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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD894C it is the complementary color #3276B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD894C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD894C shade: #D28947, #E39B5A, #F4AD6D, #FFBF80 and #FFD193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD894C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD894C shade: #CD894C, #BC7739, #AB6526, #9A5313 and #894100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD894C shade: #CC884B, #CC664B and #CC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD894C shade: #CC884B, #CCAB4B, #CACC4B, #A8CC4B and #85CC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD894C shade matches the following richer shades: #CC884B, #DF8739 and #F18626

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD894C shade: #CC884B, #B9895E, #A78A71, #948B83 and #828C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD894C shade: #CC4B54, #CC654B, #CC874B, #CCAA4B and #CCCC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD894C shade: #9A5F2B, #BA7334, #CC884B, #D59E6C and #DEB38C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD894C shade: #CD894C, #76CC4B and #544BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD894C shade: #CD894C, #4BCC87 and #874BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD894C shade: #CD894C, #76CC4B, #4B90CC and #A14BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD894C shade: #CD894C, #50CC4B, #4B90CC and #C84BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 63 / 20

HEX #CD894C

RGB 205 137 76

HSL 28.37, 0.56%, 0.55%

LAB 62.84, 20.02, 42.69

 

Complementary color

CMYK 72 / 34 / 0 / 30

HEX #3276B3

RGB 50 118 179

HSL 208.37, 0.56%, 0.45%

LAB 48.12, -0.71, -38.5

 

CMYK 0 / 35 / 66 / 18

HEX #D28947

RGB 210 137 71

HSL 28.49, 0.61%, 0.55%

LAB 63.38, 21.8, 45.99

 

CMYK 0 / 32 / 60 / 11

HEX #E39B5A

RGB 227 155 90

HSL 28.47, 0.71%, 0.62%

LAB 69.83, 20.44, 44.45

 

CMYK 0 / 29 / 55 / 4

HEX #F4AD6D

RGB 244 173 109

HSL 28.44, 0.86%, 0.69%

LAB 76.21, 19.24, 42.94

 

CMYK 0 / 25 / 50 / 0

HEX #FFBF80

RGB 255 191 128

HSL 29.76, 1%, 0.75%

LAB 81.88, 15.81, 40.59

 

CMYK 0 / 18 / 42 / 0

HEX #FFD193

RGB 255 209 147

HSL 34.44, 1%, 0.79%

LAB 86.49, 8.28, 36.81

 

CMYK 0 / 33 / 63 / 20

HEX #CD894C

RGB 205 137 76

HSL 28.37, 0.56%, 0.55%

LAB 62.84, 20.02, 42.69

 

CMYK 0 / 37 / 70 / 26

HEX #BC7739

RGB 188 119 57

HSL 28.4, 0.53%, 0.48%

LAB 56.27, 21.49, 44.26

 

CMYK 0 / 41 / 78 / 33

HEX #AB6526

RGB 171 101 38

HSL 28.42, 0.64%, 0.41%

LAB 49.62, 23.19, 45.68

 

CMYK 0 / 46 / 88 / 40

HEX #9A5313

RGB 154 83 19

HSL 28.44, 0.78%, 0.34%

LAB 42.92, 25.17, 46.51

 

CMYK 0 / 53 / 100 / 46

HEX #894100

RGB 137 65 0

HSL 28.47, 1%, 0.27%

LAB 36.17, 27.38, 46.55

 

CMYK 0 / 33 / 63 / 20

HEX #CC884B

RGB 204 136 75

HSL 28.37, 0.56%, 0.55%

LAB 62.47, 20.07, 42.75

 

CMYK 0 / 50 / 63 / 20

HEX #CC664B

RGB 204 102 75

HSL 12.56, 0.56%, 0.55%

LAB 54.92, 38.22, 33.76

 

CMYK 0 / 63 / 63 / 20

HEX #CC4B4B

RGB 204 75 75

HSL 0, 0.56%, 0.55%

LAB 49.95, 51.12, 27.59

 

CMYK 0 / 33 / 63 / 20

HEX #CC884B

RGB 204 136 75

HSL 28.37, 0.56%, 0.55%

LAB 62.47, 20.07, 42.75

 

CMYK 0 / 16 / 63 / 20

HEX #CCAB4B

RGB 204 171 75

HSL 44.65, 0.56%, 0.55%

LAB 71.19, 1.14, 52.6

 

CMYK 1 / 0 / 63 / 20

HEX #CACC4B

RGB 202 204 75

HSL 60.93, 0.56%, 0.55%

LAB 79.76, -16.74, 61.75

 

CMYK 18 / 0 / 63 / 20

HEX #A8CC4B

RGB 168 204 75

HSL 76.74, 0.56%, 0.55%

LAB 77.29, -30.54, 58.39

 

CMYK 35 / 0 / 63 / 20

HEX #85CC4B

RGB 133 204 75

HSL 93.02, 0.56%, 0.55%

LAB 75.25, -43.56, 55.58

 

CMYK 0 / 33 / 63 / 20

HEX #CC884B

RGB 204 136 75

HSL 28.37, 0.56%, 0.55%

LAB 62.47, 20.07, 42.75

 

CMYK 0 / 39 / 74 / 13

HEX #DF8739

RGB 223 135 57

HSL 28.19, 0.72%, 0.55%

LAB 64.41, 27.57, 54.18

 

CMYK 0 / 44 / 84 / 5

HEX #F18626

RGB 241 134 38

HSL 28.37, 0.88%, 0.55%

LAB 66.44, 34.8, 64.44

 

CMYK 0 / 33 / 63 / 20

HEX #CC884B

RGB 204 136 75

HSL 28.37, 0.56%, 0.55%

LAB 62.47, 20.07, 42.75

 

CMYK 0 / 26 / 49 / 27

HEX #B9895E

RGB 185 137 94

HSL 28.35, 0.39%, 0.55%

LAB 60.79, 13.07, 30.14

 

CMYK 0 / 17 / 32 / 35

HEX #A78A71

RGB 167 138 113

HSL 27.78, 0.23%, 0.55%

LAB 59.51, 7.23, 17.51

 

CMYK 0 / 6 / 11 / 42

HEX #948B83

RGB 148 139 131

HSL 28.24, 0.07%, 0.55%

LAB 58.41, 1.91, 5.47

 

CMYK 13 / 7 / 0 / 41

HEX #828C96

RGB 130 140 150

HSL 210, 0.09%, 0.55%

LAB 57.76, -1.49, -6.56

 

CMYK 0 / 63 / 59 / 20

HEX #CC4B54

RGB 204 75 84

HSL 355.81, 0.56%, 0.55%

LAB 50.11, 51.73, 22.47

 

CMYK 0 / 50 / 63 / 20

HEX #CC654B

RGB 204 101 75

HSL 12.09, 0.56%, 0.55%

LAB 54.71, 38.73, 33.51

 

CMYK 0 / 34 / 63 / 20

HEX #CC874B

RGB 204 135 75

HSL 27.91, 0.56%, 0.55%

LAB 62.23, 20.62, 42.47

 

CMYK 0 / 17 / 63 / 20

HEX #CCAA4B

RGB 204 170 75

HSL 44.19, 0.56%, 0.55%

LAB 70.94, 1.67, 52.31

 

CMYK 0 / 0 / 63 / 20

HEX #CCCC4B

RGB 204 204 75

HSL 60, 0.56%, 0.55%

LAB 79.92, -15.91, 61.96

 

CMYK 0 / 38 / 72 / 40

HEX #9A5F2B

RGB 154 95 43

HSL 28.11, 0.56%, 0.39%

LAB 45.95, 19.35, 38.78

 

CMYK 0 / 38 / 72 / 27

HEX #BA7334

RGB 186 115 52

HSL 28.21, 0.56%, 0.47%

LAB 55.02, 22.57, 45.28

 

CMYK 0 / 33 / 63 / 20

HEX #CC884B

RGB 204 136 75

HSL 28.37, 0.56%, 0.55%

LAB 62.47, 20.07, 42.75

 

CMYK 0 / 26 / 49 / 16

HEX #D59E6C

RGB 213 158 108

HSL 28.57, 0.56%, 0.63%

LAB 69.24, 14.54, 34.02

 

CMYK 0 / 19 / 37 / 13

HEX #DEB38C

RGB 222 179 140

HSL 28.54, 0.55%, 0.71%

LAB 75.86, 10.28, 25.81

 

CMYK 0 / 33 / 63 / 20

HEX #CD894C

RGB 205 137 76

HSL 28.37, 0.56%, 0.55%

LAB 62.84, 20.02, 42.69

 

CMYK 42 / 0 / 63 / 20

HEX #76CC4B

RGB 118 204 75

HSL 100, 0.56%, 0.55%

LAB 74.54, -48.56, 54.59

 

CMYK 59 / 63 / 0 / 20

HEX #544BCC

RGB 84 75 204

HSL 244.19, 0.56%, 0.55%

LAB 40.04, 40.54, -65.88

 

CMYK 0 / 33 / 63 / 20

HEX #CD894C

RGB 205 137 76

HSL 28.37, 0.56%, 0.55%

LAB 62.84, 20.02, 42.69

 

CMYK 63 / 0 / 34 / 20

HEX #4BCC87

RGB 75 204 135

HSL 147.91, 0.56%, 0.55%

LAB 73.82, -51.08, 24.21

 

CMYK 34 / 63 / 0 / 20

HEX #874BCC

RGB 135 75 204

HSL 267.91, 0.56%, 0.55%

LAB 45, 50.47, -57.6

 

CMYK 0 / 33 / 63 / 20

HEX #CD894C

RGB 205 137 76

HSL 28.37, 0.56%, 0.55%

LAB 62.84, 20.02, 42.69

 

CMYK 42 / 0 / 63 / 20

HEX #76CC4B

RGB 118 204 75

HSL 100, 0.56%, 0.55%

LAB 74.54, -48.56, 54.59

 

CMYK 63 / 29 / 0 / 20

HEX #4B90CC

RGB 75 144 204

HSL 207.91, 0.56%, 0.55%

LAB 57.85, -3.28, -37.42

 

CMYK 21 / 63 / 0 / 20

HEX #A14BCC

RGB 161 75 204

HSL 280, 0.56%, 0.55%

LAB 48.22, 56.33, -52.25

 

CMYK 0 / 33 / 63 / 20

HEX #CD894C

RGB 205 137 76

HSL 28.37, 0.56%, 0.55%

LAB 62.84, 20.02, 42.69

 

CMYK 61 / 0 / 63 / 20

HEX #50CC4B

RGB 80 204 75

HSL 117.67, 0.56%, 0.55%

LAB 73.15, -59, 52.67

 

CMYK 63 / 29 / 0 / 20

HEX #4B90CC

RGB 75 144 204

HSL 207.91, 0.56%, 0.55%

LAB 57.85, -3.28, -37.42

 

CMYK 2 / 63 / 0 / 20

HEX #C84BCC

RGB 200 75 204

HSL 298.14, 0.56%, 0.55%

LAB 53.68, 65.52, -43.24

 

Description

Color code: HEX #CD894C | qconv.com Color code: HEX #CD894C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 137 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 137 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 63 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 63% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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