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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BD5E it is the complementary color #2D42A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BD5E shade: #D7BD59, #E8CF6C, #F9E17F, #FFF392 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BD5E shade: #D2BD5E, #C1AB4B, #B09938, #9F8725 and #8E7512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BD5E shade: #D2BD60, #D29F60, #D28060, #D26160 and #D26060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BD5E shade: #D2BD60, #C8D260, #A9D260, #8AD260 and #6CD260

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BD5E shade matches the following richer shades: #D2BD60, #E3C84F and #F3D33F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BD5E shade: #D2BD60, #C2B370, #B1A881, #A19E91 and #9093A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BD5E shade: #D28060, #D29F60, #D2BD60, #C9D260 and #AAD260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BD5E shade: #AE9831, #C9B040, #D2BD60, #DBCB80 and #E4D8A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BD5E shade: #D2BD5E, #60D262 and #8F60D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BD5E shade: #D2BD5E, #60D2BD and #BD60D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BD5E shade: #D2BD5E, #60D262, #6075D2 and #D260D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BD5E shade: #D2BD5E, #60D284, #6075D2 and #D260AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

Complementary color

CMYK 72 / 59 / 0 / 37

HEX #2D42A1

RGB 45 66 161

HSL 229.14, 0.56%, 0.4%

LAB 31.87, 25.41, -53.91

 

CMYK 0 / 12 / 59 / 16

HEX #D7BD59

RGB 215 189 89

HSL 47.62, 0.61%, 0.6%

LAB 77.02, -2.7, 52.95

 

CMYK 0 / 11 / 53 / 9

HEX #E8CF6C

RGB 232 207 108

HSL 47.9, 0.73%, 0.67%

LAB 83.37, -3.5, 51.79

 

CMYK 0 / 10 / 49 / 2

HEX #F9E17F

RGB 249 225 127

HSL 48.2, 0.91%, 0.74%

LAB 89.64, -4.18, 50.6

 

CMYK 0 / 5 / 43 / 0

HEX #FFF392

RGB 255 243 146

HSL 53.39, 1%, 0.79%

LAB 94.92, -9.04, 48.09

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

CMYK 0 / 11 / 61 / 24

HEX #C1AB4B

RGB 193 171 75

HSL 48.81, 0.49%, 0.53%

LAB 70.16, -3.58, 51.16

 

CMYK 0 / 13 / 68 / 31

HEX #B09938

RGB 176 153 56

HSL 48.5, 0.52%, 0.45%

LAB 63.59, -2.59, 52.1

 

CMYK 0 / 15 / 77 / 38

HEX #9F8725

RGB 159 135 37

HSL 48.2, 0.62%, 0.38%

LAB 56.91, -1.37, 52.61

 

CMYK 0 / 18 / 87 / 44

HEX #8E7512

RGB 142 117 18

HSL 47.9, 0.78%, 0.31%

LAB 50.12, 0.14, 52.16

 

CMYK 0 / 10 / 54 / 18

HEX #D2BD60

RGB 210 189 96

HSL 48.95, 0.56%, 0.6%

LAB 76.64, -4.25, 49.1

 

CMYK 0 / 24 / 54 / 18

HEX #D29F60

RGB 210 159 96

HSL 33.16, 0.56%, 0.6%

LAB 69, 11.69, 39.93

 

CMYK 0 / 39 / 54 / 18

HEX #D28060

RGB 210 128 96

HSL 16.84, 0.56%, 0.6%

LAB 61.64, 28.47, 30.72

 

CMYK 0 / 54 / 54 / 18

HEX #D26160

RGB 210 97 96

HSL 0.53, 0.56%, 0.6%

LAB 55.17, 44.53, 22.28

 

CMYK 0 / 54 / 54 / 18

HEX #D26060

RGB 210 96 96

HSL 0, 0.56%, 0.6%

LAB 54.98, 45.01, 22.03

 

CMYK 0 / 10 / 54 / 18

HEX #D2BD60

RGB 210 189 96

HSL 48.95, 0.56%, 0.6%

LAB 76.64, -4.25, 49.1

 

CMYK 5 / 0 / 54 / 18

HEX #C8D260

RGB 200 210 96

HSL 65.26, 0.56%, 0.6%

LAB 81.41, -19.02, 54.42

 

CMYK 20 / 0 / 54 / 18

HEX #A9D260

RGB 169 210 96

HSL 81.58, 0.56%, 0.6%

LAB 79.26, -31.2, 51.37

 

CMYK 34 / 0 / 54 / 18

HEX #8AD260

RGB 138 210 96

HSL 97.89, 0.56%, 0.6%

LAB 77.48, -42.4, 48.85

 

CMYK 49 / 0 / 54 / 18

HEX #6CD260

RGB 108 210 96

HSL 113.68, 0.56%, 0.6%

LAB 76.15, -51.75, 46.94

 

CMYK 0 / 10 / 54 / 18

HEX #D2BD60

RGB 210 189 96

HSL 48.95, 0.56%, 0.6%

LAB 76.64, -4.25, 49.1

 

CMYK 0 / 12 / 65 / 11

HEX #E3C84F

RGB 227 200 79

HSL 49.05, 0.73%, 0.6%

LAB 80.85, -4.01, 61.89

 

CMYK 0 / 13 / 74 / 5

HEX #F3D33F

RGB 243 211 63

HSL 49.33, 0.88%, 0.6%

LAB 85, -3.68, 72.66

 

CMYK 0 / 10 / 54 / 18

HEX #D2BD60

RGB 210 189 96

HSL 48.95, 0.56%, 0.6%

LAB 76.64, -4.25, 49.1

 

CMYK 0 / 8 / 42 / 24

HEX #C2B370

RGB 194 179 112

HSL 49.02, 0.4%, 0.6%

LAB 72.81, -4.12, 36.09

 

CMYK 0 / 5 / 27 / 31

HEX #B1A881

RGB 177 168 129

HSL 48.75, 0.24%, 0.6%

LAB 68.71, -3.02, 21.36

 

CMYK 0 / 2 / 10 / 37

HEX #A19E91

RGB 161 158 145

HSL 48.75, 0.08%, 0.6%

LAB 65.02, -1.27, 7.17

 

CMYK 11 / 9 / 0 / 36

HEX #9093A2

RGB 144 147 162

HSL 230, 0.09%, 0.6%

LAB 61.14, 2, -8.26

 

CMYK 0 / 39 / 54 / 18

HEX #D28060

RGB 210 128 96

HSL 16.84, 0.56%, 0.6%

LAB 61.64, 28.47, 30.72

 

CMYK 0 / 24 / 54 / 18

HEX #D29F60

RGB 210 159 96

HSL 33.16, 0.56%, 0.6%

LAB 69, 11.69, 39.93

 

CMYK 0 / 10 / 54 / 18

HEX #D2BD60

RGB 210 189 96

HSL 48.95, 0.56%, 0.6%

LAB 76.64, -4.25, 49.1

 

CMYK 4 / 0 / 54 / 18

HEX #C9D260

RGB 201 210 96

HSL 64.74, 0.56%, 0.6%

LAB 81.49, -18.61, 54.53

 

CMYK 19 / 0 / 54 / 18

HEX #AAD260

RGB 170 210 96

HSL 81.05, 0.56%, 0.6%

LAB 79.32, -30.82, 51.46

 

CMYK 0 / 13 / 72 / 32

HEX #AE9831

RGB 174 152 49

HSL 49.44, 0.56%, 0.44%

LAB 63.07, -3.31, 54.43

 

CMYK 0 / 12 / 68 / 21

HEX #C9B040

RGB 201 176 64

HSL 49.05, 0.56%, 0.52%

LAB 72.12, -3.46, 58.29

 

CMYK 0 / 10 / 54 / 18

HEX #D2BD60

RGB 210 189 96

HSL 48.95, 0.56%, 0.6%

LAB 76.64, -4.25, 49.1

 

CMYK 0 / 7 / 42 / 14

HEX #DBCB80

RGB 219 203 128

HSL 49.45, 0.56%, 0.68%

LAB 81.47, -4.84, 39.37

 

CMYK 0 / 5 / 30 / 11

HEX #E4D8A0

RGB 228 216 160

HSL 49.41, 0.56%, 0.76%

LAB 86.08, -4.28, 29.15

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

CMYK 54 / 0 / 53 / 18

HEX #60D262

RGB 96 210 98

HSL 121.05, 0.56%, 0.6%

LAB 75.74, -54.71, 45.4

 

CMYK 32 / 54 / 0 / 18

HEX #8F60D2

RGB 143 96 210

HSL 264.74, 0.56%, 0.6%

LAB 50.52, 42.54, -52.13

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

CMYK 54 / 0 / 10 / 18

HEX #60D2BD

RGB 96 210 189

HSL 168.95, 0.56%, 0.6%

LAB 77.43, -37.46, 0.59

 

CMYK 10 / 54 / 0 / 18

HEX #BD60D2

RGB 189 96 210

HSL 288.95, 0.56%, 0.6%

LAB 55.92, 54.41, -43.21

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

CMYK 54 / 0 / 53 / 18

HEX #60D262

RGB 96 210 98

HSL 121.05, 0.56%, 0.6%

LAB 75.74, -54.71, 45.4

 

CMYK 54 / 44 / 0 / 18

HEX #6075D2

RGB 96 117 210

HSL 228.95, 0.56%, 0.6%

LAB 51.68, 19.02, -50.5

 

CMYK 0 / 54 / 1 / 18

HEX #D260D0

RGB 210 96 208

HSL 301.05, 0.56%, 0.6%

LAB 58.62, 59.63, -37.64

 

CMYK 0 / 10 / 55 / 18

HEX #D2BD5E

RGB 210 189 94

HSL 49.14, 0.56%, 0.6%

LAB 76.62, -4.41, 50.03

 

CMYK 54 / 0 / 37 / 18

HEX #60D284

RGB 96 210 132

HSL 138.95, 0.56%, 0.6%

LAB 76.22, -49.54, 29.09

 

CMYK 54 / 44 / 0 / 18

HEX #6075D2

RGB 96 117 210

HSL 228.95, 0.56%, 0.6%

LAB 51.68, 19.02, -50.5

 

CMYK 0 / 54 / 17 / 18

HEX #D260AE

RGB 210 96 174

HSL 318.95, 0.56%, 0.6%

LAB 57.2, 54.14, -20.39

 

Description

Color code: HEX #D2BD5E | qconv.com Color code: HEX #D2BD5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 189 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 189 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 55 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 55% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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