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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDBD63 it is the complementary color #32429C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDBD63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDBD63 shade: #D2BD5E, #E3CF71, #F4E184, #FFF397 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDBD63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDBD63 shade: #CDBD63, #BCAB50, #AB993D, #9A872A and #897517

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDBD63 shade: #CDBD65, #CDA165, #CD8565, #CD6965 and #CD6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDBD63 shade: #CDBD65, #C1CD65, #A5CD65, #89CD65 and #6DCD65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDBD63 shade matches the following richer shades: #CDBD65, #DEC954, #EED444 and #FFE033

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDBD63 shade: #CDBD65, #BDB275, #ACA686, #9C9B96 and #8B8FA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDBD63 shade: #CD8465, #CDA065, #CDBC65, #C3CD65 and #A7CD65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDBD63 shade: #A99837, #C3B046, #CDBD65, #D7CB84 and #E1D8A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDBD63 shade: #CDBD63, #65CD68 and #9265CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDBD63 shade: #CDBD63, #65CDBC and #BC65CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDBD63 shade: #CDBD63, #65CD68, #6576CD and #CD65CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDBD63 shade: #CDBD63, #65CD88, #6576CD and #CD65AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 52 / 20

HEX #CDBD63

RGB 205 189 99

HSL 50.94, 0.51%, 0.6%

LAB 76.24, -6.08, 47.07

 

Complementary color

CMYK 68 / 58 / 0 / 39

HEX #32429C

RGB 50 66 156

HSL 230.94, 0.51%, 0.4%

LAB 31.75, 24.29, -51.07

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

CMYK 0 / 9 / 50 / 11

HEX #E3CF71

RGB 227 207 113

HSL 49.47, 0.67%, 0.67%

LAB 82.99, -5.11, 48.84

 

CMYK 0 / 8 / 46 / 4

HEX #F4E184

RGB 244 225 132

HSL 49.82, 0.84%, 0.74%

LAB 89.28, -5.71, 47.64

 

CMYK 0 / 5 / 41 / 0

HEX #FFF397

RGB 255 243 151

HSL 53.08, 1%, 0.8%

LAB 94.99, -8.54, 45.74

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 8 / 52 / 20

HEX #CDBD63

RGB 205 189 99

HSL 50.94, 0.51%, 0.6%

LAB 76.24, -6.08, 47.07

 

CMYK 0 / 9 / 57 / 26

HEX #BCAB50

RGB 188 171 80

HSL 50.56, 0.45%, 0.53%

LAB 69.75, -5.36, 48.24

 

CMYK 0 / 11 / 64 / 33

HEX #AB993D

RGB 171 153 61

HSL 50.18, 0.47%, 0.45%

LAB 63.16, -4.48, 49.3

 

CMYK 0 / 12 / 73 / 40

HEX #9A872A

RGB 154 135 42

HSL 49.82, 0.57%, 0.38%

LAB 56.45, -3.41, 50.05

 

CMYK 0 / 15 / 83 / 46

HEX #897517

RGB 137 117 23

HSL 49.47, 0.71%, 0.31%

LAB 49.62, -2.06, 50.05

 

CMYK 0 / 8 / 51 / 20

HEX #CDBD65

RGB 205 189 101

HSL 50.77, 0.51%, 0.6%

LAB 76.26, -5.9, 46.12

 

CMYK 0 / 21 / 51 / 20

HEX #CDA165

RGB 205 161 101

HSL 34.62, 0.51%, 0.6%

LAB 69.05, 8.96, 37.28

 

CMYK 0 / 35 / 51 / 20

HEX #CD8565

RGB 205 133 101

HSL 18.46, 0.51%, 0.6%

LAB 62.25, 24.2, 28.62

 

CMYK 0 / 49 / 51 / 20

HEX #CD6965

RGB 205 105 101

HSL 2.31, 0.51%, 0.6%

LAB 56.11, 39.1, 20.5

 

CMYK 0 / 51 / 51 / 20

HEX #CD6565

RGB 205 101 101

HSL 0, 0.51%, 0.6%

LAB 55.3, 41.14, 19.42

 

CMYK 0 / 8 / 51 / 20

HEX #CDBD65

RGB 205 189 101

HSL 50.77, 0.51%, 0.6%

LAB 76.26, -5.9, 46.12

 

CMYK 6 / 0 / 51 / 20

HEX #C1CD65

RGB 193 205 101

HSL 66.92, 0.51%, 0.6%

LAB 79.58, -18.93, 49.84

 

CMYK 20 / 0 / 51 / 20

HEX #A5CD65

RGB 165 205 101

HSL 83.08, 0.51%, 0.6%

LAB 77.64, -29.87, 47.06

 

CMYK 33 / 0 / 51 / 20

HEX #89CD65

RGB 137 205 101

HSL 99.23, 0.51%, 0.6%

LAB 76.02, -39.98, 44.72

 

CMYK 47 / 0 / 51 / 20

HEX #6DCD65

RGB 109 205 101

HSL 115.38, 0.51%, 0.6%

LAB 74.73, -48.82, 42.86

 

CMYK 0 / 8 / 51 / 20

HEX #CDBD65

RGB 205 189 101

HSL 50.77, 0.51%, 0.6%

LAB 76.26, -5.9, 46.12

 

CMYK 0 / 9 / 62 / 13

HEX #DEC954

RGB 222 201 84

HSL 50.87, 0.68%, 0.6%

LAB 80.71, -6.31, 59.47

 

CMYK 0 / 11 / 71 / 7

HEX #EED444

RGB 238 212 68

HSL 50.82, 0.83%, 0.6%

LAB 84.83, -6.08, 70.58

 

CMYK 0 / 12 / 80 / 0

HEX #FFE033

RGB 255 224 51

HSL 50.88, 1%, 0.6%

LAB 89.3, -5.63, 80.71

 

CMYK 0 / 8 / 51 / 20

HEX #CDBD65

RGB 205 189 101

HSL 50.77, 0.51%, 0.6%

LAB 76.26, -5.9, 46.12

 

CMYK 0 / 6 / 38 / 26

HEX #BDB275

RGB 189 178 117

HSL 50.83, 0.35%, 0.6%

LAB 72.19, -5.07, 32.6

 

CMYK 0 / 3 / 22 / 33

HEX #ACA686

RGB 172 166 134

HSL 50.53, 0.19%, 0.6%

LAB 67.85, -3.19, 17.38

 

CMYK 0 / 1 / 4 / 39

HEX #9C9B96

RGB 156 155 150

HSL 50, 0.03%, 0.6%

LAB 63.93, -0.58, 2.74

 

CMYK 17 / 14 / 0 / 35

HEX #8B8FA7

RGB 139 143 167

HSL 231.43, 0.14%, 0.6%

LAB 59.82, 3.67, -13.11

 

CMYK 0 / 36 / 51 / 20

HEX #CD8465

RGB 205 132 101

HSL 17.88, 0.51%, 0.6%

LAB 62.02, 24.74, 28.32

 

CMYK 0 / 22 / 51 / 20

HEX #CDA065

RGB 205 160 101

HSL 34.04, 0.51%, 0.6%

LAB 68.79, 9.5, 36.97

 

CMYK 0 / 8 / 51 / 20

HEX #CDBC65

RGB 205 188 101

HSL 50.19, 0.51%, 0.6%

LAB 76, -5.38, 45.8

 

CMYK 5 / 0 / 51 / 20

HEX #C3CD65

RGB 195 205 101

HSL 65.77, 0.51%, 0.6%

LAB 79.73, -18.12, 50.05

 

CMYK 19 / 0 / 51 / 20

HEX #A7CD65

RGB 167 205 101

HSL 81.92, 0.51%, 0.6%

LAB 77.77, -29.11, 47.24

 

CMYK 0 / 10 / 67 / 34

HEX #A99837

RGB 169 152 55

HSL 51.05, 0.51%, 0.44%

LAB 62.65, -5.2, 51.35

 

CMYK 0 / 10 / 64 / 24

HEX #C3B046

RGB 195 176 70

HSL 50.88, 0.51%, 0.52%

LAB 71.62, -5.69, 55.05

 

CMYK 0 / 8 / 51 / 20

HEX #CDBD65

RGB 205 189 101

HSL 50.77, 0.51%, 0.6%

LAB 76.26, -5.9, 46.12

 

CMYK 0 / 6 / 39 / 16

HEX #D7CB84

RGB 215 203 132

HSL 51.33, 0.51%, 0.68%

LAB 81.2, -6, 36.91

 

CMYK 0 / 4 / 28 / 12

HEX #E1D8A3

RGB 225 216 163

HSL 51.29, 0.51%, 0.76%

LAB 85.89, -5.03, 27.3

 

CMYK 0 / 8 / 52 / 20

HEX #CDBD63

RGB 205 189 99

HSL 50.94, 0.51%, 0.6%

LAB 76.24, -6.08, 47.07

 

CMYK 51 / 0 / 49 / 20

HEX #65CD68

RGB 101 205 104

HSL 121.73, 0.51%, 0.6%

LAB 74.46, -50.65, 41

 

CMYK 29 / 51 / 0 / 20

HEX #9265CD

RGB 146 101 205

HSL 265.96, 0.51%, 0.6%

LAB 51.64, 39.26, -47.47

 

CMYK 0 / 8 / 52 / 20

HEX #CDBD63

RGB 205 189 99

HSL 50.94, 0.51%, 0.6%

LAB 76.24, -6.08, 47.07

 

CMYK 51 / 0 / 8 / 20

HEX #65CDBC

RGB 101 205 188

HSL 170.19, 0.51%, 0.6%

LAB 76.11, -34.33, -0.79

 

CMYK 8 / 51 / 0 / 20

HEX #BC65CD

RGB 188 101 205

HSL 290.19, 0.51%, 0.6%

LAB 56.49, 50.67, -39.48

 

CMYK 0 / 8 / 52 / 20

HEX #CDBD63

RGB 205 189 99

HSL 50.94, 0.51%, 0.6%

LAB 76.24, -6.08, 47.07

 

CMYK 51 / 0 / 49 / 20

HEX #65CD68

RGB 101 205 104

HSL 121.73, 0.51%, 0.6%

LAB 74.46, -50.65, 41

 

CMYK 51 / 42 / 0 / 20

HEX #6576CD

RGB 101 118 205

HSL 230.19, 0.51%, 0.6%

LAB 51.99, 17.93, -47.15

 

CMYK 0 / 51 / 1 / 20

HEX #CD65CA

RGB 205 101 202

HSL 301.73, 0.51%, 0.6%

LAB 58.56, 54.86, -34.39

 

CMYK 0 / 8 / 52 / 20

HEX #CDBD63

RGB 205 189 99

HSL 50.94, 0.51%, 0.6%

LAB 76.24, -6.08, 47.07

 

CMYK 51 / 0 / 34 / 20

HEX #65CD88

RGB 101 205 136

HSL 140.19, 0.51%, 0.6%

LAB 74.96, -45.51, 25.35

 

CMYK 51 / 42 / 0 / 20

HEX #6576CD

RGB 101 118 205

HSL 230.19, 0.51%, 0.6%

LAB 51.99, 17.93, -47.15

 

CMYK 0 / 51 / 17 / 20

HEX #CD65AA

RGB 205 101 170

HSL 320.19, 0.51%, 0.6%

LAB 57.26, 49.59, -18.04

 

Description

Color code: HEX #CDBD63 | qconv.com Color code: HEX #CDBD63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 189 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 189 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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