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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7DF1 it is the complementary color #32820E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7DF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7DF1 shade: #D27DEC, #E38FFF, #F4A1FF, #FFB3FF and #FFC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7DF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7DF1 shade: #CD7DF1, #BC6BDE, #AB59CB, #9A47B8 and #8935A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7DF1 shade: #CD7DF1, #EC7DF1, #F17DD6, #F17DB7 and #F17D98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7DF1 shade: #CD7DF1, #AE7DF1, #8F7DF1 and #7D7DF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7DF1 shade matches the following richer shades: #CD7DF1 and #D172FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7DF1 shade: #CD7DF1, #C989E5, #C494DA, #C0A0CE and #BCABC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7DF1 shade: #8F7DF1, #AD7DF1, #CC7DF1, #EB7DF1 and #F17DD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7DF1 shade: #B033E9, #BF58ED, #CD7DF1, #DBA3F5 and #EAC8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7DF1 shade: #CD7DF1, #F17D8B and #7DF19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7DF1 shade: #CD7DF1, #F1CC7D and #7DF1CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7DF1 shade: #CD7DF1, #F17D8B, #A2F17D and #7DF1E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7DF1 shade: #CD7DF1, #F1927D, #A2F17D and #7DDCF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

Complementary color

CMYK 62 / 0 / 89 / 49

HEX #32820E

RGB 50 130 14

HSL 101.38, 0.81%, 0.28%

LAB 47.85, -44.17, 48.75

 

CMYK 11 / 47 / 0 / 7

HEX #D27DEC

RGB 210 125 236

HSL 285.95, 0.74%, 0.71%

LAB 65.3, 50.64, -42.83

 

CMYK 11 / 44 / 0 / 0

HEX #E38FFF

RGB 227 143 255

HSL 285, 1%, 0.78%

LAB 71.69, 49.88, -43.1

 

CMYK 4 / 37 / 0 / 0

HEX #F4A1FF

RGB 244 161 255

HSL 292.98, 1%, 0.82%

LAB 77.25, 45.49, -34.31

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 15 / 52 / 0 / 13

HEX #BC6BDE

RGB 188 107 222

HSL 282.26, 0.64%, 0.65%

LAB 58.49, 51.04, -45.93

 

CMYK 16 / 56 / 0 / 20

HEX #AB59CB

RGB 171 89 203

HSL 283.16, 0.52%, 0.57%

LAB 51.97, 51.76, -45.63

 

CMYK 16 / 61 / 0 / 28

HEX #9A47B8

RGB 154 71 184

HSL 284.07, 0.44%, 0.5%

LAB 45.41, 52.34, -45.2

 

CMYK 17 / 68 / 0 / 35

HEX #8935A5

RGB 137 53 165

HSL 285, 0.51%, 0.43%

LAB 38.87, 52.65, -44.55

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 2 / 48 / 0 / 5

HEX #EC7DF1

RGB 236 125 241

HSL 297.41, 0.81%, 0.72%

LAB 68.64, 58.78, -40.13

 

CMYK 0 / 48 / 11 / 5

HEX #F17DD6

RGB 241 125 214

HSL 313.97, 0.81%, 0.72%

LAB 68.18, 55.67, -25.86

 

CMYK 0 / 48 / 24 / 5

HEX #F17DB7

RGB 241 125 183

HSL 330, 0.81%, 0.72%

LAB 67.12, 51.09, -10.12

 

CMYK 0 / 48 / 37 / 5

HEX #F17D98

RGB 241 125 152

HSL 346.03, 0.81%, 0.72%

LAB 66.24, 47.19, 6.12

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 28 / 48 / 0 / 5

HEX #AE7DF1

RGB 174 125 241

HSL 265.34, 0.81%, 0.72%

LAB 61.67, 41.98, -51.58

 

CMYK 41 / 48 / 0 / 5

HEX #8F7DF1

RGB 143 125 241

HSL 249.31, 0.81%, 0.72%

LAB 58.84, 34.2, -56.25

 

CMYK 48 / 48 / 0 / 5

HEX #7D7DF1

RGB 125 125 241

HSL 240, 0.81%, 0.72%

LAB 57.44, 30.07, -58.57

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 17 / 55 / 0 / 1

HEX #D172FC

RGB 209 114 252

HSL 281.3, 0.96%, 0.72%

LAB 63.85, 59.13, -53.95

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 12 / 40 / 0 / 10

HEX #C989E5

RGB 201 137 229

HSL 281.74, 0.64%, 0.72%

LAB 66.49, 40.3, -37.17

 

CMYK 10 / 32 / 0 / 15

HEX #C494DA

RGB 196 148 218

HSL 281.14, 0.49%, 0.72%

LAB 68, 30.5, -28.79

 

CMYK 7 / 22 / 0 / 19

HEX #C0A0CE

RGB 192 160 206

HSL 281.74, 0.32%, 0.72%

LAB 70.04, 20.14, -19.08

 

CMYK 4 / 12 / 0 / 24

HEX #BCABC3

RGB 188 171 195

HSL 282.5, 0.17%, 0.72%

LAB 72.07, 10.54, -10

 

CMYK 41 / 48 / 0 / 5

HEX #8F7DF1

RGB 143 125 241

HSL 249.31, 0.81%, 0.72%

LAB 58.84, 34.2, -56.25

 

CMYK 28 / 48 / 0 / 5

HEX #AD7DF1

RGB 173 125 241

HSL 264.83, 0.81%, 0.72%

LAB 61.57, 41.72, -51.75

 

CMYK 15 / 48 / 0 / 5

HEX #CC7DF1

RGB 204 125 241

HSL 280.86, 0.81%, 0.72%

LAB 64.85, 50, -46.35

 

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

CMYK 0 / 48 / 10 / 5

HEX #F17DD8

RGB 241 125 216

HSL 312.93, 0.81%, 0.72%

LAB 68.26, 55.99, -26.85

 

CMYK 24 / 78 / 0 / 9

HEX #B033E9

RGB 176 51 233

HSL 281.21, 0.81%, 0.56%

LAB 48.86, 74.66, -67.65

 

CMYK 19 / 63 / 0 / 7

HEX #BF58ED

RGB 191 88 237

HSL 281.48, 0.81%, 0.64%

LAB 56.26, 64.05, -57.87

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 11 / 33 / 0 / 4

HEX #DBA3F5

RGB 219 163 245

HSL 280.98, 0.8%, 0.8%

LAB 74.73, 34.95, -33.01

 

CMYK 6 / 20 / 0 / 2

HEX #EAC8F9

RGB 234 200 249

HSL 281.63, 0.8%, 0.88%

LAB 84.81, 20.59, -19.62

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 0 / 48 / 42 / 5

HEX #F17D8B

RGB 241 125 139

HSL 352.76, 0.81%, 0.72%

LAB 65.93, 45.77, 13.05

 

CMYK 48 / 0 / 34 / 5

HEX #7DF19E

RGB 125 241 158

HSL 137.07, 0.81%, 0.72%

LAB 86.87, -50.6, 30.19

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 0 / 15 / 48 / 5

HEX #F1CC7D

RGB 241 204 125

HSL 40.86, 0.81%, 0.72%

LAB 83.64, 3.17, 44.02

 

CMYK 48 / 0 / 15 / 5

HEX #7DF1CC

RGB 125 241 204

HSL 160.86, 0.81%, 0.72%

LAB 87.79, -41.57, 7.76

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 0 / 48 / 42 / 5

HEX #F17D8B

RGB 241 125 139

HSL 352.76, 0.81%, 0.72%

LAB 65.93, 45.77, 13.05

 

CMYK 33 / 0 / 48 / 5

HEX #A2F17D

RGB 162 241 125

HSL 100.86, 0.81%, 0.72%

LAB 88, -44.51, 48.21

 

CMYK 48 / 0 / 6 / 5

HEX #7DF1E3

RGB 125 241 227

HSL 172.76, 0.81%, 0.72%

LAB 88.36, -36.28, -3.42

 

CMYK 15 / 48 / 0 / 5

HEX #CD7DF1

RGB 205 125 241

HSL 281.38, 0.81%, 0.72%

LAB 64.96, 50.27, -46.17

 

CMYK 0 / 39 / 48 / 5

HEX #F1927D

RGB 241 146 125

HSL 10.86, 0.81%, 0.72%

LAB 69.99, 33.66, 26.42

 

CMYK 33 / 0 / 48 / 5

HEX #A2F17D

RGB 162 241 125

HSL 100.86, 0.81%, 0.72%

LAB 88, -44.51, 48.21

 

CMYK 48 / 9 / 0 / 5

HEX #7DDCF1

RGB 125 220 241

HSL 190.86, 0.81%, 0.72%

LAB 82.86, -22.68, -19

 

Description

Color code: HEX #CD7DF1 | qconv.com Color code: HEX #CD7DF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 125 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 125 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 48 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 48% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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