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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7831 it is the complementary color #3287CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7831. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7831 shade: #D2782C, #E38A3F, #F49C52, #FFAE65 and #FFC078

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7831. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7831 shade: #CD7831, #BC661E, #AB540B, #9A4200 and #893000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7831 shade: #CD7831, #CD4E31 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7831 shade: #CD7831, #CDA231, #CDCC31, #A4CD31 and #7ACD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7831 shade matches the following richer shades: #CD7831, #E1761D and #F67408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7831 shade: #CD7831, #B87A46, #A47C5A, #8F7E6F and #7A7F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7831 shade: #CD313E, #CD4E31, #CD7731, #CDA131 and #CDCA31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7831 shade: #8A5121, #AC6529, #CD7831, #D58E52 and #DDA474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7831 shade: #CD7831, #68CD31 and #3931CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7831 shade: #CD7831, #31CD77 and #7731CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7831 shade: #CD7831, #68CD31, #3187CD and #9631CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7831 shade: #CD7831, #39CD31, #3187CD and #C531CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

Complementary color

CMYK 76 / 34 / 0 / 19

HEX #3287CE

RGB 50 135 206

HSL 207.31, 0.61%, 0.5%

LAB 54.51, -1.09, -43.85

 

CMYK 0 / 43 / 79 / 18

HEX #D2782C

RGB 210 120 44

HSL 27.47, 0.65%, 0.5%

LAB 59.27, 29.64, 54.19

 

CMYK 0 / 39 / 72 / 11

HEX #E38A3F

RGB 227 138 63

HSL 27.44, 0.75%, 0.57%

LAB 65.64, 27.9, 52.89

 

CMYK 0 / 36 / 66 / 4

HEX #F49C52

RGB 244 156 82

HSL 27.41, 0.88%, 0.64%

LAB 71.97, 26.36, 51.39

 

CMYK 0 / 32 / 60 / 0

HEX #FFAE65

RGB 255 174 101

HSL 28.44, 1%, 0.7%

LAB 77.56, 22.57, 48.88

 

CMYK 0 / 25 / 53 / 0

HEX #FFC078

RGB 255 192 120

HSL 32, 1%, 0.74%

LAB 82.01, 14.6, 44.8

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 46 / 84 / 26

HEX #BC661E

RGB 188 102 30

HSL 27.34, 0.72%, 0.43%

LAB 52.16, 29.63, 52.23

 

CMYK 0 / 51 / 94 / 33

HEX #AB540B

RGB 171 84 11

HSL 27.38, 0.88%, 0.36%

LAB 45.67, 31.72, 52.17

 

CMYK 0 / 57 / 100 / 40

HEX #9A4200

RGB 154 66 0

HSL 25.71, 1%, 0.3%

LAB 39.18, 33.98, 49.75

 

CMYK 0 / 65 / 100 / 46

HEX #893000

RGB 137 48 0

HSL 21.02, 1%, 0.27%

LAB 32.77, 36.17, 44.56

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 62 / 76 / 20

HEX #CD4E31

RGB 205 78 49

HSL 11.15, 0.61%, 0.5%

LAB 50.27, 48.82, 42.62

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 21 / 76 / 20

HEX #CDA231

RGB 205 162 49

HSL 43.46, 0.61%, 0.5%

LAB 68.78, 5, 61.02

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC31

RGB 205 204 49

HSL 59.62, 0.61%, 0.5%

LAB 79.83, -16.78, 71.26

 

CMYK 20 / 0 / 76 / 20

HEX #A4CD31

RGB 164 205 49

HSL 75.77, 0.61%, 0.5%

LAB 77.15, -34.14, 67.7

 

CMYK 40 / 0 / 76 / 20

HEX #7ACD31

RGB 122 205 49

HSL 91.92, 0.61%, 0.5%

LAB 74.84, -49.56, 64.69

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 48 / 87 / 12

HEX #E1761D

RGB 225 118 29

HSL 27.24, 0.77%, 0.5%

LAB 60.83, 36.38, 61.91

 

CMYK 0 / 53 / 97 / 4

HEX #F67408

RGB 246 116 8

HSL 27.23, 0.94%, 0.5%

LAB 63.43, 45.3, 69.95

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 34 / 62 / 28

HEX #B87A46

RGB 184 122 70

HSL 27.37, 0.45%, 0.5%

LAB 56.64, 18.94, 37.9

 

CMYK 0 / 24 / 45 / 36

HEX #A47C5A

RGB 164 124 90

HSL 27.57, 0.29%, 0.5%

LAB 55.12, 11.06, 24.55

 

CMYK 0 / 12 / 22 / 44

HEX #8F7E6F

RGB 143 126 111

HSL 28.13, 0.13%, 0.5%

LAB 53.93, 3.97, 10.55

 

CMYK 8 / 4 / 0 / 48

HEX #7A7F84

RGB 122 127 132

HSL 210, 0.04%, 0.5%

LAB 52.93, -0.81, -3.36

 

CMYK 0 / 76 / 70 / 20

HEX #CD313E

RGB 205 49 62

HSL 355, 0.61%, 0.5%

LAB 46.34, 60.55, 30.86

 

CMYK 0 / 62 / 76 / 20

HEX #CD4E31

RGB 205 78 49

HSL 11.15, 0.61%, 0.5%

LAB 50.27, 48.82, 42.62

 

CMYK 0 / 42 / 76 / 20

HEX #CD7731

RGB 205 119 49

HSL 26.92, 0.61%, 0.5%

LAB 58.41, 28.29, 50.95

 

CMYK 0 / 21 / 76 / 20

HEX #CDA131

RGB 205 161 49

HSL 43.08, 0.61%, 0.5%

LAB 68.53, 5.54, 60.78

 

CMYK 0 / 1 / 76 / 20

HEX #CDCA31

RGB 205 202 49

HSL 58.85, 0.61%, 0.5%

LAB 79.3, -15.78, 70.77

 

CMYK 0 / 41 / 76 / 46

HEX #8A5121

RGB 138 81 33

HSL 27.43, 0.61%, 0.34%

LAB 40.24, 19.72, 37.13

 

CMYK 0 / 41 / 76 / 33

HEX #AC6529

RGB 172 101 41

HSL 27.48, 0.62%, 0.42%

LAB 49.78, 23.76, 44.5

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 0 / 33 / 62 / 16

HEX #D58E52

RGB 213 142 82

HSL 27.48, 0.61%, 0.58%

LAB 65.04, 21.06, 42.45

 

CMYK 0 / 26 / 48 / 13

HEX #DDA474

RGB 221 164 116

HSL 27.43, 0.61%, 0.66%

LAB 71.68, 15.33, 33.07

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 49 / 0 / 76 / 20

HEX #68CD31

RGB 104 205 49

HSL 98.85, 0.61%, 0.5%

LAB 74.08, -55.21, 63.7

 

CMYK 72 / 76 / 0 / 20

HEX #3931CD

RGB 57 49 205

HSL 243.08, 0.61%, 0.5%

LAB 32.86, 52.21, -78.32

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 76 / 0 / 42 / 20

HEX #31CD77

RGB 49 205 119

HSL 146.92, 0.61%, 0.5%

LAB 73.32, -58.64, 31.74

 

CMYK 42 / 76 / 0 / 20

HEX #7731CD

RGB 119 49 205

HSL 266.92, 0.61%, 0.5%

LAB 38.77, 59.95, -68.39

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 49 / 0 / 76 / 20

HEX #68CD31

RGB 104 205 49

HSL 98.85, 0.61%, 0.5%

LAB 74.08, -55.21, 63.7

 

CMYK 76 / 34 / 0 / 20

HEX #3187CD

RGB 49 135 205

HSL 206.92, 0.61%, 0.5%

LAB 54.44, -1.58, -43.41

 

CMYK 27 / 76 / 0 / 20

HEX #9631CD

RGB 150 49 205

HSL 278.85, 0.61%, 0.5%

LAB 42.9, 65.19, -61.49

 

CMYK 0 / 41 / 76 / 20

HEX #CD7831

RGB 205 120 49

HSL 27.31, 0.61%, 0.5%

LAB 58.63, 27.75, 51.18

 

CMYK 72 / 0 / 76 / 20

HEX #39CD31

RGB 57 205 49

HSL 116.92, 0.61%, 0.5%

LAB 72.73, -66.11, 61.93

 

CMYK 76 / 34 / 0 / 20

HEX #3187CD

RGB 49 135 205

HSL 206.92, 0.61%, 0.5%

LAB 54.44, -1.58, -43.41

 

CMYK 4 / 76 / 0 / 20

HEX #C531CD

RGB 197 49 205

HSL 296.92, 0.61%, 0.5%

LAB 50.07, 74.1, -49.58

 

Description

Color code: HEX #CD7831 | qconv.com Color code: HEX #CD7831 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 120 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 120 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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