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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD992A it is the complementary color #3266D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD992A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD992A shade: #D29925, #E3AB38, #F4BD4B, #FFCF5E and #FFE171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD992A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD992A shade: #CD992A, #BC8717, #AB7504, #9A6300 and #895100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD992A shade: #CB982A, #CB6C2A, #CB412A and #CB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD992A shade: #CB982A, #CBC32A, #A8CB2A, #7CCB2A and #50CB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD992A shade matches the following richer shades: #CB982A, #DF9F16 and #F3A602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD992A shade: #CB982A, #B7903D, #A48951, #908265 and #7C7B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD992A shade: #CB3F2A, #CB6A2A, #CB952A, #CBC02A and #ABCB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD992A shade: #87651C, #A97E23, #CB982A, #D9AA45 and #E0B967

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD992A shade: #CD992A, #3FCB2A and #552ACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD992A shade: #CD992A, #2ACB95 and #952ACB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD992A shade: #CD992A, #3FCB2A, #2A5FCB and #B62ACB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD992A shade: #CD992A, #2ACB45, #2A5FCB and #CB2AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 80 / 20

HEX #CD992A

RGB 205 153 42

HSL 40.86, 0.66%, 0.48%

LAB 66.47, 9.58, 61.4

 

Complementary color

CMYK 77 / 52 / 0 / 16

HEX #3266D5

RGB 50 102 213

HSL 220.86, 0.66%, 0.52%

LAB 45.61, 21.96, -62.08

 

CMYK 0 / 27 / 82 / 18

HEX #D29925

RGB 210 153 37

HSL 40.23, 0.7%, 0.48%

LAB 66.99, 11.61, 63.74

 

CMYK 0 / 25 / 75 / 11

HEX #E3AB38

RGB 227 171 56

HSL 40.35, 0.75%, 0.55%

LAB 73.38, 10.01, 63.58

 

CMYK 0 / 23 / 69 / 4

HEX #F4BD4B

RGB 244 189 75

HSL 40.47, 0.88%, 0.63%

LAB 79.69, 8.63, 62.85

 

CMYK 0 / 19 / 63 / 0

HEX #FFCF5E

RGB 255 207 94

HSL 42.11, 1%, 0.68%

LAB 85.35, 4.96, 61.04

 

CMYK 0 / 12 / 56 / 0

HEX #FFE171

RGB 255 225 113

HSL 47.32, 1%, 0.72%

LAB 90, -2.91, 57.73

 

CMYK 0 / 25 / 80 / 20

HEX #CD992A

RGB 205 153 42

HSL 40.86, 0.66%, 0.48%

LAB 66.47, 9.58, 61.4

 

CMYK 0 / 28 / 88 / 26

HEX #BC8717

RGB 188 135 23

HSL 40.73, 0.78%, 0.41%

LAB 59.96, 11.33, 60.95

 

CMYK 0 / 32 / 98 / 33

HEX #AB7504

RGB 171 117 4

HSL 40.6, 0.95%, 0.34%

LAB 53.37, 13.36, 59.06

 

CMYK 0 / 36 / 100 / 40

HEX #9A6300

RGB 154 99 0

HSL 38.57, 1%, 0.3%

LAB 46.7, 15.73, 54.38

 

CMYK 0 / 41 / 100 / 46

HEX #895100

RGB 137 81 0

HSL 35.47, 1%, 0.27%

LAB 39.92, 18.28, 48.86

 

CMYK 0 / 25 / 79 / 20

HEX #CB982A

RGB 203 152 42

HSL 40.99, 0.66%, 0.48%

LAB 66, 9.25, 60.89

 

CMYK 0 / 47 / 79 / 20

HEX #CB6C2A

RGB 203 108 42

HSL 24.6, 0.66%, 0.48%

LAB 55.67, 33.03, 51.29

 

CMYK 0 / 68 / 79 / 20

HEX #CB412A

RGB 203 65 42

HSL 8.57, 0.66%, 0.48%

LAB 47.81, 53.39, 43.62

 

CMYK 0 / 79 / 79 / 20

HEX #CB2A2A

RGB 203 42 42

HSL 0, 0.66%, 0.48%

LAB 44.97, 61.25, 40.75

 

CMYK 0 / 25 / 79 / 20

HEX #CB982A

RGB 203 152 42

HSL 40.99, 0.66%, 0.48%

LAB 66, 9.25, 60.89

 

CMYK 0 / 4 / 79 / 20

HEX #CBC32A

RGB 203 195 42

HSL 57.02, 0.66%, 0.48%

LAB 77.22, -13.37, 70.91

 

CMYK 17 / 0 / 79 / 20

HEX #A8CB2A

RGB 168 203 42

HSL 73.04, 0.66%, 0.48%

LAB 76.8, -31.92, 69.54

 

CMYK 39 / 0 / 79 / 20

HEX #7CCB2A

RGB 124 203 42

HSL 89.44, 0.66%, 0.48%

LAB 74.29, -48.44, 66.33

 

CMYK 61 / 0 / 79 / 20

HEX #50CB2A

RGB 80 203 42

HSL 105.84, 0.66%, 0.48%

LAB 72.62, -61.26, 64.16

 

CMYK 0 / 25 / 79 / 20

HEX #CB982A

RGB 203 152 42

HSL 40.99, 0.66%, 0.48%

LAB 66, 9.25, 60.89

 

CMYK 0 / 29 / 90 / 13

HEX #DF9F16

RGB 223 159 22

HSL 40.9, 0.82%, 0.48%

LAB 69.85, 13.7, 70.59

 

CMYK 0 / 32 / 99 / 5

HEX #F3A602

RGB 243 166 2

HSL 40.83, 0.98%, 0.48%

LAB 73.76, 18.36, 77.27

 

CMYK 0 / 25 / 79 / 20

HEX #CB982A

RGB 203 152 42

HSL 40.99, 0.66%, 0.48%

LAB 66, 9.25, 60.89

 

CMYK 0 / 21 / 67 / 28

HEX #B7903D

RGB 183 144 61

HSL 40.82, 0.5%, 0.48%

LAB 61.96, 5.71, 48.35

 

CMYK 0 / 16 / 51 / 36

HEX #A48951

RGB 164 137 81

HSL 40.48, 0.34%, 0.48%

LAB 58.39, 2.83, 33.67

 

CMYK 0 / 10 / 30 / 44

HEX #908265

RGB 144 130 101

HSL 40.47, 0.18%, 0.48%

LAB 54.9, 0.61, 17.66

 

CMYK 0 / 1 / 2 / 51

HEX #7C7B79

RGB 124 123 121

HSL 40, 0.01%, 0.48%

LAB 51.65, -0.01, 1.22

 

CMYK 0 / 69 / 79 / 20

HEX #CB3F2A

RGB 203 63 42

HSL 7.83, 0.66%, 0.48%

LAB 47.52, 54.18, 43.33

 

CMYK 0 / 48 / 79 / 20

HEX #CB6A2A

RGB 203 106 42

HSL 23.85, 0.66%, 0.48%

LAB 55.25, 34.08, 50.88

 

CMYK 0 / 27 / 79 / 20

HEX #CB952A

RGB 203 149 42

HSL 39.88, 0.66%, 0.48%

LAB 65.25, 10.87, 60.2

 

CMYK 0 / 5 / 79 / 20

HEX #CBC02A

RGB 203 192 42

HSL 55.9, 0.66%, 0.48%

LAB 76.41, -11.85, 70.21

 

CMYK 16 / 0 / 79 / 20

HEX #ABCB2A

RGB 171 203 42

HSL 71.93, 0.66%, 0.48%

LAB 77, -30.71, 69.8

 

CMYK 0 / 25 / 79 / 47

HEX #87651C

RGB 135 101 28

HSL 40.93, 0.66%, 0.32%

LAB 45, 6.39, 43.96

 

CMYK 0 / 25 / 79 / 34

HEX #A97E23

RGB 169 126 35

HSL 40.75, 0.66%, 0.4%

LAB 55.56, 8.13, 52.48

 

CMYK 0 / 25 / 79 / 20

HEX #CB982A

RGB 203 152 42

HSL 40.99, 0.66%, 0.48%

LAB 66, 9.25, 60.89

 

CMYK 0 / 22 / 68 / 15

HEX #D9AA45

RGB 217 170 69

HSL 40.95, 0.66%, 0.56%

LAB 72.18, 6.88, 56.72

 

CMYK 0 / 17 / 54 / 12

HEX #E0B967

RGB 224 185 103

HSL 40.66, 0.66%, 0.64%

LAB 77, 4.23, 46.43

 

CMYK 0 / 25 / 80 / 20

HEX #CD992A

RGB 205 153 42

HSL 40.86, 0.66%, 0.48%

LAB 66.47, 9.58, 61.4

 

CMYK 69 / 0 / 79 / 20

HEX #3FCB2A

RGB 63 203 42

HSL 112.17, 0.66%, 0.48%

LAB 72.19, -64.86, 63.6

 

CMYK 58 / 79 / 0 / 20

HEX #552ACB

RGB 85 42 203

HSL 256.02, 0.66%, 0.48%

LAB 33.77, 57.78, -75.58

 

CMYK 0 / 25 / 80 / 20

HEX #CD992A

RGB 205 153 42

HSL 40.86, 0.66%, 0.48%

LAB 66.47, 9.58, 61.4

 

CMYK 79 / 0 / 27 / 20

HEX #2ACB95

RGB 42 203 149

HSL 159.88, 0.66%, 0.48%

LAB 73.14, -52.57, 15.74

 

CMYK 27 / 79 / 0 / 20

HEX #952ACB

RGB 149 42 203

HSL 279.88, 0.66%, 0.48%

LAB 41.78, 66.99, -62.15

 

CMYK 0 / 25 / 80 / 20

HEX #CD992A

RGB 205 153 42

HSL 40.86, 0.66%, 0.48%

LAB 66.47, 9.58, 61.4

 

CMYK 69 / 0 / 79 / 20

HEX #3FCB2A

RGB 63 203 42

HSL 112.17, 0.66%, 0.48%

LAB 72.19, -64.86, 63.6

 

CMYK 79 / 53 / 0 / 20

HEX #2A5FCB

RGB 42 95 203

HSL 220.25, 0.66%, 0.48%

LAB 42.75, 21.86, -61

 

CMYK 10 / 79 / 0 / 20

HEX #B62ACB

RGB 182 42 203

HSL 292.17, 0.66%, 0.48%

LAB 46.86, 72.85, -53.69

 

CMYK 0 / 25 / 80 / 20

HEX #CD992A

RGB 205 153 42

HSL 40.86, 0.66%, 0.48%

LAB 66.47, 9.58, 61.4

 

CMYK 79 / 0 / 66 / 20

HEX #2ACB45

RGB 42 203 69

HSL 130.06, 0.66%, 0.48%

LAB 71.98, -65.93, 53.67

 

CMYK 79 / 53 / 0 / 20

HEX #2A5FCB

RGB 42 95 203

HSL 220.25, 0.66%, 0.48%

LAB 42.75, 21.86, -61

 

CMYK 0 / 79 / 13 / 20

HEX #CB2AB0

RGB 203 42 176

HSL 310.06, 0.66%, 0.48%

LAB 48.87, 72.86, -34.55

 

Description

Color code: HEX #CD992A | qconv.com Color code: HEX #CD992A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 153 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 153 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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