.84, -49.56, 64.69

 

CMYK 61 / 0 / 76 / 20

HEX #50CD31

RGB 80 205 49

HSL 108.08, 0.61%, 0.5%

LAB 73.28, -61.53, 62.65

 

CMYK 76 / 0 / 71 / 20

HEX #31CD3C

RGB 49 205 60

HSL 124.23, 0.61%, 0.5%

LAB 72.66, -66.49, 57.96

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 0 / 0 / 87 / 12

HEX #E1E01D

RGB 225 224 29

HSL 59.69, 0.77%, 0.5%

LAB 86.71, -18.77, 82.52

 

CMYK 0 / 0 / 97 / 4

HEX #F6F508

RGB 246 245 8

HSL 59.75, 0.94%, 0.5%

LAB 93.85, -20.44, 91.18

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 0 / 1 / 62 / 28

HEX #B8B746

RGB 184 183 70

HSL 59.47, 0.45%, 0.5%

LAB 72.56, -14.01, 55.77

 

CMYK 0 / 1 / 45 / 36

HEX #A4A35A

RGB 164 163 90

HSL 59.19, 0.29%, 0.5%

LAB 65.61, -10.39, 37.88

 

CMYK 0 / 0 / 22 / 44

HEX #8F8F6F

RGB 143 143 111

HSL 60, 0.13%, 0.5%

LAB 58.63, -5.58, 17.08

 

CMYK 8 / 8 / 0 / 48

HEX #7A7A84

RGB 122 122 132

HSL 240, 0.04%, 0.5%

LAB 51.52, 2.08, -5.44

 

CMYK 0 / 42 / 76 / 20

HEX #CD7731

RGB 205 119 49

HSL 26.92, 0.61%, 0.5%

LAB 58.41, 28.29, 50.95

 

CMYK 0 / 21 / 76 / 20

HEX #CDA131

RGB 205 161 49

HSL 43.08, 0.61%, 0.5%

LAB 68.53, 5.54, 60.78

 

CMYK 0 / 1 / 76 / 20

HEX #CDCA31

RGB 205 202 49

HSL 58.85, 0.61%, 0.5%

LAB 79.3, -15.78, 70.77

 

CMYK 19 / 0 / 76 / 20

HEX #A6CD31

RGB 166 205 49

HSL 75, 0.61%, 0.5%

LAB 77.28, -33.35, 67.86

 

CMYK 40 / 0 / 76 / 20

HEX #7CCD31

RGB 124 205 49

HSL 91.15, 0.61%, 0.5%

LAB 74.93, -48.89, 64.82

 

CMYK 0 / 0 / 76 / 46

HEX #8A8A21

RGB 138 138 33

HSL 60, 0.61%, 0.34%

LAB 55.78, -12.76, 52.3

 

CMYK 0 / 1 / 76 / 33

HEX #ACAB29

RGB 172 171 41

HSL 59.54, 0.62%, 0.42%

LAB 68.06, -14.59, 62.02

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 0 / 0 / 62 / 16

HEX #D5D452

RGB 213 212 82

HSL 59.54, 0.61%, 0.58%

LAB 82.83, -15.73, 62.38

 

CMYK 0 / 0 / 48 / 13

HEX #DDDC74

RGB 221 220 116

HSL 59.43, 0.61%, 0.66%

LAB 85.92, -13.82, 50.81

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 76 / 0 / 62 / 20

HEX #31CD4E

RGB 49 205 78

HSL 131.15, 0.61%, 0.5%

LAB 72.8, -64.68, 50.79

 

CMYK 32 / 76 / 0 / 20

HEX #8C31CD

RGB 140 49 205

HSL 275, 0.61%, 0.5%

LAB 41.5, 63.43, -63.82

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 76 / 0 / 1 / 20

HEX #31CDCA

RGB 49 205 202

HSL 178.85, 0.61%, 0.5%

LAB 75.19, -38.96, -9.85

 

CMYK 1 / 76 / 0 / 20

HEX #CA31CD

RGB 202 49 205

HSL 298.85, 0.61%, 0.5%

LAB 50.87, 75.09, -48.24

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 76 / 0 / 62 / 20

HEX #31CD4E

RGB 49 205 78

HSL 131.15, 0.61%, 0.5%

LAB 72.8, -64.68, 50.79

 

CMYK 76 / 75 / 0 / 20

HEX #3134CD

RGB 49 52 205

HSL 238.85, 0.61%, 0.5%

LAB 32.96, 49.95, -78.18

 

CMYK 0 / 76 / 14 / 20

HEX #CD31B0

RGB 205 49 176

HSL 311.15, 0.61%, 0.5%

LAB 49.87, 71.4, -32.95

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 76 / 0 / 40 / 20

HEX #31CD7C

RGB 49 205 124

HSL 148.85, 0.61%, 0.5%

LAB 73.4, -57.72, 29.27

 

CMYK 76 / 75 / 0 / 20

HEX #3134CD

RGB 49 52 205

HSL 238.85, 0.61%, 0.5%

LAB 32.96, 49.95, -78.18

 

CMYK 0 / 76 / 37 / 20

HEX #CD3182

RGB 205 49 130

HSL 328.85, 0.61%, 0.5%

LAB 47.99, 65.76, -8.37

 

Description

Color code: HEX #CDCC31 | qconv.com Color code: HEX #CDCC31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 204 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 204 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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