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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 235 125 241 it is the complementary color RGB 20 130 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 235 125 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 235 125 241 shade: RGB 240 125 236, RGB 255 143 255, RGB 255 161 255, RGB 255 179 255 and RGB 255 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 235 125 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 235 125 241 shade: RGB 235 125 241, RGB 218 107 222, RGB 201 89 203, RGB 184 71 184 and RGB 167 53 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 235 125 241 shade: RGB 235 126 241, RGB 241 126 216, RGB 241 126 185, RGB 241 126 154 and RGB 241 126 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 235 125 241 shade: RGB 235 126 241, RGB 204 126 241, RGB 173 126 241, RGB 142 126 241 and RGB 126 126 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 235 125 241 shade matches the following richer shades: RGB 235 126 241 and RGB 246 114 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 235 125 241 shade: RGB 235 126 241, RGB 225 137 230, RGB 215 149 218, RGB 204 160 207 and RGB 194 172 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 235 125 241 shade: RGB 172 126 241, RGB 203 126 241, RGB 234 126 241, RGB 241 126 218 and RGB 241 126 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 235 125 241 shade: RGB 224 51 234, RGB 230 88 238, RGB 235 126 241, RGB 241 163 245 and RGB 247 200 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 235 125 241 shade: RGB 235 125 241, RGB 241 141 126 and RGB 126 241 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 235 125 241 shade: RGB 235 125 241, RGB 241 234 126 and RGB 126 241 234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 235 125 241 shade: RGB 235 125 241, RGB 241 141 126, RGB 133 241 126 and RGB 126 226 241

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 235 125 241 shade: RGB 235 125 241, RGB 241 176 126, RGB 133 241 126 and RGB 126 191 241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

Complementary color

CMYK 85 / 0 / 89 / 49

HEX #14820E

RGB 20 130 14

HSL 116.9, 0.81%, 0.28%

LAB 47.17, -49.99, 47.89

 

CMYK 0 / 48 / 2 / 6

HEX #F07DEC

RGB 240 125 236

HSL 302.09, 0.79%, 0.72%

LAB 68.93, 59.01, -36.89

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

CMYK 2 / 52 / 0 / 13

HEX #DA6BDE

RGB 218 107 222

HSL 297.91, 0.64%, 0.65%

LAB 62.25, 59.1, -39.76

 

CMYK 1 / 56 / 0 / 20

HEX #C959CB

RGB 201 89 203

HSL 298.95, 0.52%, 0.57%

LAB 55.96, 59.58, -39.06

 

CMYK 0 / 61 / 0 / 28

HEX #B847B8

RGB 184 71 184

HSL 300, 0.44%, 0.5%

LAB 49.69, 59.82, -38.15

 

CMYK 0 / 68 / 1 / 35

HEX #A735A5

RGB 167 53 165

HSL 301.05, 0.52%, 0.43%

LAB 43.48, 59.67, -36.94

 

CMYK 2 / 48 / 0 / 5

HEX #EB7EF1

RGB 235 126 241

HSL 296.87, 0.8%, 0.72%

LAB 68.7, 58.02, -40.04

 

CMYK 0 / 48 / 10 / 5

HEX #F17ED8

RGB 241 126 216

HSL 313.04, 0.8%, 0.72%

LAB 68.45, 55.5, -26.57

 

CMYK 0 / 48 / 23 / 5

HEX #F17EB9

RGB 241 126 185

HSL 329.22, 0.8%, 0.72%

LAB 67.37, 50.87, -10.86

 

CMYK 0 / 48 / 36 / 5

HEX #F17E9A

RGB 241 126 154

HSL 345.39, 0.8%, 0.72%

LAB 66.49, 46.92, 5.34

 

CMYK 0 / 48 / 48 / 5

HEX #F17E7E

RGB 241 126 126

HSL 0, 0.8%, 0.72%

LAB 65.85, 43.99, 20.28

 

CMYK 2 / 48 / 0 / 5

HEX #EB7EF1

RGB 235 126 241

HSL 296.87, 0.8%, 0.72%

LAB 68.7, 58.02, -40.04

 

CMYK 15 / 48 / 0 / 5

HEX #CC7EF1

RGB 204 126 241

HSL 280.7, 0.8%, 0.72%

LAB 65.05, 49.48, -46.03

 

CMYK 28 / 48 / 0 / 5

HEX #AD7EF1

RGB 173 126 241

HSL 264.52, 0.8%, 0.72%

LAB 61.79, 41.17, -51.4

 

CMYK 41 / 48 / 0 / 5

HEX #8E7EF1

RGB 142 126 241

HSL 248.35, 0.8%, 0.72%

LAB 59, 33.39, -56.01

 

CMYK 48 / 48 / 0 / 5

HEX #7E7EF1

RGB 126 126 241

HSL 240, 0.8%, 0.72%

LAB 57.76, 29.7, -58.06

 

CMYK 2 / 48 / 0 / 5

HEX #EB7EF1

RGB 235 126 241

HSL 296.87, 0.8%, 0.72%

LAB 68.7, 58.02, -40.04

 

CMYK 3 / 55 / 0 / 1

HEX #F672FD

RGB 246 114 253

HSL 296.98, 0.97%, 0.72%

LAB 68.55, 68.63, -46.77

 

CMYK 2 / 48 / 0 / 5

HEX #EB7EF1

RGB 235 126 241

HSL 296.87, 0.8%, 0.72%

LAB 68.7, 58.02, -40.04

 

CMYK 2 / 40 / 0 / 10

HEX #E189E6

RGB 225 137 230

HSL 296.77, 0.65%, 0.72%

LAB 69.19, 47.62, -33.32

 

CMYK 1 / 32 / 0 / 15

HEX #D795DA

RGB 215 149 218

HSL 297.39, 0.48%, 0.72%

LAB 70.18, 35.97, -25.28

 

CMYK 1 / 23 / 0 / 19

HEX #CCA0CF

RGB 204 160 207

HSL 296.17, 0.33%, 0.72%

LAB 71.2, 24.32, -17.76

 

CMYK 1 / 12 / 0 / 24

HEX #C2ACC3

RGB 194 172 195

HSL 297.39, 0.16%, 0.72%

LAB 72.84, 12.06, -8.8

 

CMYK 29 / 48 / 0 / 5

HEX #AC7EF1

RGB 172 126 241

HSL 264, 0.8%, 0.72%

LAB 61.69, 40.91, -51.56

 

CMYK 16 / 48 / 0 / 5

HEX #CB7EF1

RGB 203 126 241

HSL 280.17, 0.8%, 0.72%

LAB 64.94, 49.21, -46.22

 

CMYK 3 / 48 / 0 / 5

HEX #EA7EF1

RGB 234 126 241

HSL 296.35, 0.8%, 0.72%

LAB 68.58, 57.74, -40.24

 

CMYK 0 / 48 / 10 / 5

HEX #F17EDA

RGB 241 126 218

HSL 312, 0.8%, 0.72%

LAB 68.52, 55.82, -27.56

 

CMYK 0 / 48 / 22 / 5

HEX #F17EBB

RGB 241 126 187

HSL 328.17, 0.8%, 0.72%

LAB 67.43, 51.15, -11.89

 

CMYK 4 / 78 / 0 / 8

HEX #E033EA

RGB 224 51 234

HSL 296.72, 0.81%, 0.56%

LAB 56.24, 83.36, -55.94

 

CMYK 3 / 63 / 0 / 7

HEX #E658EE

RGB 230 88 238

HSL 296.8, 0.82%, 0.64%

LAB 61.63, 73.14, -49.55

 

CMYK 2 / 48 / 0 / 5

HEX #EB7EF1

RGB 235 126 241

HSL 296.87, 0.8%, 0.72%

LAB 68.7, 58.02, -40.04

 

CMYK 2 / 33 / 0 / 4

HEX #F1A3F5

RGB 241 163 245

HSL 297.07, 0.8%, 0.8%

LAB 76.97, 41.69, -29.36

 

CMYK 1 / 20 / 0 / 2

HEX #F7C8F9

RGB 247 200 249

HSL 297.55, 0.8%, 0.88%

LAB 85.97, 24.79, -17.77

 

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

CMYK 0 / 41 / 48 / 5

HEX #F18D7E

RGB 241 141 126

HSL 7.83, 0.8%, 0.72%

LAB 68.94, 36.35, 24.46

 

CMYK 48 / 0 / 22 / 5

HEX #7EF1BB

RGB 126 241 187

HSL 151.83, 0.8%, 0.72%

LAB 87.45, -44.92, 16.13

 

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

CMYK 0 / 3 / 48 / 5

HEX #F1EA7E

RGB 241 234 126

HSL 56.35, 0.8%, 0.72%

LAB 91.26, -11.94, 52.88

 

CMYK 48 / 0 / 3 / 5

HEX #7EF1EA

RGB 126 241 234

HSL 176.35, 0.8%, 0.72%

LAB 88.58, -34.36, -6.75

 

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

CMYK 0 / 41 / 48 / 5

HEX #F18D7E

RGB 241 141 126

HSL 7.83, 0.8%, 0.72%

LAB 68.94, 36.35, 24.46

 

CMYK 45 / 0 / 48 / 5

HEX #85F17E

RGB 133 241 126

HSL 116.35, 0.8%, 0.72%

LAB 86.7, -53.3, 45.83

 

CMYK 48 / 6 / 0 / 5

HEX #7EE2F1

RGB 126 226 241

HSL 187.83, 0.8%, 0.72%

LAB 84.58, -25.42, -16.4

 

CMYK 2 / 48 / 0 / 5

HEX #EB7DF1

RGB 235 125 241

HSL 296.9, 0.81%, 0.72%

LAB 68.52, 58.5, -40.33

 

CMYK 0 / 27 / 48 / 5

HEX #F1B07E

RGB 241 176 126

HSL 26.09, 0.8%, 0.72%

LAB 76.83, 17.93, 34.87

 

CMYK 45 / 0 / 48 / 5

HEX #85F17E

RGB 133 241 126

HSL 116.35, 0.8%, 0.72%

LAB 86.7, -53.3, 45.83

 

CMYK 48 / 21 / 0 / 5

HEX #7EBFF1

RGB 126 191 241

HSL 206.09, 0.8%, 0.72%

LAB 74.86, -7.45, -31.2

 

Description

Color code: RGB 235 125 241 | qconv.com Color code: RGB 235 125 241 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 125 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 125 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 48 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 48% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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